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Diderot’s Ontology and hollywood Metaphysics

dc.contributor.editorJovanov, Rastko
dc.creatorBožović, Miran
dc.date.accessioned2017-11-01T10:17:14Z
dc.date.available2017-11-01T10:17:14Z
dc.date.issued2013
dc.identifier0353-5738
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/998
dc.description.abstractDiderot’s universe is somewhat weird, often dreamlike and hallucinatory, and his ontology fluid and elusive. It comprises the existing, the non­exis­ tent and even contradictory entities, the boundaries between which cannot always be clearly delimited. This universe in which nothing is of the essence of a particular being and everything is more or less something or other, re­ sembles the amorphous and oneiric world of Zhuangzi in which nothing is clearly defined, while essenceless things, floating in uncertainty and inde­ terminacy, literally blend into one another. The author examines what the early Hollywood comedies of Preston Sturges and the Marx brothers can teach us about the metaphysics and the principles at work in this complex and intricate world.eng
dc.format24 3 (2013) 177-195
dc.formatapplication/pdf
dc.languagesr
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceFilozofija i društvo/Philosophy and Societymul
dc.subjectontology
dc.subjectontologija
dc.subjectmaterialism
dc.subjectmaterijalizam
dc.subject18 century philosophy
dc.subjectfilozofija
dc.subjecttelo
dc.subjectbody
dc.subjectmind
dc.subjectduh
dc.subject18. vek
dc.titleDidroova ontologija i holivudska metafizikasr
dc.titleDiderot’s Ontology and hollywood Metaphysicseng
dc.typearticle
dc.rights.licenseBY-NC-ND
dcterms.abstractБожовић, Миран; Дидроова онтологија и холивудска метафизика;
dc.citation.spage177
dc.citation.epage195
dc.identifier.doi10.2298/FID1303177B
dc.type.versionpublishedVersion
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs/bitstream/id/5136/996.pdf


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