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dc.creatorGlušac, Luka
dc.date.accessioned2021-05-22T15:02:22Z
dc.date.available2021-05-22T15:02:22Z
dc.date.issued2016
dc.identifier.issn1450-5460
dc.identifier.uri316.734:784.011.26(73)]:28
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/2218
dc.description.abstractAmong its other manifestations, the globalization has brought unparalleled development of the music platforms, logistically supported by the widespreadness of Internet. Th is article elaborates on the specific type of music-based diplomacy: hip hop diplomacy. After placing in the theoretical and practical context, the author analyzes the usage of hip hop diplomacy by the United States, particularly, in the Muslim world. I argue that while hip hop diplomacy seems to be a smart ‘new edition’ to the US cultural diplomacy portfolio, it suffers from the same systemic paradox as its Cold War’s predecessor - jazz diplomacy.sr
dc.language.isoensr
dc.publisherInstitut za političke studijesr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceSerbian Political Thoughtsr
dc.subjecthip hopsr
dc.subjectcultural diplomacysr
dc.subjectUnited Statessr
dc.subjectmusic diplomacysr
dc.subjectMuslim worldsr
dc.titleCultural Diplomacy in Action: The United States’ Export of Hip Hop to the Muslim Worldsr
dc.typearticlesr
dc.rights.licenseBYsr
dcterms.abstractГлушац, Лука;
dc.citation.issue1
dc.citation.volume13
dc.citation.spage75
dc.citation.epage92
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs/bitstream/id/7923/SPT-13-1_2016-5.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_rifdt_2218


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Приказ основних података о документу