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The Work of Art as fictio personae

Umetničko delo kao fictio personae

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2020
bitstream_6335.pdf (318.4Kb)
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Ćipranić, Miloš
Article (Published version)
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Abstract
The article investigates how and why we treat works of art as persons. From rhetoric to jurisprudence, various disciplines have dealt with the practice of attributing human features and abilities to insensate objects. The agency of works of art acting as fictitious persons is not only rec­ognized at the level of aesthetic experience, but also outside it, because there have been cases in which they were subject to legal liability. Per­sonhood is not reducible to individual human beings. However, since works of art lack senses and consciousness, there is ultimately a limit to the personifying metaphor.
Članak istražuje kako i zašto tretiramo umetnička dela kao osobe. Od retorike do filozofije prava, različite discipline bavile su se praksom kojom se neživim objektima pridavaju ljudske osobine i sposobnosti. Moć delovanja umetničkih dela kao fiktivnih osoba nije prepoznata samo na nivou estetskog doživljaja, već i izvan njega, jer su zabeleženi slučajevi u kojima su bila podvrgnuta krivičnoj odgovornosti. Ličnost nije svodiva na pojedinačna ljudska bića. Međutim, pošto umetničkim delima nedostaju čula i svest, na kraju krajeva personifikujuća metafora ima granicu.
Keywords:
fictitious person / art / personification / rhetoric / law / aesthetics / Miguel Tamen / Maurizio Ferraris
Source:
Filozofija i društvo/Philosophy and Society, 2020, 31, 2, 242-259
Publisher:
  • Beograd : Institut za filozofiju i društvenu teoriju

ISSN: 0353-5738

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_rifdt_2084
URI
http://journal.instifdt.bg.ac.rs/index.php?journal=fid&page=article&op=view&path%5B%5D=https%3A%2F%2Fdoi.org%2F10.2298%2FFID2002242C
http://rifdt.instifdt.bg.ac.rs/123456789/2084
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  • Filozofija i društvo [Philosophy and Society]
  • Radovi istraživača
Institution/Community
IFDT
TY  - JOUR
AU  - Ćipranić, Miloš
PY  - 2020
UR  - http://journal.instifdt.bg.ac.rs/index.php?journal=fid&page=article&op=view&path%5B%5D=https%3A%2F%2Fdoi.org%2F10.2298%2FFID2002242C
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2084
AB  - The article investigates how and why we treat works of art as persons. From rhetoric to jurisprudence, various disciplines have dealt with the practice of attributing human features and abilities to insensate objects. The agency of works of art acting as fictitious persons is not only rec­ognized at the level of aesthetic experience, but also outside it, because there have been cases in which they were subject to legal liability. Per­sonhood is not reducible to individual human beings. However, since works of art lack senses and consciousness, there is ultimately a limit to the personifying metaphor.
AB  - Članak istražuje kako i zašto tretiramo umetnička dela kao osobe. Od retorike do filozofije prava, različite discipline bavile su se praksom kojom se neživim objektima pridavaju ljudske osobine i sposobnosti. Moć delovanja umetničkih dela kao fiktivnih osoba nije prepoznata samo na nivou estetskog doživljaja, već i izvan njega, jer su zabeleženi slučajevi u kojima su bila podvrgnuta krivičnoj odgovornosti. Ličnost nije svodiva na pojedinačna ljudska bića. Međutim, pošto umetničkim delima nedostaju čula i svest, na kraju krajeva personifikujuća metafora ima granicu.
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Filozofija i društvo/Philosophy and Society
T1  - The Work of Art as fictio personae
T1  - Umetničko delo kao fictio personae
IS  - 2
VL  - 31
SP  - 242
EP  - 259
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2084
ER  - 
@article{
author = "Ćipranić, Miloš",
year = "2020",
abstract = "The article investigates how and why we treat works of art as persons. From rhetoric to jurisprudence, various disciplines have dealt with the practice of attributing human features and abilities to insensate objects. The agency of works of art acting as fictitious persons is not only rec­ognized at the level of aesthetic experience, but also outside it, because there have been cases in which they were subject to legal liability. Per­sonhood is not reducible to individual human beings. However, since works of art lack senses and consciousness, there is ultimately a limit to the personifying metaphor., Članak istražuje kako i zašto tretiramo umetnička dela kao osobe. Od retorike do filozofije prava, različite discipline bavile su se praksom kojom se neživim objektima pridavaju ljudske osobine i sposobnosti. Moć delovanja umetničkih dela kao fiktivnih osoba nije prepoznata samo na nivou estetskog doživljaja, već i izvan njega, jer su zabeleženi slučajevi u kojima su bila podvrgnuta krivičnoj odgovornosti. Ličnost nije svodiva na pojedinačna ljudska bića. Međutim, pošto umetničkim delima nedostaju čula i svest, na kraju krajeva personifikujuća metafora ima granicu.",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Filozofija i društvo/Philosophy and Society",
title = "The Work of Art as fictio personae, Umetničko delo kao fictio personae",
number = "2",
volume = "31",
pages = "242-259",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2084"
}
Ćipranić, M.. (2020). The Work of Art as fictio personae. in Filozofija i društvo/Philosophy and Society
Beograd : Institut za filozofiju i društvenu teoriju., 31(2), 242-259.
https://hdl.handle.net/21.15107/rcub_rifdt_2084
Ćipranić M. The Work of Art as fictio personae. in Filozofija i društvo/Philosophy and Society. 2020;31(2):242-259.
https://hdl.handle.net/21.15107/rcub_rifdt_2084 .
Ćipranić, Miloš, "The Work of Art as fictio personae" in Filozofija i društvo/Philosophy and Society, 31, no. 2 (2020):242-259,
https://hdl.handle.net/21.15107/rcub_rifdt_2084 .

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