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The Unbearability of Being a Neighbor

dc.creatorStošić, Mirjana, S.
dc.date.accessioned2020-09-08T09:07:38Z
dc.date.available2020-09-08T09:07:38Z
dc.date.issued2020
dc.identifier.issn2683-5940
dc.identifier.urihttp://kritika.instifdt.bg.ac.rs/index.php/kc/article/view/13/37
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/2108
dc.description.abstractOvo istraživanje se bavi imunološkim praksama neimenovanog naratora u Kafkinoj poslednjoj i nedovršenoj pripoveci „Jazbina“ („Der Bau“, 1923-1924), koji gradi lavirint unutar jazbine kako bi je osigurao od mogućih uljeza koje „poznaje“ samo po zvuku koji prave. Zvuk šištanja – zbog kog se opsesivno zatpavaju i otkopavaju zidovi jazbine – odgovara radikalnoj drugosti bez lica, bez identiteta. Ulazi i izlazi u Kafkinim književnim ograđenim prostorima zapravo su zaprečenje ma kakvog prolaska, nemogućnost da se bude sasvim unutra ili izvan. Jazbina postaje centralizovani sistem koji narušava razliku između unutra i spolja ućutkivanjem i ukopavanjem svake margine strukture. Konačno, jazbina postaje beskonačno fraktalizovana. Pitanje drugosti, u njenim mnogobrojnim oblicima (neprijatelj, uljez, stranac, parazit), a unutar tradicije očuvanja „celine“ i „identiteta“ (tela, pripadajućeg mesta, imena), često je svedeno na pitanje telesnih i društvenih parazita neke identitetski zatvorene zajednice. Drugi destabilizuje koncept granice (između domaćina i gosta, primera radi) i ukazuje na domaćina kao uvek već zastrašenog gosta u vlastitom domu. Ujedno, Kafkina pripovetka postavlja pitanje da li je susedovanje uopšte podnošljivo.sr
dc.description.abstractThis paper deals with the immunological practices of Kafka’s anonymous inhabitant in an unfinished late narrative “The Burrow” (“Der Bau”, 1923-1924) who builds a lab-yrinth within the burrow in order to safeguard it from imminent or proleptic future in-truders. The mole-like builder of the labyrinth-like structure is securing its house from parasites “known” only by the noise they make. This noise – against which the obses-sive stuffing of holes and drilling of passages take place (including the infinite displace-ment of the center and margin) – corresponds to the radical faceless alterity, given that the “face” of noise is precisely the muddied face of the burrower. Entrances in Kafkaesque literary worlds are in fact the limit of the passage as such, the impossibil-ity of being only inside or only outside. The aggressive covering of porous and loose walls, and closing all potential passages is endangering the burrow structure as such. The burrow becomes the centralized system, always suppressing the heterogeneity of gateways, entrances and exits, the difference that will erode the silenced fixity of centered identity. Ultimately, the burrow becomes infinitely fractalized. The question of alterity, within the tradition of guarding the wholeness of the subject (its body, its proper place, its identity and its name), is often reduced to the question of corporeal, political, cultural parasites of the communal body. The other, as a parasitical emblem, destabilizes the notion of the limit (between the host and the guest), and is the sign of a host being always already a frightened guest of its own homely place.en
dc.language.isosrsr
dc.publisherBeograd : Institut za filozofiju i društvenu teorijusr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceKritika: časopis za filozofiju i teoriju društvasr
dc.subjectdrugostsr
dc.subjectprolazsr
dc.subjectheterogenostsr
dc.subjectidentitetsr
dc.subjectsubjektsr
dc.titleNepodnošljivost susedovanjasr
dc.titleThe Unbearability of Being a Neighboren
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractСтошић, Мирјана, С.; Неподношљивост суседовања; Неподношљивост суседовања;
dc.citation.issue1
dc.citation.volume1
dc.citation.spage63
dc.citation.epage75
dc.identifier.doi10.5281/zenodo.3826541
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs/bitstream/id/7594/bitstream_7594.pdf


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