Repository of The Institute for Philosophy and Social Theory
    • English
    • Српски
    • Српски (Serbia)
  • English 
    • English
    • Serbian (Cyrillic)
    • Serbian (Latin)
  • Login
View Item 
  •   RIFDT
  • IFDT
  • Radovi istraživača
  • View Item
  •   RIFDT
  • IFDT
  • Radovi istraživača
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia

Thumbnail
2016
bitstream_8182.pdf (5.921Mb)
Authors
Mevorah, Vera
Contributors
Mikić, Vesna
Veselinović-Hofman, Mirjana
Popović Mladjenović, Tijana
Perković, Ivana
Book part (Published version)
Metadata
Show full item record
Abstract
In this paper, we are analyzing in what ways transition of music competition as an important institution in the world of Art music to digital world of the Internet is changing how we understand some important aspects of music performance and music excellence. The paper deals with a case study of the Internet Music Competition, an online music competition founded in 2011 by Udruženje pedagoga osnovnih i srednjih muzičkih škola Srbije (Teacher Association of Primary and Secondary Music Schools in Serbia). This new form of music competition mirrors many aspects specific for the Internet as a communication medium, and as such represents an interesting case of transitions that Art music goes through in the Information age, as well as possibilities and opportunities that the Internet as a medium brings forth. It opens important question of value and characteristics of digital sound in music performance. Is it possible to get a clear impression of artistic and music excellence through a digit...ally recorded sound? What is being evaluated in an online performance, and what is lost with digital sound? This kind of interdisciplinary study is significant both for understanding heterogeneous transitions of Art music discourses which are happening on a global scale, together with beginning to question and analyze the specifics of Serbian society and culture as part of the new digital, information age.

Keywords:
internet / art music / music competitions / art institutions / cyberspace / sound
Source:
Music: transitions/continuities, 2016, 238-247
Publisher:
  • Belgrade: Faculty of Music, University of Arts Belgrade

ISBN: 978-86-88619-73-8

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_rifdt_2301
URI
http://rifdt.instifdt.bg.ac.rs/123456789/2301
Collections
  • Radovi istraživača
Institution/Community
IFDT
TY  - CHAP
AU  - Mevorah, Vera
PY  - 2016
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2301
AB  - In this paper, we are analyzing in what ways transition of music competition as an important institution in the world of Art music to digital world of the Internet is changing how we understand some important aspects of music performance and music excellence. The paper deals with a case study of the Internet Music Competition, an online music competition founded in 2011 by Udruženje pedagoga osnovnih i srednjih muzičkih škola Srbije (Teacher Association of Primary and Secondary Music Schools in Serbia). This new form of music competition mirrors many aspects specific for the Internet as a communication medium, and as such represents an interesting case of transitions that Art music goes through in the Information age, as well as possibilities and opportunities that the Internet as a medium brings forth. It opens important question of value and characteristics of digital sound in music performance. Is it possible to get a clear impression of artistic and music excellence through a digitally recorded sound? What is being evaluated in an online performance, and what is lost with digital sound? This kind of interdisciplinary study is significant both for understanding heterogeneous transitions of Art music discourses which are happening on a global scale, together with beginning to question and analyze the specifics of Serbian society and culture as part of the new digital, information age.
PB  - Belgrade: Faculty of Music, University of Arts Belgrade
T2  - Music: transitions/continuities
T1  - The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia
SP  - 238
EP  - 247
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2301
ER  - 
@inbook{
author = "Mevorah, Vera",
year = "2016",
abstract = "In this paper, we are analyzing in what ways transition of music competition as an important institution in the world of Art music to digital world of the Internet is changing how we understand some important aspects of music performance and music excellence. The paper deals with a case study of the Internet Music Competition, an online music competition founded in 2011 by Udruženje pedagoga osnovnih i srednjih muzičkih škola Srbije (Teacher Association of Primary and Secondary Music Schools in Serbia). This new form of music competition mirrors many aspects specific for the Internet as a communication medium, and as such represents an interesting case of transitions that Art music goes through in the Information age, as well as possibilities and opportunities that the Internet as a medium brings forth. It opens important question of value and characteristics of digital sound in music performance. Is it possible to get a clear impression of artistic and music excellence through a digitally recorded sound? What is being evaluated in an online performance, and what is lost with digital sound? This kind of interdisciplinary study is significant both for understanding heterogeneous transitions of Art music discourses which are happening on a global scale, together with beginning to question and analyze the specifics of Serbian society and culture as part of the new digital, information age.",
publisher = "Belgrade: Faculty of Music, University of Arts Belgrade",
journal = "Music: transitions/continuities",
booktitle = "The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia",
pages = "238-247",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2301"
}
Mevorah, V.. (2016). The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia. in Music: transitions/continuities
Belgrade: Faculty of Music, University of Arts Belgrade., 238-247.
https://hdl.handle.net/21.15107/rcub_rifdt_2301
Mevorah V. The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia. in Music: transitions/continuities. 2016;:238-247.
https://hdl.handle.net/21.15107/rcub_rifdt_2301 .
Mevorah, Vera, "The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia" in Music: transitions/continuities (2016):238-247,
https://hdl.handle.net/21.15107/rcub_rifdt_2301 .

Related items

Showing items related by title, author, creator and subject.

  • Musical Works’ Repeatability, Audibility and Variability: A Dispositional Account 

    García-Carril Puy, Nemesio (Beograd : Institut za filozofiju i društvenu teoriju, 2019)
  • Razmatranje odnosa između muzike i kolektivnog identiteta iz ugla kulturne psihologije muzike / A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music 

    Đorđević, Ana (Beograd: Filozofski fakultet, 2020)
  • Koncept evolucije muzike u teorijama Herberta Spensera i Čarlsa Darvina / The Concept of Music Evolution in Herbert Spencer's and Charles Darwin's Theories 

    Petrov, Ana (Filozofija i društvo/Philosophy and Society, 2012)

DSpace software copyright © 2002-2015  DuraSpace
About RIFDT | Send Feedback

OpenAIRERCUB
 

 

All of DSpaceCommunitiesAuthorsTitlesSubjectsThis institutionAuthorsTitlesSubjects

Statistics

View Usage Statistics

DSpace software copyright © 2002-2015  DuraSpace
About RIFDT | Send Feedback

OpenAIRERCUB