History and Ideology on the TV Screen – The Case of Serbian TV Series Ravna Gora
Апстракт
In this presentation we will analyze how the TV Show “Ravna Gora” constructs
historical events and actors. Our main theoretical inspiration will be Stuart Halls understanding
of ideology as a “code” which structures discourses and texts. Therefore, by analyzing “Ravna
Gora” as a text we will set out to find an underlying code that structures various signifying
chains and narrative elements within it. Our analysis will consist of a syntagmatic and a
paradigmatic dimension. In the syntagmatic dimension we will use narrative analysis to explore
how various character behaviors, transformations, relations as well as events through the
duration of the series form a coherent structure. In the paradigmatic dimension we will apply the
semiotic method to analyze various symbolic elements that appear throughout the series. By
combining these two dimensions we seek to find a “deep structure” within the text of the series
which structures the way various characters and events are symboliz...ed and contrasted with each
other. We will conclude our presentation by relating the findings of our analysis to the broader
context of cultural changes in the serbian post-socialist transformation in which “Ravna Gora”
appeared.
Кључне речи:
ideology / history / semiotics / narrative / post-socialismИзвор:
Meka moć ekrana Balkana : knjiga apstrakata : 26–27. maj 2022, Beograd, 2022Издавач:
- Beograd : Fakultet dramskih umetnosti
Финансирање / пројекти:
- "info:eu-repo/grantAgreement/MESTD/inst-2020/200025/RS//" (RS-MESTD-inst-2020-200025)
Колекције
Институција/група
IFDTTY - CONF AU - Urošević, Milan PY - 2022 UR - https://plus.cobiss.net/cobiss/sr/sr/bib/66663689 UR - http://rifdt.instifdt.bg.ac.rs/123456789/3004 AB - In this presentation we will analyze how the TV Show “Ravna Gora” constructs historical events and actors. Our main theoretical inspiration will be Stuart Halls understanding of ideology as a “code” which structures discourses and texts. Therefore, by analyzing “Ravna Gora” as a text we will set out to find an underlying code that structures various signifying chains and narrative elements within it. Our analysis will consist of a syntagmatic and a paradigmatic dimension. In the syntagmatic dimension we will use narrative analysis to explore how various character behaviors, transformations, relations as well as events through the duration of the series form a coherent structure. In the paradigmatic dimension we will apply the semiotic method to analyze various symbolic elements that appear throughout the series. By combining these two dimensions we seek to find a “deep structure” within the text of the series which structures the way various characters and events are symbolized and contrasted with each other. We will conclude our presentation by relating the findings of our analysis to the broader context of cultural changes in the serbian post-socialist transformation in which “Ravna Gora” appeared. PB - Beograd : Fakultet dramskih umetnosti C3 - Meka moć ekrana Balkana : knjiga apstrakata : 26–27. maj 2022, Beograd T1 - History and Ideology on the TV Screen – The Case of Serbian TV Series Ravna Gora UR - https://hdl.handle.net/21.15107/rcub_rifdt_3004 ER -
@conference{ author = "Urošević, Milan", year = "2022", abstract = "In this presentation we will analyze how the TV Show “Ravna Gora” constructs historical events and actors. Our main theoretical inspiration will be Stuart Halls understanding of ideology as a “code” which structures discourses and texts. Therefore, by analyzing “Ravna Gora” as a text we will set out to find an underlying code that structures various signifying chains and narrative elements within it. Our analysis will consist of a syntagmatic and a paradigmatic dimension. In the syntagmatic dimension we will use narrative analysis to explore how various character behaviors, transformations, relations as well as events through the duration of the series form a coherent structure. In the paradigmatic dimension we will apply the semiotic method to analyze various symbolic elements that appear throughout the series. By combining these two dimensions we seek to find a “deep structure” within the text of the series which structures the way various characters and events are symbolized and contrasted with each other. We will conclude our presentation by relating the findings of our analysis to the broader context of cultural changes in the serbian post-socialist transformation in which “Ravna Gora” appeared.", publisher = "Beograd : Fakultet dramskih umetnosti", journal = "Meka moć ekrana Balkana : knjiga apstrakata : 26–27. maj 2022, Beograd", title = "History and Ideology on the TV Screen – The Case of Serbian TV Series Ravna Gora", url = "https://hdl.handle.net/21.15107/rcub_rifdt_3004" }
Urošević, M.. (2022). History and Ideology on the TV Screen – The Case of Serbian TV Series Ravna Gora. in Meka moć ekrana Balkana : knjiga apstrakata : 26–27. maj 2022, Beograd Beograd : Fakultet dramskih umetnosti.. https://hdl.handle.net/21.15107/rcub_rifdt_3004
Urošević M. History and Ideology on the TV Screen – The Case of Serbian TV Series Ravna Gora. in Meka moć ekrana Balkana : knjiga apstrakata : 26–27. maj 2022, Beograd. 2022;. https://hdl.handle.net/21.15107/rcub_rifdt_3004 .
Urošević, Milan, "History and Ideology on the TV Screen – The Case of Serbian TV Series Ravna Gora" in Meka moć ekrana Balkana : knjiga apstrakata : 26–27. maj 2022, Beograd (2022), https://hdl.handle.net/21.15107/rcub_rifdt_3004 .