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History and Ideology on the TV Screen – The Case of Serbian TV Series Ravna Gora
(Beograd : Fakultet dramskih umetnosti, 2022)
In this presentation we will analyze how the TV Show “Ravna Gora” constructs
historical events and actors. Our main theoretical inspiration will be Stuart Halls understanding
of ideology as a “code” which structures ...
Reinventing education as therapy in the age of narcissism / Obrazovanje kao terapija u dobu narcizma
(Belgrade : Institute for Philosophy and Social Theory, 2022)
The paper focuses on the psychotherapeutic interventions in the educational process and the key role played by values in governing the relationships that make up the substance of that process.
Normalcy and socialization: A Lacanian understanding of freedom
(Konferencija: Znanje i sloboda. Institut za studije kulture hrišćanstva, 2022)
Izlaganje se bavi lakanovskim razumevanjem slobode zasnovane na postojanju zdrave unutrašnje normativne stukture utemeljene na "glavnom signifajeru", Ime Oca.
O estetskoj revoluciji i političkoj subjektivizaciji: jugoslovenska ženska književnost 30-ih godina dvadesetog veka
(Filozofski fakultet Sveučilišta u Zagrebu, 2022)
Emotions and Architecture
(STRAND – Sustainable Urban Society Association Belgrade, 2022)
The beautiful, rich and invisible life of Ida S(z)abo
(Marginalised Women, Political Thought, and Socialist Women’s Emancipation, Workshop, 24 – 25 March 2022, 2022)
Ida Sabo / Szabó Ida was born in 1915 in Pécs as an illegitimate daughter of a Subotica
Hungarian working class mother and a Jewish father from Pécs. She grew up in Subotica, took
part in the activities of the illegal ...
Architectural Objects as Persons
(Belgrade : Institute for Philosophy and Social Theory, 2022)
Jedan portret Ortege i Gaseta
(Beograd : Filozofski fakultet, 2022)
The Idea of Monument between Book and Building
(Belgrade : STRAND – Sustainable Urban Society Association, 2022)
Implikacije teze utelovljene kognicije na koncepcije učenja i obrazovanja
(Beograd : Institut za filozofiju i društvenu teoriju, 2022)