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Privatno (ni)je javno O Antigoninoj tužbalici i njenom ehu kod Hegela i Kjerkegora

Private is (not) Public. About Antigone’s Mourning Voice and its Echo in Hegel and Kierkegaard

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2013
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Authors
Stevanović, Lada
Contributors
Jovanov, Rastko
Article (Published version)
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Abstract
This paper presents a rereading of the interpretations of Antigone by Hegel and Kierkegaard on the grounds of research of Sophocles’ text and its performance in Athenian theatre in the context of socio-political climate of the fifth century Athens. Focus is placed on the political aspect of theatre, as well as on the figure of Antigone, her voice and her action, which is the subject recognized by Hegel. However, what this interpretation lacks is the notion that Antigone is political and not pre-political figure. This political aspect reveals itself within the research of ancient Greek lamentation and funeral ritual as an exclusively female practice in ancient Greek tradition, which was subjected to regulations and control in particular by the law of Solo (6th ct. BC). However, new political organization was not based on family relation and aristocratic clans, as before, but exclusively on political bodies. So, for example the vendetta, which was formulated by women during the lamentati...on, was banned by law. Still, in spite of many laws and regulations by the state, and later on (in the Byzantine period) the church, women in Greece succeeded in keeping their important position in all the practices around the dead, almost until the end of the XX century. So, we see the example of traditional practice that functions on the margins of the society endangering and controlling its official political structure in pre-modern societies. What are the echoes of the political figure of Antigone, as a woman in charge of the family funeral duties, in the text of Hegel and in the text of Kierkegaard. Where is her voice? And does she act politically or privately?

Keywords:
Antigone / Antigona / tužbalica / lamentation / antičko pozorište / ancient theatre / public speech / javni govor / tragedy / tragedija / Hegel, Georg Vilhelm Fridrih / Hegel, Georg Vilhelm Fridrih / Kjerkegor / Kierkegaard
Source:
Filozofija i društvo/Philosophy and Society, 2013, 254-272

DOI: 10.2298/FID1301254S

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URI
http://rifdt.instifdt.bg.ac.rs/123456789/632
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  • Glavna kolekcija
  • Filozofija i društvo [Philosophy and Society]
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IFDT
TY  - JOUR
AU  - Stevanović, Lada
PY  - 2013
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/632
AB  - This paper presents a rereading of the interpretations of Antigone by Hegel and Kierkegaard on the grounds of research of Sophocles’ text and its performance in Athenian theatre in the context of socio-political climate of the fifth century Athens. Focus is placed on the political aspect of theatre, as well as on the figure of Antigone, her voice and her action, which is the subject recognized by Hegel. However, what this interpretation lacks is the notion that Antigone is political and not pre-political figure. This political aspect reveals itself within the research of ancient Greek lamentation and funeral ritual as an exclusively female practice in ancient Greek tradition, which was subjected to regulations and control in particular by the law of Solo (6th ct. BC). However, new political organization was not based on family relation and aristocratic clans, as before, but exclusively on political bodies. So, for example the vendetta, which was formulated by women during the lamentation, was banned by law. Still, in spite of many laws and regulations by the state, and later on (in the Byzantine period) the church, women in Greece succeeded in keeping their important position in all the practices around the dead, almost until the end of the XX century. So, we see the example of traditional practice that functions on the margins of the society endangering and controlling its official political structure in pre-modern societies. What are the echoes of the political figure of Antigone, as a woman in charge of the family funeral duties, in the text of Hegel and in the text of Kierkegaard. Where is her voice? And does she act politically or privately?
T2  - Filozofija i društvo/Philosophy and Society
T1  - Privatno (ni)je javno O Antigoninoj tužbalici i njenom ehu kod Hegela i Kjerkegora
T1  - Private is (not) Public. About Antigone’s Mourning Voice and its Echo in Hegel and Kierkegaard
SP  - 254
EP  - 272
DO  - 10.2298/FID1301254S
ER  - 
@article{
editor = "Jovanov, Rastko",
author = "Stevanović, Lada",
year = "2013",
abstract = "This paper presents a rereading of the interpretations of Antigone by Hegel and Kierkegaard on the grounds of research of Sophocles’ text and its performance in Athenian theatre in the context of socio-political climate of the fifth century Athens. Focus is placed on the political aspect of theatre, as well as on the figure of Antigone, her voice and her action, which is the subject recognized by Hegel. However, what this interpretation lacks is the notion that Antigone is political and not pre-political figure. This political aspect reveals itself within the research of ancient Greek lamentation and funeral ritual as an exclusively female practice in ancient Greek tradition, which was subjected to regulations and control in particular by the law of Solo (6th ct. BC). However, new political organization was not based on family relation and aristocratic clans, as before, but exclusively on political bodies. So, for example the vendetta, which was formulated by women during the lamentation, was banned by law. Still, in spite of many laws and regulations by the state, and later on (in the Byzantine period) the church, women in Greece succeeded in keeping their important position in all the practices around the dead, almost until the end of the XX century. So, we see the example of traditional practice that functions on the margins of the society endangering and controlling its official political structure in pre-modern societies. What are the echoes of the political figure of Antigone, as a woman in charge of the family funeral duties, in the text of Hegel and in the text of Kierkegaard. Where is her voice? And does she act politically or privately?",
journal = "Filozofija i društvo/Philosophy and Society",
title = "Privatno (ni)je javno O Antigoninoj tužbalici i njenom ehu kod Hegela i Kjerkegora, Private is (not) Public. About Antigone’s Mourning Voice and its Echo in Hegel and Kierkegaard",
pages = "254-272",
doi = "10.2298/FID1301254S"
}
Jovanov, R.,& Stevanović, L.. (2013). Privatno (ni)je javno O Antigoninoj tužbalici i njenom ehu kod Hegela i Kjerkegora. in Filozofija i društvo/Philosophy and Society, 254-272.
https://doi.org/10.2298/FID1301254S
Jovanov R, Stevanović L. Privatno (ni)je javno O Antigoninoj tužbalici i njenom ehu kod Hegela i Kjerkegora. in Filozofija i društvo/Philosophy and Society. 2013;:254-272.
doi:10.2298/FID1301254S .
Jovanov, Rastko, Stevanović, Lada, "Privatno (ni)je javno O Antigoninoj tužbalici i njenom ehu kod Hegela i Kjerkegora" in Filozofija i društvo/Philosophy and Society (2013):254-272,
https://doi.org/10.2298/FID1301254S . .

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