The question of authorship became one of the most important issues in
art theory in the second half of 20th century. This issue appeared in the fields of aesthetics,
theory and history of visual arts originaly under the influence of literary theory. On the
other hand, art practice of the 1960s, ’70s and ’80s alone raises this question and challenges
the borders of art creativity, the role and meaning of the “artist” in creation and perception
of the artwork. This was the way in which the concepts of “author” and “artist” came into
the focus of art theory, which made further explorations and clarification of these concepts
a necessity.
Keywords:
author / artis / deconstruction / originality / creativity
Source:
Zbornik Matice Srpske za likovne umetnosti, 2011, 205-214
TY - JOUR
AU - Džalto, Davor
PY - 2011
UR - http://rifdt.instifdt.bg.ac.rs/123456789/1144
AB - The question of authorship became one of the most important issues in
art theory in the second half of 20th century. This issue appeared in the fields of aesthetics,
theory and history of visual arts originaly under the influence of literary theory. On the
other hand, art practice of the 1960s, ’70s and ’80s alone raises this question and challenges
the borders of art creativity, the role and meaning of the “artist” in creation and perception
of the artwork. This was the way in which the concepts of “author” and “artist” came into
the focus of art theory, which made further explorations and clarification of these concepts
a necessity.
PB - Novi Sad : Matica srpska
T2 - Zbornik Matice Srpske za likovne umetnosti
T1 - The Concept of Authorship in Visual Arts : Main Contemporary Approaches
SP - 205
EP - 214
UR - https://hdl.handle.net/21.15107/rcub_rifdt_1144
ER -
@article{
author = "Džalto, Davor",
year = "2011",
abstract = "The question of authorship became one of the most important issues in
art theory in the second half of 20th century. This issue appeared in the fields of aesthetics,
theory and history of visual arts originaly under the influence of literary theory. On the
other hand, art practice of the 1960s, ’70s and ’80s alone raises this question and challenges
the borders of art creativity, the role and meaning of the “artist” in creation and perception
of the artwork. This was the way in which the concepts of “author” and “artist” came into
the focus of art theory, which made further explorations and clarification of these concepts
a necessity.",
publisher = "Novi Sad : Matica srpska",
journal = "Zbornik Matice Srpske za likovne umetnosti",
title = "The Concept of Authorship in Visual Arts : Main Contemporary Approaches",
pages = "205-214",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_1144"
}
Džalto, D.. (2011). The Concept of Authorship in Visual Arts : Main Contemporary Approaches. in Zbornik Matice Srpske za likovne umetnosti
Novi Sad : Matica srpska., 205-214.
https://hdl.handle.net/21.15107/rcub_rifdt_1144
Džalto D. The Concept of Authorship in Visual Arts : Main Contemporary Approaches. in Zbornik Matice Srpske za likovne umetnosti. 2011;:205-214.
https://hdl.handle.net/21.15107/rcub_rifdt_1144 .
Džalto, Davor, "The Concept of Authorship in Visual Arts : Main Contemporary Approaches" in Zbornik Matice Srpske za likovne umetnosti (2011):205-214,
https://hdl.handle.net/21.15107/rcub_rifdt_1144 .
