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Unpleasent Closest Cousin: Scientific and Mosion Pictures of Apes

dc.creatorKrstić, Predrag
dc.date.accessioned2019-07-19T09:50:10Z
dc.date.available2019-07-19T09:50:10Z
dc.date.issued2018
dc.identifier.issn(Online) 2406-081X
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/2012
dc.description.abstractTema ovog rada su predstave majmuna na filmu i, šire, u zapadnoj kulturnoj tradiciji. Detektuje se obrazac ambivalentne recepcije te vrste života: prepoznavanje najbližeg srodnika neprijatno podseća na zajedničko poreklo. Film je, načelno, umeo da čovekolikog majmuna i augmentizuje, učini neodoljivo pretećom (King Kong), i da ga personalizuje i paternalističkim sentimentalizmom posliči čoveku (Cheeta), i da izokrene čitav odnos čoveka i majmuna i signalizira političke konsekvence vrsne dominacije (Planeta majmuna), i, najzad, da razreši neprijatnu blizinu – sasvim približavajući čoveka i majmuna u zajedničkom katastrofičkom udesu (12 majmuna, Congo, Gorile u magli). U svakoj varijanti, pokazuje se da je znamenitu Marxovu formulaciju – „anatomija čoveka je ključ za razumevanje anatomije majmuna“ – zanimljivije sada obrnuti i misliti možda ne više samo metodološki.sr
dc.description.abstractThis paper outlines the performance of monkeys in the film and, more broadly, in western cultural tradition. The pattern of ambivalent reception of that liveform is detected: recognizing the closest relatives uncomfortable resemblance to a common origin. In principle, movie used to augment ape and make him irresistibly threatening (King Kong); to personalize and with paternalistic sentimentalism assimilate him to human (Tarzan’s Cheeta), to distort the whole relation of humans and apes and signalize political consequences of species domination (Planet of the Apes), and finally, to resolve an uncomfortable closeness – with complete approximation of humans and monkeys in common catastrophic accidents (12 Monkeys, Congo, Gorillas in the Mist). It is demonstrated that, in whatever version, it is more interesting now to reverse the famous Marx’s formulation –„the anatomy of man is the key to the anatomy of the ape“– and think it not only methodologically any more.sr
dc.language.isosrsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Integrated and Interdisciplinary Research (IIR or III)/43007/RS//sr
dc.rightsopenAccesssr
dc.sourceTheoriasr
dc.subjectfilm; majmun; čovekoliki majmun; neprijatni drugi; nauka; kultura; pitekofobijasr
dc.subjectmovie; monkey; ape; unpleasant other; science; culture; pithecophobiasr
dc.titleNeprijatni najbliži rođak: naučne i pokretne slike majmunasr
dc.titleUnpleasent Closest Cousin: Scientific and Mosion Pictures of Apessr
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractКрстић, Предраг; Унплеасент Цлосест Цоусин: Сциентифиц анд Мосион Пицтурес оф Aпес; Унплеасент Цлосест Цоусин: Сциентифиц анд Мосион Пицтурес оф Aпес; Непријатни најближи рођак: научне и покретне слике мајмуна; Непријатни најближи рођак: научне и покретне слике мајмуна;
dc.citation.issue1
dc.citation.volume62
dc.citation.spage133
dc.citation.epage152
dc.identifier.doi10.2298/THEO1901133K
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs//bitstream/id/4704/0351-22741901133K.pdf


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