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Painter and the Pledge of Silence
(Belgrade: Institute for Philosophy and Social Theory, 2019)
The essay discusses whether painting can be a socially engaged art. Jean-Paul Sartre, Emmanuel Levinas and Maurice Merleau-Ponty gave a negative or at least skeptical answer. However, the essential fact that the images are ...
Foreword: Inclusion/Exclusion—On the Conditions of Common or Critical Engagement
(London : Palgrave Macmillan, 2020)
On Butler’s Theory of Agency
(University of Amsterdam Press, 2021)
This essay addresses the notion of agency in Judith Butler’s work. Its central claim is that her political philosophy revolves around a specific understanding of agency, even a theory of agency, which has not as yet received ...
(ʽCollectiveʼ) Experience of the Numinous
(Udine: Mimesis Edizioni, 2021)
Prošlost i razumevanje rata : Uloga kulture sećanja u oblikovanju naracija srpske i hrvatske štampe o ratu u Hrvatskoj
(Beograd : Institut za filozofiju i društvenu teoriju; Fabrika knjiga, 2008)
Почему ʽвеликая войнаʼ была ʽвеликойʼ? Война как философская проблема в дебатах межвоенного периода
(Екатеринбург : Кабинетный ученый, 2019)
Kritički aspekti pragmatizma: između opravdanja i ironije
(Beograd : Institut za filozofiju i društvenu teoriju, 2023)
S ove strane virtualnosti. Etika i pravo u sferi 'stvarne virtualnosti'
(Beograd : Institut za filozofiju i društvenu teoriju, 2018)
Tekst se bavi pitanjem virtuelnosti u tzv. transklasičnim tehnologijama. U fokusu je "nestajanje tragova" upotrebe novih tehnologija i nemogućnost pripisivanja subjektivnosti delanja i odgovornosti u kontekstu upotrebe tih ...
Seeing Violence: Images and Critique
(Universidade de Coimbra, IEF Instituto de Estudos Filosóficos, 2019)
Thus, my main interest here is in what images of horror produce. What happens to reason when confronted with an image of something that surpasses the powers of explanation or rational reconciliation with the seen? Surmising ...
Institucionalizovati kontrainstituciju
(Beograd : Institut za filozofiju i društvenu teoriju, 2019)