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Neprijatni najbliži rođak: naučne i pokretne slike majmuna

Unpleasent Closest Cousin: Scientific and Mosion Pictures of Apes

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2018
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Autori
Krstić, Predrag
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Apstrakt
Tema ovog rada su predstave majmuna na filmu i, šire, u zapadnoj kulturnoj tradiciji. Detektuje se obrazac ambivalentne recepcije te vrste života: prepoznavanje najbližeg srodnika neprijatno podseća na zajedničko poreklo. Film je, načelno, umeo da čovekolikog majmuna i augmentizuje, učini neodoljivo pretećom (King Kong), i da ga personalizuje i paternalističkim sentimentalizmom posliči čoveku (Cheeta), i da izokrene čitav odnos čoveka i majmuna i signalizira političke konsekvence vrsne dominacije (Planeta majmuna), i, najzad, da razreši neprijatnu blizinu – sasvim približavajući čoveka i majmuna u zajedničkom katastrofičkom udesu (12 majmuna, Congo, Gorile u magli). U svakoj varijanti, pokazuje se da je znamenitu Marxovu formulaciju – „anatomija čoveka je ključ za razumevanje anatomije majmuna“ – zanimljivije sada obrnuti i misliti možda ne više samo metodološki.
This paper outlines the performance of monkeys in the film and, more broadly, in western cultural tradition. The pattern of ambivalent reception of that liveform is detected: recognizing the closest relatives uncomfortable resemblance to a common origin. In principle, movie used to augment ape and make him irresistibly threatening (King Kong); to personalize and with paternalistic sentimentalism assimilate him to human (Tarzan’s Cheeta), to distort the whole relation of humans and apes and signalize political consequences of species domination (Planet of the Apes), and finally, to resolve an uncomfortable closeness – with complete approximation of humans and monkeys in common catastrophic accidents (12 Monkeys, Congo, Gorillas in the Mist). It is demonstrated that, in whatever version, it is more interesting now to reverse the famous Marx’s formulation –„the anatomy of man is the key to the anatomy of the ape“– and think it not only methodologically any more.
Ključne reči:
film / movie / monkey / ape / unpleasant other / science / culture / pithecophobia / majmun / čovekoliki majmun / neprijatni drugi / nauka / kultura / pitekofobija
Izvor:
Filozofija i društvo/Philosophy and Society, 2018, 62, 1, 133-152
Projekti:
  • Istraživanje klimatskih promena i njihovog uticaja na životnu sredinu - praćenje uticaja, adaptacija i ublažavanje (RS-43007)

DOI: 10.2298/THEO1901133K

ISSN: (Online) 2406-081X

[ Google Scholar ]
URI
http://rifdt.instifdt.bg.ac.rs/123456789/2012
Kolekcije
  • Filozofija i društvo [Philosophy and Society]
Institucija
IFDT
TY  - JOUR
AU  - Krstić, Predrag
PY  - 2018
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2012
AB  - Tema ovog rada su predstave majmuna na filmu i, šire, u zapadnoj kulturnoj tradiciji. Detektuje se obrazac ambivalentne recepcije te vrste života: prepoznavanje najbližeg srodnika neprijatno podseća na zajedničko poreklo. Film je, načelno, umeo da čovekolikog majmuna i augmentizuje, učini neodoljivo pretećom (King Kong), i da ga personalizuje i paternalističkim sentimentalizmom posliči čoveku (Cheeta), i da izokrene čitav odnos čoveka i majmuna i signalizira političke konsekvence vrsne dominacije (Planeta majmuna), i, najzad, da razreši neprijatnu blizinu – sasvim približavajući čoveka i majmuna u zajedničkom katastrofičkom udesu (12 majmuna, Congo, Gorile u magli). U svakoj varijanti, pokazuje se da je znamenitu
Marxovu formulaciju – „anatomija čoveka je ključ za razumevanje anatomije majmuna“ – zanimljivije sada obrnuti i misliti možda ne više samo metodološki.
AB  - This paper outlines the performance of monkeys in the film and, more broadly, in
western cultural tradition. The pattern of ambivalent reception of that liveform is
detected: recognizing the closest relatives uncomfortable resemblance to a common
origin. In principle, movie used to augment ape and make him irresistibly threatening
(King Kong); to personalize and with paternalistic sentimentalism assimilate him to
human (Tarzan’s Cheeta), to distort the whole relation of humans and apes and signalize political consequences of species domination (Planet of the Apes), and finally, to
resolve an uncomfortable closeness – with complete approximation of humans and
monkeys in common catastrophic accidents (12 Monkeys, Congo, Gorillas in the
Mist). It is demonstrated that, in whatever version, it is more interesting now to reverse
the famous Marx’s formulation –„the anatomy of man is the key to the anatomy of the
ape“– and think it not only methodologically any more.
T2  - Filozofija i društvo/Philosophy and Society
T1  - Neprijatni najbliži rođak: naučne i pokretne slike majmuna
T1  - Unpleasent Closest Cousin: Scientific and Mosion Pictures of Apes
IS  - 1
VL  - 62
SP  - 133
EP  - 152
DO  - 10.2298/THEO1901133K
ER  - 
@article{
author = "Krstić, Predrag",
year = "2018",
url = "http://rifdt.instifdt.bg.ac.rs/123456789/2012",
abstract = "Tema ovog rada su predstave majmuna na filmu i, šire, u zapadnoj kulturnoj tradiciji. Detektuje se obrazac ambivalentne recepcije te vrste života: prepoznavanje najbližeg srodnika neprijatno podseća na zajedničko poreklo. Film je, načelno, umeo da čovekolikog majmuna i augmentizuje, učini neodoljivo pretećom (King Kong), i da ga personalizuje i paternalističkim sentimentalizmom posliči čoveku (Cheeta), i da izokrene čitav odnos čoveka i majmuna i signalizira političke konsekvence vrsne dominacije (Planeta majmuna), i, najzad, da razreši neprijatnu blizinu – sasvim približavajući čoveka i majmuna u zajedničkom katastrofičkom udesu (12 majmuna, Congo, Gorile u magli). U svakoj varijanti, pokazuje se da je znamenitu
Marxovu formulaciju – „anatomija čoveka je ključ za razumevanje anatomije majmuna“ – zanimljivije sada obrnuti i misliti možda ne više samo metodološki., This paper outlines the performance of monkeys in the film and, more broadly, in
western cultural tradition. The pattern of ambivalent reception of that liveform is
detected: recognizing the closest relatives uncomfortable resemblance to a common
origin. In principle, movie used to augment ape and make him irresistibly threatening
(King Kong); to personalize and with paternalistic sentimentalism assimilate him to
human (Tarzan’s Cheeta), to distort the whole relation of humans and apes and signalize political consequences of species domination (Planet of the Apes), and finally, to
resolve an uncomfortable closeness – with complete approximation of humans and
monkeys in common catastrophic accidents (12 Monkeys, Congo, Gorillas in the
Mist). It is demonstrated that, in whatever version, it is more interesting now to reverse
the famous Marx’s formulation –„the anatomy of man is the key to the anatomy of the
ape“– and think it not only methodologically any more.",
journal = "Filozofija i društvo/Philosophy and Society",
title = "Neprijatni najbliži rođak: naučne i pokretne slike majmuna, Unpleasent Closest Cousin: Scientific and Mosion Pictures of Apes",
number = "1",
volume = "62",
pages = "133-152",
doi = "10.2298/THEO1901133K"
}
Krstić P. Unpleasent Closest Cousin: Scientific and Mosion Pictures of Apes. Filozofija i društvo/Philosophy and Society. 2018;62(1):133-152
Krstić, P. (2018). Unpleasent Closest Cousin: Scientific and Mosion Pictures of Apes.
Filozofija i društvo/Philosophy and Society, 62(1), 133-152.
https://doi.org/10.2298/THEO1901133K
Krstić Predrag, "Unpleasent Closest Cousin: Scientific and Mosion Pictures of Apes" 62, no. 1 (2018):133-152,
https://doi.org/10.2298/THEO1901133K .

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