Neo-Avantgarde and Feminist Underpinnings of post-Yugoslav Literature and its Utopias: A Comparative Reading of Judita Šalgo and Slobodan Tišma
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The topic of the paper is the exploration of the ‘woman’s woman’ identity, as desired and conceptualized by the protagonist of Slobodan Tišma’s novel Bernardi’s Room, further analysed over its relation to the unwritten history of the post-Yugoslav literature. I tried interpreting what kind of a poetical and political identification that is and why it would be important to identify in such a way in the context of post-Yugoslav literature. To be a ‘woman’s woman’ points at a tradition, that is at inheriting or continuing what comes to be defined as womanly, understood as a sexual, textual and a literary possibility, or becoming. Therefore, the effects of a comparative reading of the two novels by Vojvodinian authors Judita Šalgo and Slobodan Tišma enable observing the continuities among late Yugoslav and post-Yugoslav literatures, disclosing their Neo-avant-gardist and feminist underpinnings. While those aspects integrate in the imagination of a utopia, which bears upon the gendered bodi...es and territories, the paper also aims at responding to the universalist/particularist dilemma which accompanies the process of establishing a literary text inside a respective literary field.
Кључне речи:
Judita Šalgo / Slobodan Tišma / (post-)Yugoslav literature / Neo-avant-garde / literary feminismИзвор:
Disrupting Historicity, Reclaiming the Future, 2019, 325-337Издавач:
- Università degli studi di Napoli “L’Orientale”, Unior Press
Колекције
Институција/група
IFDTTY - CHAP AU - Matijević, Tijana PY - 2019 UR - http://rifdt.instifdt.bg.ac.rs/123456789/3149 AB - The topic of the paper is the exploration of the ‘woman’s woman’ identity, as desired and conceptualized by the protagonist of Slobodan Tišma’s novel Bernardi’s Room, further analysed over its relation to the unwritten history of the post-Yugoslav literature. I tried interpreting what kind of a poetical and political identification that is and why it would be important to identify in such a way in the context of post-Yugoslav literature. To be a ‘woman’s woman’ points at a tradition, that is at inheriting or continuing what comes to be defined as womanly, understood as a sexual, textual and a literary possibility, or becoming. Therefore, the effects of a comparative reading of the two novels by Vojvodinian authors Judita Šalgo and Slobodan Tišma enable observing the continuities among late Yugoslav and post-Yugoslav literatures, disclosing their Neo-avant-gardist and feminist underpinnings. While those aspects integrate in the imagination of a utopia, which bears upon the gendered bodies and territories, the paper also aims at responding to the universalist/particularist dilemma which accompanies the process of establishing a literary text inside a respective literary field. PB - Università degli studi di Napoli “L’Orientale”, Unior Press T2 - Disrupting Historicity, Reclaiming the Future T1 - Neo-Avantgarde and Feminist Underpinnings of post-Yugoslav Literature and its Utopias: A Comparative Reading of Judita Šalgo and Slobodan Tišma SP - 325 EP - 337 UR - https://hdl.handle.net/21.15107/rcub_rifdt_3149 ER -
@inbook{ author = "Matijević, Tijana", year = "2019", abstract = "The topic of the paper is the exploration of the ‘woman’s woman’ identity, as desired and conceptualized by the protagonist of Slobodan Tišma’s novel Bernardi’s Room, further analysed over its relation to the unwritten history of the post-Yugoslav literature. I tried interpreting what kind of a poetical and political identification that is and why it would be important to identify in such a way in the context of post-Yugoslav literature. To be a ‘woman’s woman’ points at a tradition, that is at inheriting or continuing what comes to be defined as womanly, understood as a sexual, textual and a literary possibility, or becoming. Therefore, the effects of a comparative reading of the two novels by Vojvodinian authors Judita Šalgo and Slobodan Tišma enable observing the continuities among late Yugoslav and post-Yugoslav literatures, disclosing their Neo-avant-gardist and feminist underpinnings. While those aspects integrate in the imagination of a utopia, which bears upon the gendered bodies and territories, the paper also aims at responding to the universalist/particularist dilemma which accompanies the process of establishing a literary text inside a respective literary field.", publisher = "Università degli studi di Napoli “L’Orientale”, Unior Press", journal = "Disrupting Historicity, Reclaiming the Future", booktitle = "Neo-Avantgarde and Feminist Underpinnings of post-Yugoslav Literature and its Utopias: A Comparative Reading of Judita Šalgo and Slobodan Tišma", pages = "325-337", url = "https://hdl.handle.net/21.15107/rcub_rifdt_3149" }
Matijević, T.. (2019). Neo-Avantgarde and Feminist Underpinnings of post-Yugoslav Literature and its Utopias: A Comparative Reading of Judita Šalgo and Slobodan Tišma. in Disrupting Historicity, Reclaiming the Future Università degli studi di Napoli “L’Orientale”, Unior Press., 325-337. https://hdl.handle.net/21.15107/rcub_rifdt_3149
Matijević T. Neo-Avantgarde and Feminist Underpinnings of post-Yugoslav Literature and its Utopias: A Comparative Reading of Judita Šalgo and Slobodan Tišma. in Disrupting Historicity, Reclaiming the Future. 2019;:325-337. https://hdl.handle.net/21.15107/rcub_rifdt_3149 .
Matijević, Tijana, "Neo-Avantgarde and Feminist Underpinnings of post-Yugoslav Literature and its Utopias: A Comparative Reading of Judita Šalgo and Slobodan Tišma" in Disrupting Historicity, Reclaiming the Future (2019):325-337, https://hdl.handle.net/21.15107/rcub_rifdt_3149 .