Приказ основних података о документу

dc.contributorPereira Martins, Constantino
dc.contributorMagalhães, Pedro T.
dc.creatorZaharijević, Adriana
dc.date.accessioned2021-03-18T12:26:45Z
dc.date.available2021-03-18T12:26:45Z
dc.date.issued2019
dc.identifier.isbn978-989-54328-3-7
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/2175
dc.description.abstractThus, my main interest here is in what images of horror produce. What happens to reason when confronted with an image of something that surpasses the powers of explanation or rational reconciliation with the seen? Surmising that the frames of horror – which re-present violence in different ways – equally exercise a certain form of violence over us, I wonder in which part of us this violence takes place. But what if we want, as indeed many have, to use precisely these images as the means for a critique or, further, for the development of a strong ethico-political stance? Is it possible to be both numb and critical? What is critique, and what are our critical capacities, when sifted through violent images – images of violence and images exercising violence? What role do affects play in our being ‘seized’ and what – if anything – propels us to act against violence by being exposed to it?sr
dc.language.isoensr
dc.publisherUniversidade de Coimbra, IEF Instituto de Estudos Filosóficossr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/179049/RS//sr
dc.rightsrestrictedAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourcePolitics and Imagesr
dc.subjectimagesr
dc.subjectviolencesr
dc.subjectcritiquesr
dc.subjectwar photographysr
dc.titleSeeing Violence: Images and Critiquesr
dc.typebookPartsr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractЗахаријевић, Aдриана;
dc.citation.spage87
dc.citation.epage100
dc.type.versionpublishedVersionsr
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_rifdt_2175


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Приказ основних података о документу