Ontološka estetika u jugoslovenskom marksizmu

dc.creator	Bošković, Dušan
dc.date.accessioned	2017-11-01T10:15:04Z
dc.date.available	2017-11-01T10:15:04Z
dc.date.issued	1997
dc.identifier.uri	http://rifdt.instifdt.bg.ac.rs/123456789/76
dc.description.abstract	In this paper, the results and the difficulties of the ontological aesthetics are investigated as they are exemplified in the case of Yugoslav Marxism. The ontological comprehension of art does not give uniform results, sometimes even in the case of the same thinker: it can be used to justify the autonomy of art, as well as to show its heteronomy. Some ontologically inclined aesthetician can have favourable attitude towards modern art while the other could be against it. Every ontological aesthetics should by itself be investigated with regard to what it justifies, to what it denies, to what it is silent about.	eng
dc.format	40 1 (1997) 79-105
dc.language	sr
dc.rights.uri	https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.source	Theoria : časopis filozofskog društva Srbije	srp
dc.subject	istorija ideja
dc.subject	ontologija
dc.subject	estetika
dc.title	Ontološka estetika u jugoslovenskom marksizmu	sr
dc.type	article
dc.rights.license	BY-NC-ND
dcterms.abstract	Бошковић, Душан; Онтолошка естетика у југословенском марксизму;
dc.citation.spage	79
dc.citation.epage	105
dc.type.version	publishedVersion
dc.identifier.rcub	https://hdl.handle.net/21.15107/rcub_rifdt_76

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