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Kič i ‘desni‘ totalitarizam – antropološke osnove jednog savezništva

Kitsch and Right Totalitarianism: The Anthropological Foundations of Particular Alliance

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Authors
Radojičić, Mirjana
Contributors
Čović, Ante
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Abstract
Predmet teksta estetički su aspekti desnih totalitarnih ideologija, preciznije funkcija koju unjihovu nastanku i održavanju ima kič kao pseudoumjetnost. Budući da je sklonost k njemu,kako su teoretičari odavno utvrdili, obilježje jedne kompleksne strukture ljudskog doživljavanja i stajališta prema svijetu, autorica istražuje i načine na koji se ona eksploatirala, odnosno kako se njome manipuliralo i u drugim, strogo uzevši neestetskim sferama života u Njemačkoj i Italiji tridesetih godina proteklog vijeka. Politička simbolika, jezik politike, ponuđeni obrasci političke identifikacije i mobilizacije k projektiranom političkom cilju u centralnom dijelu rada predmet su njezine analize koju provodi iz tog istraživačkog rakursa. Savezništvo između kiča i totalitarnih političkih režima, zaključuje ona, nije slučajno, nego, naprotiv, zasnovano na zajedničkim i čvrstim antropološkim osnovama.
This text deals with aesthetic aspects of right totalitarian ideologies, or more precisely, the function that kitsch as pseudoart has in their origin and maintenance. As affinity towards kitsch, which was established by art theoreticians a long time ago, is a characteristic of a complex structure of human experience and view of the world, the author also explores the ways in which it was exploited or manipulated in other, strictly speaking non-aesthetic spheres of life in Germany and Italy of the 1930s. Political symbolism, language of politics, offered forms of political identification and mobilization towards the projected political goal are the subject of her analysis in the central part of the text, which analysis is derived from that angle of research. The author concludes that the alliance between kitsch and totalitarian political regimes is not accidental, but that it is, on the contrary, founded on common and firm anthropological bases.
Keywords:
kič / umjetnost / nacizam / fašizam / politička kultura / estetika / kitsch / art / nazism / fascism / political culture / aesthetics
Source:
Filozofska istraživanja, 2016, 36, 3, 595-608
Publisher:
  • Zagreb : Hrvatsko filozofsko društvo
Funding / projects:
  • Studying climate change and its influence on environment: impacts, adaptation and mitigation (RS-43007)

DOI: 10.21464/fi36312

ISSN: 0351 - 4706

WoS: 000403289400013

Scopus: 2-s2.0-85018506914
[ Google Scholar ]
URI
http://rifdt.instifdt.bg.ac.rs/123456789/1564
Collections
  • Radovi istraživača
Institution/Community
IFDT
TY  - JOUR
AU  - Radojičić, Mirjana
PY  - 2016
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/1564
AB  - Predmet teksta estetički su aspekti desnih totalitarnih ideologija, preciznije funkcija koju unjihovu nastanku i održavanju ima kič kao pseudoumjetnost. Budući da je sklonost k njemu,kako su teoretičari odavno utvrdili, obilježje jedne kompleksne strukture ljudskog doživljavanja i stajališta prema svijetu, autorica istražuje i načine na koji se ona eksploatirala, odnosno kako se njome manipuliralo i u drugim, strogo uzevši neestetskim sferama života
u Njemačkoj i Italiji tridesetih godina proteklog vijeka. Politička simbolika, jezik politike, ponuđeni obrasci političke identifikacije i mobilizacije k projektiranom političkom cilju u centralnom dijelu rada predmet su njezine analize koju provodi iz tog istraživačkog rakursa.
Savezništvo između kiča i totalitarnih političkih režima, zaključuje ona, nije slučajno, nego, naprotiv, zasnovano na zajedničkim i čvrstim antropološkim osnovama.
AB  - This text deals with aesthetic aspects of right totalitarian ideologies, or more precisely, the
function that kitsch as pseudoart has in their origin and maintenance. As affinity towards kitsch,
which was established by art theoreticians a long time ago, is a characteristic of a complex
structure of human experience and view of the world, the author also explores the ways in
which it was exploited or manipulated in other, strictly speaking non-aesthetic spheres of life
in Germany and Italy of the 1930s. Political symbolism, language of politics, offered forms of
political identification and mobilization towards the projected political goal are the subject of
her analysis in the central part of the text, which analysis is derived from that angle of research.
The author concludes that the alliance between kitsch and totalitarian political regimes is not
accidental, but that it is, on the contrary, founded on common and firm anthropological bases.
PB  - Zagreb : Hrvatsko filozofsko društvo
T2  - Filozofska istraživanja
T1  - Kič i ‘desni‘ totalitarizam – antropološke osnove jednog savezništva
T1  - Kitsch and Right Totalitarianism: The Anthropological Foundations of Particular Alliance
IS  - 3
VL  - 36
SP  - 595
EP  - 608
DO  - 10.21464/fi36312
ER  - 
@article{
author = "Radojičić, Mirjana",
year = "2016",
abstract = "Predmet teksta estetički su aspekti desnih totalitarnih ideologija, preciznije funkcija koju unjihovu nastanku i održavanju ima kič kao pseudoumjetnost. Budući da je sklonost k njemu,kako su teoretičari odavno utvrdili, obilježje jedne kompleksne strukture ljudskog doživljavanja i stajališta prema svijetu, autorica istražuje i načine na koji se ona eksploatirala, odnosno kako se njome manipuliralo i u drugim, strogo uzevši neestetskim sferama života
u Njemačkoj i Italiji tridesetih godina proteklog vijeka. Politička simbolika, jezik politike, ponuđeni obrasci političke identifikacije i mobilizacije k projektiranom političkom cilju u centralnom dijelu rada predmet su njezine analize koju provodi iz tog istraživačkog rakursa.
Savezništvo između kiča i totalitarnih političkih režima, zaključuje ona, nije slučajno, nego, naprotiv, zasnovano na zajedničkim i čvrstim antropološkim osnovama., This text deals with aesthetic aspects of right totalitarian ideologies, or more precisely, the
function that kitsch as pseudoart has in their origin and maintenance. As affinity towards kitsch,
which was established by art theoreticians a long time ago, is a characteristic of a complex
structure of human experience and view of the world, the author also explores the ways in
which it was exploited or manipulated in other, strictly speaking non-aesthetic spheres of life
in Germany and Italy of the 1930s. Political symbolism, language of politics, offered forms of
political identification and mobilization towards the projected political goal are the subject of
her analysis in the central part of the text, which analysis is derived from that angle of research.
The author concludes that the alliance between kitsch and totalitarian political regimes is not
accidental, but that it is, on the contrary, founded on common and firm anthropological bases.",
publisher = "Zagreb : Hrvatsko filozofsko društvo",
journal = "Filozofska istraživanja",
title = "Kič i ‘desni‘ totalitarizam – antropološke osnove jednog savezništva, Kitsch and Right Totalitarianism: The Anthropological Foundations of Particular Alliance",
number = "3",
volume = "36",
pages = "595-608",
doi = "10.21464/fi36312"
}
Radojičić, M.. (2016). Kič i ‘desni‘ totalitarizam – antropološke osnove jednog savezništva. in Filozofska istraživanja
Zagreb : Hrvatsko filozofsko društvo., 36(3), 595-608.
https://doi.org/10.21464/fi36312
Radojičić M. Kič i ‘desni‘ totalitarizam – antropološke osnove jednog savezništva. in Filozofska istraživanja. 2016;36(3):595-608.
doi:10.21464/fi36312 .
Radojičić, Mirjana, "Kič i ‘desni‘ totalitarizam – antropološke osnove jednog savezništva" in Filozofska istraživanja, 36, no. 3 (2016):595-608,
https://doi.org/10.21464/fi36312 . .

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