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dc.creatorToković, Milena
dc.creatorResanović, Milica
dc.creatorNišlić, Ivan
dc.date.accessioned2023-12-12T17:48:20Z
dc.date.available2023-12-12T17:48:20Z
dc.date.issued2023
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/3664
dc.description.abstractDigitalni prostori su sve značajniji u procesu promovisanja kulturnog identiteta gradova. Ljudi, kako navodi Čejko (2019), koristeći digitalne tehnologije konstruišu i okruženje koje predstavlja sociomentalni prostor, zbog uspostavljanja veza koje se održavaju više mentalno nego fi zički. Tako se „danas krećemo u dva ravnopravna životna prostora koja postoje paralelno, u svom ofl ajn i onlajn okruženju“ (Kacer, 2019). Pandemija kovid 19 (re)aktivirala je debate o utopijskoj i distopijskoj perspektivi korišćenja digitalnih prostora kulturne potrošnje. Ova krizna situacija ukazala je na značaj savremene tehnologije u promociji kulturnog identiteta grada. Cilj ovog rada je da prikaže na koji način su institucije kulture iskoristile prednosti savremene tehnologije u promociji kulturnog identiteta grada, ali i da ukaže na sva ograničenja digitalnog prostora u recepciji kulturnih sadržaja. U radu će biti korišćeni podaci istraživanja Kraj sezone pre kraja sezone? Strategije u kulturi u kriznim situacijama Filozofskog fakulteta u Beogradu.sr
dc.description.abstractDigital spaces are becoming increasingly signifi cant in the process of promoting the cultural identity of cities. According to Chayko, people, by using digital technologies, construct an environment that represents a socio-mental space, as the connections maintained within it are more mental than physical. Therefore, “today we are navigating between two equal living spaces that exist in parallel, in our offl ine and online environments” (Katzer, 2019). The COVID-19 pandemic has (re)activated debates on the utopian and dystopian perspectives of using digital spaces for cultural consumption. This crisis has highlighted the importance of modern technology in promoting the cultural identity of a city. The aim of this paper is to illustrate how cultural institutions have utilized the advantages of modern technology in promoting the cultural identity of a city, while also pointing out the limitations of the digital space in the reception of cultural content. The paper will rely on data from the research The End of the Season Before the End of the Season? Strategies in Culture in Crisis Situations conducted by the Institute of Sociological Research, Faculty of Philosophy in Belgrade.sr
dc.language.isosrsr
dc.publisherAsocijacija prostornih planera Srbije Beogradsr
dc.publisherUniverzitet u Beogradu - Geografski fakultetsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/inst-2020/200025/RS//sr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourcePlanska i normativna zaštita prostora i životne sredinesr
dc.subjectdigitalni prostorsr
dc.subjectkulturni identitet gradasr
dc.subjectdigitalna kulturasr
dc.subjectkrizna situacijasr
dc.subjectdigital spacesr
dc.subjectcultural identity of the citysr
dc.subjectdigital culturesr
dc.subjectcrisissr
dc.titleUloga digitalnog prostora i savremene tehnologije u promociji kulturnog identiteta grada u kriznim situacijamasr
dc.typeconferenceObjectsr
dc.rights.licenseBYsr
dc.citation.spage277
dc.citation.epage284
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs/bitstream/id/13241/bitstream_13241.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_rifdt_3664


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