Cilj rada je analiza fenomena geografije u delu Saše Brajović. Dva osnovna postavljena pitanja jesu da li u studijama beogradske istoričarke umetnosti posvećenim kultu Bogorodice Marije u Boki Kotorskoj, prevashodno u monografijama 'Gospa od Škrpjela' (2000) i 'U Bogorodičinom vrtu' (2006), postoje elementi koji ukazuju na prisustvo geografije umetnosti (širenje i putanje umetničkih formi u prostoru, odnos umetničkih centara i njihove periferije, pravci kretanja umetnika, opis umetničke topografije, dostupnost i priroda materijala potrebnih za umetničku obradu) i kakva je logika geografskog diskursa unutar navedenog istoriografskog poduhvata u odnosu na do sada dve glavne utvrđene teorije (geografski determinizam i geografski posibilizam).
The aim of this paper is to analyse the phenomenon of geography in
the works of Saša Brajović. Two parallel issues discussed in the paper
are 1) whether in the group of texts dedicated to the cult of Virgin Mary
in the Bay of Kotor by an art historian from Belgrade, notably in the
monographies Our Lady of the Rocks (2000) and In Mary’s Garden
(2006), there are elements which point to the presence of a geography
of art (dissemination and trajectories of art forms in space, relation
between art centres and art peripheries, directions of artists movements,
description of artistic topography, availability and nature of materials
necessary for art production) and 2) what isthe logic of the geographical
discourse in the aforementioned historiographical undertaking relating
to the two main established theories so far (geographical determinism
and geographical possibilism).
TY - JOUR
PY - 2017
UR - http://rifdt.instifdt.bg.ac.rs/123456789/2369
AB - Cilj rada je analiza fenomena geografije u delu Saše Brajović. Dva osnovna postavljena pitanja jesu da li u studijama beogradske istoričarke umetnosti posvećenim kultu Bogorodice Marije u Boki Kotorskoj, prevashodno u monografijama 'Gospa od Škrpjela' (2000) i 'U Bogorodičinom vrtu' (2006), postoje elementi koji ukazuju na prisustvo geografije umetnosti (širenje i putanje umetničkih formi u prostoru, odnos umetničkih centara i njihove periferije, pravci kretanja umetnika, opis umetničke topografije, dostupnost i priroda materijala potrebnih za umetničku obradu) i kakva je logika geografskog diskursa unutar navedenog istoriografskog poduhvata u odnosu na do sada dve glavne utvrđene teorije (geografski determinizam i geografski posibilizam).
AB - The aim of this paper is to analyse the phenomenon of geography in
the works of Saša Brajović. Two parallel issues discussed in the paper
are 1) whether in the group of texts dedicated to the cult of Virgin Mary
in the Bay of Kotor by an art historian from Belgrade, notably in the
monographies Our Lady of the Rocks (2000) and In Mary’s Garden
(2006), there are elements which point to the presence of a geography
of art (dissemination and trajectories of art forms in space, relation
between art centres and art peripheries, directions of artists movements,
description of artistic topography, availability and nature of materials
necessary for art production) and 2) what isthe logic of the geographical
discourse in the aforementioned historiographical undertaking relating
to the two main established theories so far (geographical determinism
and geographical possibilism).
PB - Beograd: Zavod za proučavanje kulturnog razvitka
T2 - Kultura
T1 - Geografija i umetnost: studija o metodi u delu Saše Brajović
T1 - Geography and Art a Study of the Method in the Works of Saša Brajović
SP - 133
EP - 145
DO - 10.5937/kultura1756133C
ER -
@article{
year = "2017",
abstract = "Cilj rada je analiza fenomena geografije u delu Saše Brajović. Dva osnovna postavljena pitanja jesu da li u studijama beogradske istoričarke umetnosti posvećenim kultu Bogorodice Marije u Boki Kotorskoj, prevashodno u monografijama 'Gospa od Škrpjela' (2000) i 'U Bogorodičinom vrtu' (2006), postoje elementi koji ukazuju na prisustvo geografije umetnosti (širenje i putanje umetničkih formi u prostoru, odnos umetničkih centara i njihove periferije, pravci kretanja umetnika, opis umetničke topografije, dostupnost i priroda materijala potrebnih za umetničku obradu) i kakva je logika geografskog diskursa unutar navedenog istoriografskog poduhvata u odnosu na do sada dve glavne utvrđene teorije (geografski determinizam i geografski posibilizam)., The aim of this paper is to analyse the phenomenon of geography in
the works of Saša Brajović. Two parallel issues discussed in the paper
are 1) whether in the group of texts dedicated to the cult of Virgin Mary
in the Bay of Kotor by an art historian from Belgrade, notably in the
monographies Our Lady of the Rocks (2000) and In Mary’s Garden
(2006), there are elements which point to the presence of a geography
of art (dissemination and trajectories of art forms in space, relation
between art centres and art peripheries, directions of artists movements,
description of artistic topography, availability and nature of materials
necessary for art production) and 2) what isthe logic of the geographical
discourse in the aforementioned historiographical undertaking relating
to the two main established theories so far (geographical determinism
and geographical possibilism).",
publisher = "Beograd: Zavod za proučavanje kulturnog razvitka",
journal = "Kultura",
title = "Geografija i umetnost: studija o metodi u delu Saše Brajović, Geography and Art a Study of the Method in the Works of Saša Brajović",
pages = "133-145",
doi = "10.5937/kultura1756133C"
}
(2017). Geografija i umetnost: studija o metodi u delu Saše Brajović. in Kultura
Beograd: Zavod za proučavanje kulturnog razvitka., 133-145.
https://doi.org/10.5937/kultura1756133C
Geografija i umetnost: studija o metodi u delu Saše Brajović. in Kultura. 2017;:133-145.
doi:10.5937/kultura1756133C .
"Geografija i umetnost: studija o metodi u delu Saše Brajović" in Kultura (2017):133-145,
https://doi.org/10.5937/kultura1756133C . .
