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Ontološka estetika u jugoslovenskom marksizmu

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Authors
Bošković, Dušan
Article (Published version)
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Abstract
In this paper, the results and the difficulties of the ontological aesthetics are investigated as they are exemplified in the case of Yugoslav Marxism. The ontological comprehension of art does not give uniform results, sometimes even in the case of the same thinker: it can be used to justify the autonomy of art, as well as to show its heteronomy. Some ontologically inclined aesthetician can have favourable attitude towards modern art while the other could be against it. Every ontological aesthetics should by itself be investigated with regard to what it justifies, to what it denies, to what it is silent about.
Keywords:
istorija ideja / ontologija / estetika
Source:
Theoria : časopis filozofskog društva Srbije, 1997, 79-105
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Handle
https://hdl.handle.net/21.15107/rcub_rifdt_76
URI
http://rifdt.instifdt.bg.ac.rs/123456789/76
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IFDT
TY  - JOUR
AU  - Bošković, Dušan
PY  - 1997
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/76
AB  - In this paper, the results and the difficulties of the ontological aesthetics are investigated as they are exemplified in the case of Yugoslav Marxism. The ontological comprehension of art does not give uniform results, sometimes even in the case of the same thinker: it can be used to justify the autonomy of art, as well as to show its heteronomy. Some ontologically inclined aesthetician can have favourable attitude towards modern art while the other could be against it. Every ontological aesthetics should by itself be  investigated with regard to what it justifies, to what it denies, to what it is silent about.
T2  - Theoria : časopis filozofskog društva Srbije
T1  - Ontološka estetika u jugoslovenskom marksizmu
SP  - 79
EP  - 105
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_76
ER  - 
@article{
author = "Bošković, Dušan",
year = "1997",
abstract = "In this paper, the results and the difficulties of the ontological aesthetics are investigated as they are exemplified in the case of Yugoslav Marxism. The ontological comprehension of art does not give uniform results, sometimes even in the case of the same thinker: it can be used to justify the autonomy of art, as well as to show its heteronomy. Some ontologically inclined aesthetician can have favourable attitude towards modern art while the other could be against it. Every ontological aesthetics should by itself be  investigated with regard to what it justifies, to what it denies, to what it is silent about.",
journal = "Theoria : časopis filozofskog društva Srbije",
title = "Ontološka estetika u jugoslovenskom marksizmu",
pages = "79-105",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_76"
}
Bošković, D.. (1997). Ontološka estetika u jugoslovenskom marksizmu. in Theoria : časopis filozofskog društva Srbije, 79-105.
https://hdl.handle.net/21.15107/rcub_rifdt_76
Bošković D. Ontološka estetika u jugoslovenskom marksizmu. in Theoria : časopis filozofskog društva Srbije. 1997;:79-105.
https://hdl.handle.net/21.15107/rcub_rifdt_76 .
Bošković, Dušan, "Ontološka estetika u jugoslovenskom marksizmu" in Theoria : časopis filozofskog društva Srbije (1997):79-105,
https://hdl.handle.net/21.15107/rcub_rifdt_76 .

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