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dc.creatorNikolić, Sara
dc.date.accessioned2021-11-11T10:26:35Z
dc.date.available2021-11-11T10:26:35Z
dc.date.issued2019
dc.identifier.issn2544-624X
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/2451
dc.description.abstractColourful zigzags, arcade game motifs, geometric figures, pseudo-frames of windows and even infantile drawings of flora and fauna – those are just some of the visible symptoms of the aesthetical and urbanistic chaotic condition also known as Polish pasteloza. One of the most common readings is that the excuse of thermal insulation is being (ab)used in order to radically erase the urbanistic, cultural and political heritage of Polish People’s Republic (PPR) from the city landscape. On the other hand, inhabitants of ‘pastelized’ housing estates claim to be satisfied not only with the insulation but also with their role in decision-making processes. A sense of alienation from one’s home seems to have gone away, together with the centralized state administration, and it is being replaced by citizen participation. The possibility of vindication of pasteloza’s ‘crimes against aesthetics’ will be deliberated in this paper – in order to pave a path for more complex understanding of this phenomenon that could offer a solution for achieving a compromise between aesthetics and civic participation in post-transition processes.sr
dc.language.isoensr
dc.publisherWarszawa: Institute of Urban and Regional Developmentsr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceUrban Development Issuessr
dc.subjectethnographysr
dc.subjectpastelozasr
dc.subjectpost-socialismsr
dc.subjectPPRsr
dc.subjecturban anthropologysr
dc.titlePasteloza - Refurbishing of the PPR heritagesr
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dc.citation.volume63
dc.citation.spage51
dc.citation.epage64
dc.identifier.doi10.2478/udi-2019-0016
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs/bitstream/id/8676/05_UDI_63_Nikolic_removed.pdf


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