TY  - CHAP
AU  - Krstić, Predrag
AU  - Mevorah, Vera
AU  - Šarić, Željko
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3102
PB  - Beograd : Institut za filozofiju i društvenu teoriju ; Banja Luka : Filozofski fakultet
T2  - Holokaust i teologija
T1  - Kako TEO-retizovati Holokaust?
SP  - 7
EP  - 20
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3102
ER  - 

@inbook{
author = "Krstić, Predrag and Mevorah, Vera and Šarić, Željko",
year = "2023",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju ; Banja Luka : Filozofski fakultet",
journal = "Holokaust i teologija",
booktitle = "Kako TEO-retizovati Holokaust?",
pages = "7-20",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3102"
}

Krstić, P., Mevorah, V.,& Šarić, Ž.. (2023). Kako TEO-retizovati Holokaust?. in Holokaust i teologija
Beograd : Institut za filozofiju i društvenu teoriju ; Banja Luka : Filozofski fakultet., 7-20.
https://hdl.handle.net/21.15107/rcub_rifdt_3102

Krstić P, Mevorah V, Šarić Ž. Kako TEO-retizovati Holokaust?. in Holokaust i teologija. 2023;:7-20.
https://hdl.handle.net/21.15107/rcub_rifdt_3102 .

Krstić, Predrag, Mevorah, Vera, Šarić, Željko, "Kako TEO-retizovati Holokaust?" in Holokaust i teologija (2023):7-20,
https://hdl.handle.net/21.15107/rcub_rifdt_3102 .

Mevorah, V., Šarić, Ž.,& Krstić, P.. (2023). Holokaust i teologija. 
Beograd : Institut za filozofiju i društvenu teoriju..
https://hdl.handle.net/21.15107/rcub_rifdt_2920

Mevorah V, Šarić Ž, Krstić P. Holokaust i teologija. 2023;:null-231.
https://hdl.handle.net/21.15107/rcub_rifdt_2920 .

Mevorah, Vera, Šarić, Željko, Krstić, Predrag, "Holokaust i teologija" (2023),
https://hdl.handle.net/21.15107/rcub_rifdt_2920 .

TY  - JOUR
AU  - Mevorah, Vera
AU  - Krstić, Predrag
AU  - Velinov, Marija
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3022
AB  - Тема рада је историјска дебата око феномена тзв. индустрије Холокауста. У основи ове дебате налазе се питања „централности", јединствености, универзализације, американизације и инструментализације Шое. Након горуће јавне контроверзе, последично уништених каријера и политичког збијања редова, та питања остала су да лебде као претећи означитељи Zeitgeista савремене културе сећања, као отворена прича о етичности репрезентације Холокауста.
AB  - In three books published at the turn of the millennium, the authors talk about the phenomenon of the pronounced presence and significance of the Holocaust in American society: Hilene Flanzbaum’s Americanization of the Holocaust (1999), Peter Novick’s Holocaust in American Life (1999) and Norman Finkelstein’s The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering (2000). These works describe (and criticize) the post-Holocaust memorial world which is characterized by the commodification, commercialization and instrumentalization of the culture of remembrance. Even though each of these authors invoked/understood the term differently, the effect of their works was the introduction of the term „Holocaust industry“ into the public discourse. Today, it has has become an umbrella metaphor for a whole range of practices that represent the instrumentalization, commercialization and commodification of Holocaust remembrance. The paper deals with the process of (politicaleconomic) instrumentalization of the Holocaust, its normalization, naturalization, normativization and mechanization – in Western societies – and criticism of that process. The aim of the paper is to shed light on what is meant by the Holocaust industry and to open space for further reflection and problematization of the Holocaust discourse in the light of the warning that its current commodification and industrialization sends us.
PB  - Beograd : Sociološko naučno društvo Srbije
T2  - Sociologija
T1  - Industrijalizacija Holokausta? (Američka) debata o instrumentalizaciji Šoe na prelomu veka
T1  - Holocaust Industry? The (American) Debate on the Instrumentalization of the Shoah at the Turn of the Century
IS  - 2
VL  - 65
SP  - 279
EP  - 294
DO  - 10.2298/SOC220622009M
ER  - 

@article{
author = "Mevorah, Vera and Krstić, Predrag and Velinov, Marija",
year = "2023",
abstract = "Тема рада је историјска дебата око феномена тзв. индустрије Холокауста. У основи ове дебате налазе се питања „централности", јединствености, универзализације, американизације и инструментализације Шое. Након горуће јавне контроверзе, последично уништених каријера и политичког збијања редова, та питања остала су да лебде као претећи означитељи Zeitgeista савремене културе сећања, као отворена прича о етичности репрезентације Холокауста., In three books published at the turn of the millennium, the authors talk about the phenomenon of the pronounced presence and significance of the Holocaust in American society: Hilene Flanzbaum’s Americanization of the Holocaust (1999), Peter Novick’s Holocaust in American Life (1999) and Norman Finkelstein’s The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering (2000). These works describe (and criticize) the post-Holocaust memorial world which is characterized by the commodification, commercialization and instrumentalization of the culture of remembrance. Even though each of these authors invoked/understood the term differently, the effect of their works was the introduction of the term „Holocaust industry“ into the public discourse. Today, it has has become an umbrella metaphor for a whole range of practices that represent the instrumentalization, commercialization and commodification of Holocaust remembrance. The paper deals with the process of (politicaleconomic) instrumentalization of the Holocaust, its normalization, naturalization, normativization and mechanization – in Western societies – and criticism of that process. The aim of the paper is to shed light on what is meant by the Holocaust industry and to open space for further reflection and problematization of the Holocaust discourse in the light of the warning that its current commodification and industrialization sends us.",
publisher = "Beograd : Sociološko naučno društvo Srbije",
journal = "Sociologija",
title = "Industrijalizacija Holokausta? (Američka) debata o instrumentalizaciji Šoe na prelomu veka, Holocaust Industry? The (American) Debate on the Instrumentalization of the Shoah at the Turn of the Century",
number = "2",
volume = "65",
pages = "279-294",
doi = "10.2298/SOC220622009M"
}

Mevorah, V., Krstić, P.,& Velinov, M.. (2023). Industrijalizacija Holokausta? (Američka) debata o instrumentalizaciji Šoe na prelomu veka. in Sociologija
Beograd : Sociološko naučno društvo Srbije., 65(2), 279-294.
https://doi.org/10.2298/SOC220622009M

Mevorah V, Krstić P, Velinov M. Industrijalizacija Holokausta? (Američka) debata o instrumentalizaciji Šoe na prelomu veka. in Sociologija. 2023;65(2):279-294.
doi:10.2298/SOC220622009M .

Mevorah, Vera, Krstić, Predrag, Velinov, Marija, "Industrijalizacija Holokausta? (Američka) debata o instrumentalizaciji Šoe na prelomu veka" in Sociologija, 65, no. 2 (2023):279-294,
https://doi.org/10.2298/SOC220622009M . .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3068
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Khōrein: Journal for Architecture and Philosophy
T1  - Alessandro Rocca, Totem and Taboo in Architectural Imagination, LetteraVentidue, Siracusa, 2022.
IS  - 2
VL  - 1
SP  - 120
EP  - 122
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3068
ER  - 

@article{
author = "Mevorah, Vera",
year = "2023",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Khōrein: Journal for Architecture and Philosophy",
title = "Alessandro Rocca, Totem and Taboo in Architectural Imagination, LetteraVentidue, Siracusa, 2022.",
number = "2",
volume = "1",
pages = "120-122",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3068"
}

Mevorah, V.. (2023). Alessandro Rocca, Totem and Taboo in Architectural Imagination, LetteraVentidue, Siracusa, 2022.. in Khōrein: Journal for Architecture and Philosophy
Beograd : Institut za filozofiju i društvenu teoriju., 1(2), 120-122.
https://hdl.handle.net/21.15107/rcub_rifdt_3068

Mevorah V. Alessandro Rocca, Totem and Taboo in Architectural Imagination, LetteraVentidue, Siracusa, 2022.. in Khōrein: Journal for Architecture and Philosophy. 2023;1(2):120-122.
https://hdl.handle.net/21.15107/rcub_rifdt_3068 .

Mevorah, Vera, "Alessandro Rocca, Totem and Taboo in Architectural Imagination, LetteraVentidue, Siracusa, 2022." in Khōrein: Journal for Architecture and Philosophy, 1, no. 2 (2023):120-122,
https://hdl.handle.net/21.15107/rcub_rifdt_3068 .

TY  - JOUR
AU  - Mevorah, Vera
AU  - Guga, Jelena
AU  - Markov, Čedomir
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2827
AB  - People have always related art to the creation and transmission of myths. While myth as a theme in art has been thoroughly addressed, research about the “mythic” nature of the artist figure is far less common. The 20th and 21st centuries brought challenges to the status of art and artists in society, historically situated archetypes and stereotypes that we associate with the figure of the “artist” still survive to this day (e.g. “genius”, “subversive artists”, “child prodigy”, “eccentric”, etc.). In this paper, we set out to analyze various tropes used persistently to describe artists and explore how relevant the resulting myths are in (self) perceptions of Serbian contemporary artists. Our multidisciplinary approach to this topic combines a historical­theoretical and empirical perspective. Through historical research of the relevant literature, we described and mapped the key tropes of the (mythical) artist figure as it developed in Western culture. In the theoretical analysis we address the inseparability of digital culture with everyday life of people today, which we call postdigital. We explore how the transition into contemporaneity affects the determination of the “artist­figure”, i.e., how it impacts the contemporary process of myth­making. Following our historical­theoretical analysis, we conducted five in­depth interviews with contemporary Serbian artists to understand better how relevant the artist­ myth tropes are for their self­perception.
PB  - Beograd: Etnografski institut SANU
T2  - Glasnik Etnografskog instituta SANU
T1  - Divine Genius, Subversive Hero, or Creative Entrepreneur? Exploring Various Facets of the Artist as a Mythical Figure
IS  - 1
VL  - 71
SP  - 99
EP  - 121
DO  - 10.2298/GEI2301099M
ER  - 

@article{
author = "Mevorah, Vera and Guga, Jelena and Markov, Čedomir",
year = "2023",
abstract = "People have always related art to the creation and transmission of myths. While myth as a theme in art has been thoroughly addressed, research about the “mythic” nature of the artist figure is far less common. The 20th and 21st centuries brought challenges to the status of art and artists in society, historically situated archetypes and stereotypes that we associate with the figure of the “artist” still survive to this day (e.g. “genius”, “subversive artists”, “child prodigy”, “eccentric”, etc.). In this paper, we set out to analyze various tropes used persistently to describe artists and explore how relevant the resulting myths are in (self) perceptions of Serbian contemporary artists. Our multidisciplinary approach to this topic combines a historical­theoretical and empirical perspective. Through historical research of the relevant literature, we described and mapped the key tropes of the (mythical) artist figure as it developed in Western culture. In the theoretical analysis we address the inseparability of digital culture with everyday life of people today, which we call postdigital. We explore how the transition into contemporaneity affects the determination of the “artist­figure”, i.e., how it impacts the contemporary process of myth­making. Following our historical­theoretical analysis, we conducted five in­depth interviews with contemporary Serbian artists to understand better how relevant the artist­ myth tropes are for their self­perception.",
publisher = "Beograd: Etnografski institut SANU",
journal = "Glasnik Etnografskog instituta SANU",
title = "Divine Genius, Subversive Hero, or Creative Entrepreneur? Exploring Various Facets of the Artist as a Mythical Figure",
number = "1",
volume = "71",
pages = "99-121",
doi = "10.2298/GEI2301099M"
}

Mevorah, V., Guga, J.,& Markov, Č.. (2023). Divine Genius, Subversive Hero, or Creative Entrepreneur? Exploring Various Facets of the Artist as a Mythical Figure. in Glasnik Etnografskog instituta SANU
Beograd: Etnografski institut SANU., 71(1), 99-121.
https://doi.org/10.2298/GEI2301099M

Mevorah V, Guga J, Markov Č. Divine Genius, Subversive Hero, or Creative Entrepreneur? Exploring Various Facets of the Artist as a Mythical Figure. in Glasnik Etnografskog instituta SANU. 2023;71(1):99-121.
doi:10.2298/GEI2301099M .

Mevorah, Vera, Guga, Jelena, Markov, Čedomir, "Divine Genius, Subversive Hero, or Creative Entrepreneur? Exploring Various Facets of the Artist as a Mythical Figure" in Glasnik Etnografskog instituta SANU, 71, no. 1 (2023):99-121,
https://doi.org/10.2298/GEI2301099M . .

TY  - GEN
AU  - Mevorah, Vera
AU  - Guga, Jelena
AU  - Markov, Čedomir
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3281
PB  - Belgrade : Institute for Philosophy and Social Theory
T1  - Mevorah, V., Guga, J., Markov, Č. (eds.), International Scientific Conference EMERGE 2022: Digital Society Now - Book of Abstracts, Belgrade: Institute for Philosophy and Social Theory, 2022
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3281
ER  - 

@misc{
author = "Mevorah, Vera and Guga, Jelena and Markov, Čedomir",
year = "2022",
publisher = "Belgrade : Institute for Philosophy and Social Theory",
title = "Mevorah, V., Guga, J., Markov, Č. (eds.), International Scientific Conference EMERGE 2022: Digital Society Now - Book of Abstracts, Belgrade: Institute for Philosophy and Social Theory, 2022",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3281"
}

Mevorah, V., Guga, J.,& Markov, Č.. (2022). Mevorah, V., Guga, J., Markov, Č. (eds.), International Scientific Conference EMERGE 2022: Digital Society Now - Book of Abstracts, Belgrade: Institute for Philosophy and Social Theory, 2022. 
Belgrade : Institute for Philosophy and Social Theory..
https://hdl.handle.net/21.15107/rcub_rifdt_3281

Mevorah V, Guga J, Markov Č. Mevorah, V., Guga, J., Markov, Č. (eds.), International Scientific Conference EMERGE 2022: Digital Society Now - Book of Abstracts, Belgrade: Institute for Philosophy and Social Theory, 2022. 2022;.
https://hdl.handle.net/21.15107/rcub_rifdt_3281 .

Mevorah, Vera, Guga, Jelena, Markov, Čedomir, "Mevorah, V., Guga, J., Markov, Č. (eds.), International Scientific Conference EMERGE 2022: Digital Society Now - Book of Abstracts, Belgrade: Institute for Philosophy and Social Theory, 2022" (2022),
https://hdl.handle.net/21.15107/rcub_rifdt_3281 .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3030
AB  - U radu se razmatraju pristupi različitih medija predstavljanju Holokausta, s posebnim osvrtom na umetničku muziku u 20. veku. Prateći podelu koju Majkl Rotberg (Michael Rothberg) predlaže na dva gledišta na mogućnosti predstavljanja Holokausta: realističko i antirealističko (Rothberg 2000), analiziramo dela A Survivor From Warsaw (1947) Arnolda Šenberga i Different Trains (1988) Stiva Rajša. Cilj rada je da ukaže na to kako umetnička muzika reflektuje i participira u dominantnim istorijskim i savremenim diskursima predstavljanja i razumevanja Holokausta, posebno diskursa „herojstvaˮ i „neizrecivostiˮ.
AB  - The paper discusses the approaches of different media to Holocaust (re)presentation, with special reference to art music in the 20th century. Following the
classification proposed by Michael Rothberg on two possible perspectives for
representing the Holocaust: realistic and anti-realist (2000), we analyse two
compositions: Arnold Schoenberg’s A Survivor From Warsaw (1947) and Steve
Reich’s Different Trains (1988). The aim of the paper is to point out how artistic
music reflects and participates in the dominant historical and contemporary discourses of Holocaust representation, especially the discourses of “heroism” and
“non-representability”.
PB  - Beograd: Srpska akademija nauka i umetnosti
T2  - Muzikologija
T1  - Dva lica mistifikacije: predstavljanje Holokausta u delima A Survivor from Warsaw Arnolda Šenberga i Different Trains Stiva Rajša
T1  - Two Faces of Mystification: The Representation of the Holocaust in Arnold Schoenberg's A Survivor from Warsaw and Steve Reich's Different Trains
VL  - 32
SP  - 183
EP  - 198
DO  - 10.2298/MUZ2232183M
ER  - 

@article{
author = "Mevorah, Vera",
year = "2022",
abstract = "U radu se razmatraju pristupi različitih medija predstavljanju Holokausta, s posebnim osvrtom na umetničku muziku u 20. veku. Prateći podelu koju Majkl Rotberg (Michael Rothberg) predlaže na dva gledišta na mogućnosti predstavljanja Holokausta: realističko i antirealističko (Rothberg 2000), analiziramo dela A Survivor From Warsaw (1947) Arnolda Šenberga i Different Trains (1988) Stiva Rajša. Cilj rada je da ukaže na to kako umetnička muzika reflektuje i participira u dominantnim istorijskim i savremenim diskursima predstavljanja i razumevanja Holokausta, posebno diskursa „herojstvaˮ i „neizrecivostiˮ., The paper discusses the approaches of different media to Holocaust (re)presentation, with special reference to art music in the 20th century. Following the
classification proposed by Michael Rothberg on two possible perspectives for
representing the Holocaust: realistic and anti-realist (2000), we analyse two
compositions: Arnold Schoenberg’s A Survivor From Warsaw (1947) and Steve
Reich’s Different Trains (1988). The aim of the paper is to point out how artistic
music reflects and participates in the dominant historical and contemporary discourses of Holocaust representation, especially the discourses of “heroism” and
“non-representability”.",
publisher = "Beograd: Srpska akademija nauka i umetnosti",
journal = "Muzikologija",
title = "Dva lica mistifikacije: predstavljanje Holokausta u delima A Survivor from Warsaw Arnolda Šenberga i Different Trains Stiva Rajša, Two Faces of Mystification: The Representation of the Holocaust in Arnold Schoenberg's A Survivor from Warsaw and Steve Reich's Different Trains",
volume = "32",
pages = "183-198",
doi = "10.2298/MUZ2232183M"
}

Mevorah, V.. (2022). Dva lica mistifikacije: predstavljanje Holokausta u delima A Survivor from Warsaw Arnolda Šenberga i Different Trains Stiva Rajša. in Muzikologija
Beograd: Srpska akademija nauka i umetnosti., 32, 183-198.
https://doi.org/10.2298/MUZ2232183M

Mevorah V. Dva lica mistifikacije: predstavljanje Holokausta u delima A Survivor from Warsaw Arnolda Šenberga i Different Trains Stiva Rajša. in Muzikologija. 2022;32:183-198.
doi:10.2298/MUZ2232183M .

Mevorah, Vera, "Dva lica mistifikacije: predstavljanje Holokausta u delima A Survivor from Warsaw Arnolda Šenberga i Different Trains Stiva Rajša" in Muzikologija, 32 (2022):183-198,
https://doi.org/10.2298/MUZ2232183M . .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3031
AB  - Iako se svaki medij susreće sa problemima u predstavljanju Holokausta, stav Žaka Ransijera da je istorija filma istorija moći stvaranja istorije ispravno nam ukazuje na to da filmska umetnost donosi poseban etički i umetnički izazov predstavljanja genocida. Ova studija predstaviće istoriju pripovedanja Holokausta na osi četiri ključna pojma post-Holokaust diskursa: istorija, sećanje, predstavljanje i komunikacija. U segmentu istorija biće reči o tome šta je zapravo Holokaust?; u segmentu sećanje o tome čiji je Holokaust, ko treba ili ko sme da o njemu govori; u delu predstavljanje, reč je o glavnim dosadašnjim izazovima pitanja „kako pripovedati Holokaust?“ i tome zašto i dalje, skoro 80 godina kasnije govorimo o Holokaustu; konačno, kroz segment komunikacija ukazaćemo na pristup analizi narativa i diskursa o Holokaustu čiji je cilj bolje razumevanje samih narativa i motiva za njihovo nastajanje. Tumačenje ovih diskursa sprovedeno je kroz kulturalnu analizu i predstavljanje filmskih ostvarenja Noć i magla, Alana Renea (Alain Resnais), filma Šoa Kloda Lancmana (Claude Lanzmann), CBS-ove i NBS-jeve TV miniserije Holokaust i adaptacija Dnevnika Ane Frank.
AB  - Although all media forms meet unique problems in (re)presenting the Holocaust, Jacques Ransier's view that film history is the history of the power to
create history rightly indicates that film art faces special ethical and artistic
challenges in representing the Shoah. This study will present the history of
Holocaust narrative on the axis of four key concepts of post-Holocaust discourse: history, memory, representation, and communication. The history
segment focuses on what the Holocaust really is; in the segment concerning
memory we will discuss the issue “who does it belong, who should or should
not talk about it”; in the part about representation, our discussion will consider the main challenges of the question “How to speak about the Holocaust?” and why we are still talking about the Holocaust, almost 80 years
after the event. Finally, through the segment referring to communications,
we will point out the approach for the analysis of narratives and discourses
about the Holocaust, the goal of which is a better understanding of the narratives themselves and the motives for their creation. The interpretation of
these discourses will be conducted through cultural analysis and presentation of examples from key film achievements on the topic of the Holocaust:
Night and Fog, Alan Resnai, Claude Lanzmann’s Shoah, CBS and NBS TV
series Holocaust and adaptations of The Diary of Anne Frank.
PB  - Beograd: Institut za pozorište, film, radio i televiziju
T2  - Zbornik radova Fakulteta dramskih umetnosti
T1  - Kako pripovedati Holokaust (na filmu)? Od istorije do komunikacije
T1  - How To Narrate the Holocaust (On Film)? From History to Communication
VL  - 41
SP  - 43
EP  - 58
DO  - 10.18485/fdu_zr.2022.41.3
ER  - 

@article{
author = "Mevorah, Vera",
year = "2022",
abstract = "Iako se svaki medij susreće sa problemima u predstavljanju Holokausta, stav Žaka Ransijera da je istorija filma istorija moći stvaranja istorije ispravno nam ukazuje na to da filmska umetnost donosi poseban etički i umetnički izazov predstavljanja genocida. Ova studija predstaviće istoriju pripovedanja Holokausta na osi četiri ključna pojma post-Holokaust diskursa: istorija, sećanje, predstavljanje i komunikacija. U segmentu istorija biće reči o tome šta je zapravo Holokaust?; u segmentu sećanje o tome čiji je Holokaust, ko treba ili ko sme da o njemu govori; u delu predstavljanje, reč je o glavnim dosadašnjim izazovima pitanja „kako pripovedati Holokaust?“ i tome zašto i dalje, skoro 80 godina kasnije govorimo o Holokaustu; konačno, kroz segment komunikacija ukazaćemo na pristup analizi narativa i diskursa o Holokaustu čiji je cilj bolje razumevanje samih narativa i motiva za njihovo nastajanje. Tumačenje ovih diskursa sprovedeno je kroz kulturalnu analizu i predstavljanje filmskih ostvarenja Noć i magla, Alana Renea (Alain Resnais), filma Šoa Kloda Lancmana (Claude Lanzmann), CBS-ove i NBS-jeve TV miniserije Holokaust i adaptacija Dnevnika Ane Frank., Although all media forms meet unique problems in (re)presenting the Holocaust, Jacques Ransier's view that film history is the history of the power to
create history rightly indicates that film art faces special ethical and artistic
challenges in representing the Shoah. This study will present the history of
Holocaust narrative on the axis of four key concepts of post-Holocaust discourse: history, memory, representation, and communication. The history
segment focuses on what the Holocaust really is; in the segment concerning
memory we will discuss the issue “who does it belong, who should or should
not talk about it”; in the part about representation, our discussion will consider the main challenges of the question “How to speak about the Holocaust?” and why we are still talking about the Holocaust, almost 80 years
after the event. Finally, through the segment referring to communications,
we will point out the approach for the analysis of narratives and discourses
about the Holocaust, the goal of which is a better understanding of the narratives themselves and the motives for their creation. The interpretation of
these discourses will be conducted through cultural analysis and presentation of examples from key film achievements on the topic of the Holocaust:
Night and Fog, Alan Resnai, Claude Lanzmann’s Shoah, CBS and NBS TV
series Holocaust and adaptations of The Diary of Anne Frank.",
publisher = "Beograd: Institut za pozorište, film, radio i televiziju",
journal = "Zbornik radova Fakulteta dramskih umetnosti",
title = "Kako pripovedati Holokaust (na filmu)? Od istorije do komunikacije, How To Narrate the Holocaust (On Film)? From History to Communication",
volume = "41",
pages = "43-58",
doi = "10.18485/fdu_zr.2022.41.3"
}

Mevorah, V.. (2022). Kako pripovedati Holokaust (na filmu)? Od istorije do komunikacije. in Zbornik radova Fakulteta dramskih umetnosti
Beograd: Institut za pozorište, film, radio i televiziju., 41, 43-58.
https://doi.org/10.18485/fdu_zr.2022.41.3

Mevorah V. Kako pripovedati Holokaust (na filmu)? Od istorije do komunikacije. in Zbornik radova Fakulteta dramskih umetnosti. 2022;41:43-58.
doi:10.18485/fdu_zr.2022.41.3 .

Mevorah, Vera, "Kako pripovedati Holokaust (na filmu)? Od istorije do komunikacije" in Zbornik radova Fakulteta dramskih umetnosti, 41 (2022):43-58,
https://doi.org/10.18485/fdu_zr.2022.41.3 . .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3032
AB  - Miško Šuvaković navodi kako se „Teorijom ili teoretizacijom nazivaju
hibridni žanrovi ili poližanrovi koji su se paralelno razvijali u umetničkim, aktivističkim
i akademskim krugovima (Francuska, Velika Britanija, SAD, Istočna Evropa)
kritikom autonomnih kanonskih modela i institucija naučnog i filozofskog rada u
društvu, kulturi i umetnosti“ (Šuvaković 2008). U ovom radu promatraću pitanje „Šta
je teorija?“ čitajući dela Žaka Deride, Pola de Mana i Ričarda Rortija i polazeći od
gore pomenutog okvira „teorije“ definisane pre svega kao pravca mišljenja danas
praktikovanog dominantno u akademskoj sferi u SAD. Za Deridu je pitanje „šta je?“
u osnovi svih drugih pitanja, a ponajviše onih koje upravljaju (governmentality) našim
razumevanjem sveta kao što su pitanja istine, svesti, subjektivnosti. Ova pitanja su se
u filozofiji razmatrala na različite načine, ali onaj koji je najznačajniji za moju temu
jeste odnos prisutnosti/odsutnosti, unutrašnjeg/spoljašnjeg, physisa/mimezisa promatran
kroz pojam pisanja.
AB  - Miško Šuvaković states that „Theory or theorization are hybrid genres or polygenres that developed in parallel in artistic, activist and academic circles (France, Great
Britain, USA, Eastern Europe) by criticizing autonomous canonical models and institutions of scientific and philosophical work in society, culture and art“ (Šuvaković
2008). In this paper, I will look at the question „What is theory?“ by reading the works
of Jacques Derrida, Paul de Man and Richard Rorty and starting from the above-mentioned framework of „theory“ defined primarily as a school of thought practiced today
dominantly in the academic sphere in the USA. For Derrida, the question „what is?“
is at the basis of all other questions, especially those that govern (governmentality)
our understanding of the world, such as questions of truth, consciousness, and subjectivity. These questions have been considered in philosophy in different ways, but the
one that is most significant for my topic is the relationship of presence/absence, internal/external, physis/mimesis viewed through the concept of writing.
PB  - Beograd: Filozofsko društvo Srbije
T2  - Theoria
T1  - Žak Derida i pitanje šta je teorija?
T1  - Jacques Derrida and the Question What is Theory?
IS  - 4
VL  - 65
SP  - 137
EP  - 146
DO  - 10.2298/THEO2204137M
ER  - 

@article{
author = "Mevorah, Vera",
year = "2022",
abstract = "Miško Šuvaković navodi kako se „Teorijom ili teoretizacijom nazivaju
hibridni žanrovi ili poližanrovi koji su se paralelno razvijali u umetničkim, aktivističkim
i akademskim krugovima (Francuska, Velika Britanija, SAD, Istočna Evropa)
kritikom autonomnih kanonskih modela i institucija naučnog i filozofskog rada u
društvu, kulturi i umetnosti“ (Šuvaković 2008). U ovom radu promatraću pitanje „Šta
je teorija?“ čitajući dela Žaka Deride, Pola de Mana i Ričarda Rortija i polazeći od
gore pomenutog okvira „teorije“ definisane pre svega kao pravca mišljenja danas
praktikovanog dominantno u akademskoj sferi u SAD. Za Deridu je pitanje „šta je?“
u osnovi svih drugih pitanja, a ponajviše onih koje upravljaju (governmentality) našim
razumevanjem sveta kao što su pitanja istine, svesti, subjektivnosti. Ova pitanja su se
u filozofiji razmatrala na različite načine, ali onaj koji je najznačajniji za moju temu
jeste odnos prisutnosti/odsutnosti, unutrašnjeg/spoljašnjeg, physisa/mimezisa promatran
kroz pojam pisanja., Miško Šuvaković states that „Theory or theorization are hybrid genres or polygenres that developed in parallel in artistic, activist and academic circles (France, Great
Britain, USA, Eastern Europe) by criticizing autonomous canonical models and institutions of scientific and philosophical work in society, culture and art“ (Šuvaković
2008). In this paper, I will look at the question „What is theory?“ by reading the works
of Jacques Derrida, Paul de Man and Richard Rorty and starting from the above-mentioned framework of „theory“ defined primarily as a school of thought practiced today
dominantly in the academic sphere in the USA. For Derrida, the question „what is?“
is at the basis of all other questions, especially those that govern (governmentality)
our understanding of the world, such as questions of truth, consciousness, and subjectivity. These questions have been considered in philosophy in different ways, but the
one that is most significant for my topic is the relationship of presence/absence, internal/external, physis/mimesis viewed through the concept of writing.",
publisher = "Beograd: Filozofsko društvo Srbije",
journal = "Theoria",
title = "Žak Derida i pitanje šta je teorija?, Jacques Derrida and the Question What is Theory?",
number = "4",
volume = "65",
pages = "137-146",
doi = "10.2298/THEO2204137M"
}

Mevorah, V.. (2022). Žak Derida i pitanje šta je teorija?. in Theoria
Beograd: Filozofsko društvo Srbije., 65(4), 137-146.
https://doi.org/10.2298/THEO2204137M

Mevorah V. Žak Derida i pitanje šta je teorija?. in Theoria. 2022;65(4):137-146.
doi:10.2298/THEO2204137M .

Mevorah, Vera, "Žak Derida i pitanje šta je teorija?" in Theoria, 65, no. 4 (2022):137-146,
https://doi.org/10.2298/THEO2204137M . .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2021
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2299
PB  - Beograd: Pedagoško društvo Srbije; Beograd: Institut za pedagogiju i andragogiju Filozofskog fakulteta Univerziteta u Beogradu
T2  - Nastava i vaspitanje
T1  - Prikaz knjige Nada Banjanin Đuričić, "To što radiš važno je: učiti o Holokaustu po preporukama Jad Vašema"
IS  - 1
VL  - 70
SP  - 127
EP  - 129
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2299
ER  - 

@article{
author = "Mevorah, Vera",
year = "2021",
publisher = "Beograd: Pedagoško društvo Srbije; Beograd: Institut za pedagogiju i andragogiju Filozofskog fakulteta Univerziteta u Beogradu",
journal = "Nastava i vaspitanje",
title = "Prikaz knjige Nada Banjanin Đuričić, "To što radiš važno je: učiti o Holokaustu po preporukama Jad Vašema"",
number = "1",
volume = "70",
pages = "127-129",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2299"
}

Mevorah, V.. (2021). Prikaz knjige Nada Banjanin Đuričić, "To što radiš važno je: učiti o Holokaustu po preporukama Jad Vašema". in Nastava i vaspitanje
Beograd: Pedagoško društvo Srbije; Beograd: Institut za pedagogiju i andragogiju Filozofskog fakulteta Univerziteta u Beogradu., 70(1), 127-129.
https://hdl.handle.net/21.15107/rcub_rifdt_2299

Mevorah V. Prikaz knjige Nada Banjanin Đuričić, "To što radiš važno je: učiti o Holokaustu po preporukama Jad Vašema". in Nastava i vaspitanje. 2021;70(1):127-129.
https://hdl.handle.net/21.15107/rcub_rifdt_2299 .

Mevorah, Vera, "Prikaz knjige Nada Banjanin Đuričić, "To što radiš važno je: učiti o Holokaustu po preporukama Jad Vašema"" in Nastava i vaspitanje, 70, no. 1 (2021):127-129,
https://hdl.handle.net/21.15107/rcub_rifdt_2299 .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2021
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2290
AB  - This paper deals with role of digital culture and ICT in rethinking Holocaust remembrance, arguing for a semantic, or rather a theoretical change in analyzing Holocaust memory practices - from re-presenting the Holocaust to communicating the Holocaust. We will explore how this framework can provide a new tool for better encompassing and understanding of wide range of memory and representation practices we equate the Holocaust with, from traumatic Holocaust survivor testimonies, historical, cultural and national memory politics, education practices, Jewish Churban, to numerous memorial and artistic production about the Holocaust, but also add to the debates around issues of (non) representability of the Shoah, ethical imperatives of Holocaust memory and post-Holocaust thought. Our goal is to analyze how much this new platform is dependent on the digital turn, that is, how much of this change in perception of Holocaust memory can we find in the cultural paradigm change that came with ICT and digital technology. This digital turn in Holocaust memory is perceived in the increase of the amount of information about the Holocaust, social networks and social media culture dominated landscape, significance of digital archives, networking and collaborative projects, image, video and text reproduction and appropriation, focus on interactivity and communication in education and memorial institutions. We will showcase how big historical and institutional narratives about the Holocaust gave way to the exchange of multitude of stories, opinions and perspectives. How museum, memorial and school settings became entwined with online platforms and their digital materials, and also in what way are those digital materials used, reproduced and changed. Further, we will discuss how the third and fourth post-Holocaust generation are connected to this digital turn in Holocaust memory and whether in their memory and representational practices we can also find the communication turn.
PB  - Belgrade: IPSI
T2  - IPSI Bgd Transactions on Internet Research, Special Issue "Digital Turn – Memory Studies"
T1  - Communicating the Holocaust
IS  - 2
VL  - 17
SP  - 8
EP  - 16
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2290
ER  - 

@article{
author = "Mevorah, Vera",
year = "2021",
abstract = "This paper deals with role of digital culture and ICT in rethinking Holocaust remembrance, arguing for a semantic, or rather a theoretical change in analyzing Holocaust memory practices - from re-presenting the Holocaust to communicating the Holocaust. We will explore how this framework can provide a new tool for better encompassing and understanding of wide range of memory and representation practices we equate the Holocaust with, from traumatic Holocaust survivor testimonies, historical, cultural and national memory politics, education practices, Jewish Churban, to numerous memorial and artistic production about the Holocaust, but also add to the debates around issues of (non) representability of the Shoah, ethical imperatives of Holocaust memory and post-Holocaust thought. Our goal is to analyze how much this new platform is dependent on the digital turn, that is, how much of this change in perception of Holocaust memory can we find in the cultural paradigm change that came with ICT and digital technology. This digital turn in Holocaust memory is perceived in the increase of the amount of information about the Holocaust, social networks and social media culture dominated landscape, significance of digital archives, networking and collaborative projects, image, video and text reproduction and appropriation, focus on interactivity and communication in education and memorial institutions. We will showcase how big historical and institutional narratives about the Holocaust gave way to the exchange of multitude of stories, opinions and perspectives. How museum, memorial and school settings became entwined with online platforms and their digital materials, and also in what way are those digital materials used, reproduced and changed. Further, we will discuss how the third and fourth post-Holocaust generation are connected to this digital turn in Holocaust memory and whether in their memory and representational practices we can also find the communication turn.",
publisher = "Belgrade: IPSI",
journal = "IPSI Bgd Transactions on Internet Research, Special Issue "Digital Turn – Memory Studies"",
title = "Communicating the Holocaust",
number = "2",
volume = "17",
pages = "8-16",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2290"
}

Mevorah, V.. (2021). Communicating the Holocaust. in IPSI Bgd Transactions on Internet Research, Special Issue "Digital Turn – Memory Studies"
Belgrade: IPSI., 17(2), 8-16.
https://hdl.handle.net/21.15107/rcub_rifdt_2290

Mevorah V. Communicating the Holocaust. in IPSI Bgd Transactions on Internet Research, Special Issue "Digital Turn – Memory Studies". 2021;17(2):8-16.
https://hdl.handle.net/21.15107/rcub_rifdt_2290 .

Mevorah, Vera, "Communicating the Holocaust" in IPSI Bgd Transactions on Internet Research, Special Issue "Digital Turn – Memory Studies", 17, no. 2 (2021):8-16,
https://hdl.handle.net/21.15107/rcub_rifdt_2290 .

TY  - BOOK
AU  - Velinov, Marija
AU  - Mevorah, Vera
AU  - Krstić, Predrag
PY  - 2020
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2295
AB  - Book of Abstracts of the annual conferences Why still education? presents a collection of presentations as an open forum for development and reflection on educational strategies, which both open the space for the exchange of experiences and knowledge and encourage challenging of the existing educational practices on the topic: Emancipation and/or Education: Challenges and Frictions. The relation between emancipation and education is fraught with tensions. Even though we are the inheritors of the emancipatory potential of the Enlightenment, never before have these potentials been under such rigorous critical scrutiny as from various intellectual traditions of the second half of 20th century, such as postcolonial studies, poststructuralist thought, feminist critique, etc. But precisely because the classic emancipatory ideal became outdated, there is a great need for rethinking and rearticulating the idea of emancipation. We want to question whether, and to what extent, in rethinking emancipation, the role and the aim of education must be rethought as well.
PB  - Belgrade : Institute for Philosophy and Social Theory University of Belgrade
T1  - Why still education? Emancipation and/or Education: Challenges and Frictions
T1  - Čemu još obrazovanje? Emancipacija i/ili obrazovanje: putevi i raspuća
T1  - Emancipacija i/ili obrazovanje: putevi i raspuća : knjiga apstrakata / Druga međunarodna konferencija Čemu još obrazovanje? Beograd, 2-5 oktobar 2020.
T1  - Emancipation and/or Education: Challenges and Frictions : Book of Abstracts / Second International Conference Why Still Education? Belgrade, 2-5 October, 2020
SP  - 1
EP  - 104
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2295
ER  - 

@book{
author = "Velinov, Marija and Mevorah, Vera and Krstić, Predrag",
year = "2020",
abstract = "Book of Abstracts of the annual conferences Why still education? presents a collection of presentations as an open forum for development and reflection on educational strategies, which both open the space for the exchange of experiences and knowledge and encourage challenging of the existing educational practices on the topic: Emancipation and/or Education: Challenges and Frictions. The relation between emancipation and education is fraught with tensions. Even though we are the inheritors of the emancipatory potential of the Enlightenment, never before have these potentials been under such rigorous critical scrutiny as from various intellectual traditions of the second half of 20th century, such as postcolonial studies, poststructuralist thought, feminist critique, etc. But precisely because the classic emancipatory ideal became outdated, there is a great need for rethinking and rearticulating the idea of emancipation. We want to question whether, and to what extent, in rethinking emancipation, the role and the aim of education must be rethought as well.",
publisher = "Belgrade : Institute for Philosophy and Social Theory University of Belgrade",
title = "Why still education? Emancipation and/or Education: Challenges and Frictions, Čemu još obrazovanje? Emancipacija i/ili obrazovanje: putevi i raspuća, Emancipacija i/ili obrazovanje: putevi i raspuća : knjiga apstrakata / Druga međunarodna konferencija Čemu još obrazovanje? Beograd, 2-5 oktobar 2020., Emancipation and/or Education: Challenges and Frictions : Book of Abstracts / Second International Conference Why Still Education? Belgrade, 2-5 October, 2020",
pages = "1-104",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2295"
}

Velinov, M., Mevorah, V.,& Krstić, P.. (2020). Why still education? Emancipation and/or Education: Challenges and Frictions. 
Belgrade : Institute for Philosophy and Social Theory University of Belgrade., 1-104.
https://hdl.handle.net/21.15107/rcub_rifdt_2295

Velinov M, Mevorah V, Krstić P. Why still education? Emancipation and/or Education: Challenges and Frictions. 2020;:1-104.
https://hdl.handle.net/21.15107/rcub_rifdt_2295 .

Velinov, Marija, Mevorah, Vera, Krstić, Predrag, "Why still education? Emancipation and/or Education: Challenges and Frictions" (2020):1-104,
https://hdl.handle.net/21.15107/rcub_rifdt_2295 .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2019
UR  - http://journal.instifdt.bg.ac.rs/index.php?journal=fid&page=article&op=view&path%5B%5D=754
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/1989
AB  - 
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Filozofija i društvo/Philosophy and Society
T1  - 
T1  - Mark Lošonc i Predrag Krstić (ur.), Holokaust i filozofija, Institut za filozofiju i društvenu teoriju, Beograd, 2018
IS  - 2
VL  - 30
SP  - 317
EP  - 319
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_1989
ER  - 

@article{
author = "Mevorah, Vera",
year = "2019",
abstract = "",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Filozofija i društvo/Philosophy and Society",
title = ", Mark Lošonc i Predrag Krstić (ur.), Holokaust i filozofija, Institut za filozofiju i društvenu teoriju, Beograd, 2018",
number = "2",
volume = "30",
pages = "317-319",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_1989"
}

Mevorah, V.. (2019). . in Filozofija i društvo/Philosophy and Society
Beograd : Institut za filozofiju i društvenu teoriju., 30(2), 317-319.
https://hdl.handle.net/21.15107/rcub_rifdt_1989

Mevorah V. . in Filozofija i društvo/Philosophy and Society. 2019;30(2):317-319.
https://hdl.handle.net/21.15107/rcub_rifdt_1989 .

Mevorah, Vera, "" in Filozofija i društvo/Philosophy and Society, 30, no. 2 (2019):317-319,
https://hdl.handle.net/21.15107/rcub_rifdt_1989 .

TY  - JOUR
AU  - Mihaljinac, Nina
AU  - Mevorah, Vera
PY  - 2019
UR  - http://journals.sagepub.com/doi/10.1177/0163443719831177
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2293
AB  - The article uses case studies of artistic and cultural practices on Internet in Serbia (1996–2014) to provide a deeper analysis of possible uses of internet technology and internet art for social and political change as well as showcasing changing attitudes toward the internet in a transitional semi-periphery state. Through analyzing these questions, the article defines several phases of development of internet and art projects in Serbia including (a) the phase of techno-utopia when internet technology was used for staging and supporting student protests and the so-called first ‘internet revolution’ in Serbia (1996–1999); (b) the phase of ambivalence or ‘mixed feelings’ toward the Internet, triggered of by Kosovo War and North Atlantic Treaty Organization (NATO)-led bombing of 1999–2000; (c) the phase of optimism and hope about the Internet after the ‘October 5th’ revolution (2000–cc. 2005); and (d) the phase of disillusionment with both the Internet and democracy (2010–2014). This study re-evaluates early achievements and democratic principles of networked society and illuminates core issues and accomplishments of cyber culture from the 1990s until present times through the point of view of multiple actors present within Serbian art and culture.
PB  - SAGE Journals
T2  - Media, Culture & Society
T1  - Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014
IS  - 6
VL  - 41
SP  - 889
EP  - 900
DO  - 10.1177/0163443719831177
ER  - 

@article{
author = "Mihaljinac, Nina and Mevorah, Vera",
year = "2019",
abstract = "The article uses case studies of artistic and cultural practices on Internet in Serbia (1996–2014) to provide a deeper analysis of possible uses of internet technology and internet art for social and political change as well as showcasing changing attitudes toward the internet in a transitional semi-periphery state. Through analyzing these questions, the article defines several phases of development of internet and art projects in Serbia including (a) the phase of techno-utopia when internet technology was used for staging and supporting student protests and the so-called first ‘internet revolution’ in Serbia (1996–1999); (b) the phase of ambivalence or ‘mixed feelings’ toward the Internet, triggered of by Kosovo War and North Atlantic Treaty Organization (NATO)-led bombing of 1999–2000; (c) the phase of optimism and hope about the Internet after the ‘October 5th’ revolution (2000–cc. 2005); and (d) the phase of disillusionment with both the Internet and democracy (2010–2014). This study re-evaluates early achievements and democratic principles of networked society and illuminates core issues and accomplishments of cyber culture from the 1990s until present times through the point of view of multiple actors present within Serbian art and culture.",
publisher = "SAGE Journals",
journal = "Media, Culture & Society",
title = "Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014",
number = "6",
volume = "41",
pages = "889-900",
doi = "10.1177/0163443719831177"
}

Mihaljinac, N.,& Mevorah, V.. (2019). Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014. in Media, Culture & Society
SAGE Journals., 41(6), 889-900.
https://doi.org/10.1177/0163443719831177

Mihaljinac N, Mevorah V. Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014. in Media, Culture & Society. 2019;41(6):889-900.
doi:10.1177/0163443719831177 .

Mihaljinac, Nina, Mevorah, Vera, "Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014" in Media, Culture & Society, 41, no. 6 (2019):889-900,
https://doi.org/10.1177/0163443719831177 . .

Daković, N.,& Mevorah, V.. (2018). Graničnici sećanja: Jevrejsko nasleđe i Holokaust. 
Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije..
https://hdl.handle.net/21.15107/rcub_rifdt_2291

Daković N, Mevorah V. Graničnici sećanja: Jevrejsko nasleđe i Holokaust. 2018;.
https://hdl.handle.net/21.15107/rcub_rifdt_2291 .

Daković, Nevena, Mevorah, Vera, "Graničnici sećanja: Jevrejsko nasleđe i Holokaust" (2018),
https://hdl.handle.net/21.15107/rcub_rifdt_2291 .

TY  - CHAP
AU  - Mevorah, Vera
PY  - 2018
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2303
AB  - Istraživanje "virtuelnog sećanja" ili sećanja u informacionom i digitalnom dobu postaje posebno značajna praksa u svetlu rastuće primene tehnologije u predstavljanju Šoe i transformaciji obrazovnih metodologija. Ključna pitanja postaju održiva budućnost i očuvanje digitalno pohranjenog sećanja (dokumenta, svedočenja, fotografija, filmova, knjiga itd.), kao i medijska arheologija reprezentacije Holokausta u informacionom dobu. Artikulacija društvenog sećanja na Holokaust se menja, bilo da govorimo o tehnološkim procesima medijskog posredovanja, koje proučava digitalna humanistika, ili promenama u konzumiranju i plasiranju informacija u okviru insitucija sećanja (arhiva, muzeja, biblioteka) i šire.
PB  - Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije
T2  - Graničnici sećanja: jevrejsko nasleđe i Holokaust
T1  - Virtuelno sećanje: edukacija o Holokaustu u informacionom dobu
SP  - 195
EP  - 211
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2303
ER  - 

@inbook{
author = "Mevorah, Vera",
year = "2018",
abstract = "Istraživanje "virtuelnog sećanja" ili sećanja u informacionom i digitalnom dobu postaje posebno značajna praksa u svetlu rastuće primene tehnologije u predstavljanju Šoe i transformaciji obrazovnih metodologija. Ključna pitanja postaju održiva budućnost i očuvanje digitalno pohranjenog sećanja (dokumenta, svedočenja, fotografija, filmova, knjiga itd.), kao i medijska arheologija reprezentacije Holokausta u informacionom dobu. Artikulacija društvenog sećanja na Holokaust se menja, bilo da govorimo o tehnološkim procesima medijskog posredovanja, koje proučava digitalna humanistika, ili promenama u konzumiranju i plasiranju informacija u okviru insitucija sećanja (arhiva, muzeja, biblioteka) i šire.",
publisher = "Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije",
journal = "Graničnici sećanja: jevrejsko nasleđe i Holokaust",
booktitle = "Virtuelno sećanje: edukacija o Holokaustu u informacionom dobu",
pages = "195-211",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2303"
}

Mevorah, V.. (2018). Virtuelno sećanje: edukacija o Holokaustu u informacionom dobu. in Graničnici sećanja: jevrejsko nasleđe i Holokaust
Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije., 195-211.
https://hdl.handle.net/21.15107/rcub_rifdt_2303

Mevorah V. Virtuelno sećanje: edukacija o Holokaustu u informacionom dobu. in Graničnici sećanja: jevrejsko nasleđe i Holokaust. 2018;:195-211.
https://hdl.handle.net/21.15107/rcub_rifdt_2303 .

Mevorah, Vera, "Virtuelno sećanje: edukacija o Holokaustu u informacionom dobu" in Graničnici sećanja: jevrejsko nasleđe i Holokaust (2018):195-211,
https://hdl.handle.net/21.15107/rcub_rifdt_2303 .

TY  - CHAP
AU  - Daković, Nevena
AU  - Mevorah, Vera
PY  - 2018
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2302
AB  - Uvodni članak knjjige "Graničnici sećanja - jevrejsko nasleđe i Holokaust" prikazuje i obrazlaže tri odeljka koji osvetljavaju mnoštvo linija koje povezuju narative post-sećanja i modalitete rekontrukcije i razumevanja prošlosti. Predstavljene studije slučaja i teorijski pristupi kulturnom sećanju pokazuju raznovrsnost, bogatstvo i značaj studija sećanja i jevrejskih studija u Srbiji. Niz narativa ukazuje na rekonstrukcije prošlosti – kulture, Holokausta, dnevnog života i istorije – postavljenih u interdsiciplinarni teorijski i analitički kontekst post-sećanja, reprezentacije, afekata, odgovornosti, svedočenja, kulture, umetnosti, obrazovanja, medija i etike. Fokus nije samo ma raznorodnim narativima epske i melodramske magnitude – koji inače oslobađaju Holokaust etičkih i estetičkih zabrana i granica reprezentacije – već na lokalnom kontekstu i faktografi – mikrostorijama zaboravljenih umetnika, insitucija, zajednica, istorijskih epizoda, ali u čijem je središtu opet neizbežno upisan Holokaust.
PB  - Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije
T2  - Graničnici sećanja: jevrejsko nasleđe i Holokaust
T1  - Tragovi sećanja i tragom prošlosti
SP  - 7
EP  - 17
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2302
ER  - 

@inbook{
author = "Daković, Nevena and Mevorah, Vera",
year = "2018",
abstract = "Uvodni članak knjjige "Graničnici sećanja - jevrejsko nasleđe i Holokaust" prikazuje i obrazlaže tri odeljka koji osvetljavaju mnoštvo linija koje povezuju narative post-sećanja i modalitete rekontrukcije i razumevanja prošlosti. Predstavljene studije slučaja i teorijski pristupi kulturnom sećanju pokazuju raznovrsnost, bogatstvo i značaj studija sećanja i jevrejskih studija u Srbiji. Niz narativa ukazuje na rekonstrukcije prošlosti – kulture, Holokausta, dnevnog života i istorije – postavljenih u interdsiciplinarni teorijski i analitički kontekst post-sećanja, reprezentacije, afekata, odgovornosti, svedočenja, kulture, umetnosti, obrazovanja, medija i etike. Fokus nije samo ma raznorodnim narativima epske i melodramske magnitude – koji inače oslobađaju Holokaust etičkih i estetičkih zabrana i granica reprezentacije – već na lokalnom kontekstu i faktografi – mikrostorijama zaboravljenih umetnika, insitucija, zajednica, istorijskih epizoda, ali u čijem je središtu opet neizbežno upisan Holokaust.",
publisher = "Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije",
journal = "Graničnici sećanja: jevrejsko nasleđe i Holokaust",
booktitle = "Tragovi sećanja i tragom prošlosti",
pages = "7-17",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2302"
}

Daković, N.,& Mevorah, V.. (2018). Tragovi sećanja i tragom prošlosti. in Graničnici sećanja: jevrejsko nasleđe i Holokaust
Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije., 7-17.
https://hdl.handle.net/21.15107/rcub_rifdt_2302

Daković N, Mevorah V. Tragovi sećanja i tragom prošlosti. in Graničnici sećanja: jevrejsko nasleđe i Holokaust. 2018;:7-17.
https://hdl.handle.net/21.15107/rcub_rifdt_2302 .

Daković, Nevena, Mevorah, Vera, "Tragovi sećanja i tragom prošlosti" in Graničnici sećanja: jevrejsko nasleđe i Holokaust (2018):7-17,
https://hdl.handle.net/21.15107/rcub_rifdt_2302 .

TY  - CHAP
AU  - Mevorah, Vera
PY  - 2016
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3028
AB  - How discourses of “art audience” intersect with how we relate to the Internet, or at least how we’ve become - users. How is the user defined, and how traditional, albeit even before the Internet, fragmented roles of artists and their audience fit in this new subject position?
PB  - Belgrade: Faculty of Media and Communications
T2  - Beyond the Crisis in the Humanities: Transdisciplinary Trasformations of Contemporary Discourses on Art and Culture
T1  - Internet art and the dispersed public body: Question of "user" as audience
SP  - 125
EP  - 131
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3028
ER  - 

@inbook{
author = "Mevorah, Vera",
year = "2016",
abstract = "How discourses of “art audience” intersect with how we relate to the Internet, or at least how we’ve become - users. How is the user defined, and how traditional, albeit even before the Internet, fragmented roles of artists and their audience fit in this new subject position?",
publisher = "Belgrade: Faculty of Media and Communications",
journal = "Beyond the Crisis in the Humanities: Transdisciplinary Trasformations of Contemporary Discourses on Art and Culture",
booktitle = "Internet art and the dispersed public body: Question of "user" as audience",
pages = "125-131",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3028"
}

Mevorah, V.. (2016). Internet art and the dispersed public body: Question of "user" as audience. in Beyond the Crisis in the Humanities: Transdisciplinary Trasformations of Contemporary Discourses on Art and Culture
Belgrade: Faculty of Media and Communications., 125-131.
https://hdl.handle.net/21.15107/rcub_rifdt_3028

Mevorah V. Internet art and the dispersed public body: Question of "user" as audience. in Beyond the Crisis in the Humanities: Transdisciplinary Trasformations of Contemporary Discourses on Art and Culture. 2016;:125-131.
https://hdl.handle.net/21.15107/rcub_rifdt_3028 .

Mevorah, Vera, "Internet art and the dispersed public body: Question of "user" as audience" in Beyond the Crisis in the Humanities: Transdisciplinary Trasformations of Contemporary Discourses on Art and Culture (2016):125-131,
https://hdl.handle.net/21.15107/rcub_rifdt_3028 .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2016
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2304
AB  - Cilj ovog rada je istraživanje fenomena turbo-folka kao simptomatičnog stanja ispreplitanih drugosti unutar Jugoistočne Evrope putem diskursa o Balkanu. Od 70-ih godina XX veka ovaj muzički žanr jedan je od sastavnih elemenata moderne i savremene kafanske kulture u Srbiji, koji od svog nastanka nosi negativne i često sukobljene diskurse u našem društvu. Analizirajući načine na koji je muzički žanr turbo-folka pozicioniran između različitih identiteta na prostorima bivše Jugolavije otkrivamo „reprodukcije orijentalizma“ (nesting orientalisms) na koje ukazuje Milica Bakić-Hajden (Milica Bakić-Hayden) u svojoj studiji. Rasprostranjenost različitih „orijentalizama“ u kulturi Balkana i njegova paradoksalna pozicija kao „mosta između Istoka i Zapada“ kroz fenomen turbo-folk žanra ukazuje nam na kontradiktornu i nestabilnu prirodu identiteta kao takvog.
PB  - Beograd: Zavod za proučavanje kulturnog razvitka
T2  - Kultura, temat "Kafana: to sjajno treće mesto"
T1  - Turbo-folk: Balkanizam, orijentalizam i drugost
IS  - 151
SP  - 261
EP  - 278
DO  - 10.5937/kultura1651261M
ER  - 

@article{
author = "Mevorah, Vera",
year = "2016",
abstract = "Cilj ovog rada je istraživanje fenomena turbo-folka kao simptomatičnog stanja ispreplitanih drugosti unutar Jugoistočne Evrope putem diskursa o Balkanu. Od 70-ih godina XX veka ovaj muzički žanr jedan je od sastavnih elemenata moderne i savremene kafanske kulture u Srbiji, koji od svog nastanka nosi negativne i često sukobljene diskurse u našem društvu. Analizirajući načine na koji je muzički žanr turbo-folka pozicioniran između različitih identiteta na prostorima bivše Jugolavije otkrivamo „reprodukcije orijentalizma“ (nesting orientalisms) na koje ukazuje Milica Bakić-Hajden (Milica Bakić-Hayden) u svojoj studiji. Rasprostranjenost različitih „orijentalizama“ u kulturi Balkana i njegova paradoksalna pozicija kao „mosta između Istoka i Zapada“ kroz fenomen turbo-folk žanra ukazuje nam na kontradiktornu i nestabilnu prirodu identiteta kao takvog.",
publisher = "Beograd: Zavod za proučavanje kulturnog razvitka",
journal = "Kultura, temat "Kafana: to sjajno treće mesto"",
title = "Turbo-folk: Balkanizam, orijentalizam i drugost",
number = "151",
pages = "261-278",
doi = "10.5937/kultura1651261M"
}

Mevorah, V.. (2016). Turbo-folk: Balkanizam, orijentalizam i drugost. in Kultura, temat "Kafana: to sjajno treće mesto"
Beograd: Zavod za proučavanje kulturnog razvitka.(151), 261-278.
https://doi.org/10.5937/kultura1651261M

Mevorah V. Turbo-folk: Balkanizam, orijentalizam i drugost. in Kultura, temat "Kafana: to sjajno treće mesto". 2016;(151):261-278.
doi:10.5937/kultura1651261M .

Mevorah, Vera, "Turbo-folk: Balkanizam, orijentalizam i drugost" in Kultura, temat "Kafana: to sjajno treće mesto", no. 151 (2016):261-278,
https://doi.org/10.5937/kultura1651261M . .

TY  - CHAP
AU  - Mevorah, Vera
PY  - 2016
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2301
AB  - In this paper, we are analyzing in what ways transition of music competition as an important institution in the world of Art music to digital world of the Internet is changing how we understand some important aspects of music performance and music excellence. The paper deals with a case study of the Internet Music Competition, an online music competition founded in 2011 by Udruženje pedagoga osnovnih i srednjih muzičkih škola Srbije (Teacher Association of Primary and Secondary Music Schools in Serbia). This new form of music competition mirrors many aspects specific for the Internet as a communication medium, and as such represents an interesting case of transitions that Art music goes through in the Information age, as well as possibilities and opportunities that the Internet as a medium brings forth. It opens important question of value and characteristics of digital sound in music performance. Is it possible to get a clear impression of artistic and music excellence through a digitally recorded sound? What is being evaluated in an online performance, and what is lost with digital sound? This kind of interdisciplinary study is significant both for understanding heterogeneous transitions of Art music discourses which are happening on a global scale, together with beginning to question and analyze the specifics of Serbian society and culture as part of the new digital, information age.
PB  - Belgrade: Faculty of Music, University of Arts Belgrade
T2  - Music: transitions/continuities
T1  - The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia
SP  - 238
EP  - 247
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2301
ER  - 

@inbook{
author = "Mevorah, Vera",
year = "2016",
abstract = "In this paper, we are analyzing in what ways transition of music competition as an important institution in the world of Art music to digital world of the Internet is changing how we understand some important aspects of music performance and music excellence. The paper deals with a case study of the Internet Music Competition, an online music competition founded in 2011 by Udruženje pedagoga osnovnih i srednjih muzičkih škola Srbije (Teacher Association of Primary and Secondary Music Schools in Serbia). This new form of music competition mirrors many aspects specific for the Internet as a communication medium, and as such represents an interesting case of transitions that Art music goes through in the Information age, as well as possibilities and opportunities that the Internet as a medium brings forth. It opens important question of value and characteristics of digital sound in music performance. Is it possible to get a clear impression of artistic and music excellence through a digitally recorded sound? What is being evaluated in an online performance, and what is lost with digital sound? This kind of interdisciplinary study is significant both for understanding heterogeneous transitions of Art music discourses which are happening on a global scale, together with beginning to question and analyze the specifics of Serbian society and culture as part of the new digital, information age.",
publisher = "Belgrade: Faculty of Music, University of Arts Belgrade",
journal = "Music: transitions/continuities",
booktitle = "The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia",
pages = "238-247",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2301"
}

Mevorah, V.. (2016). The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia. in Music: transitions/continuities
Belgrade: Faculty of Music, University of Arts Belgrade., 238-247.
https://hdl.handle.net/21.15107/rcub_rifdt_2301

Mevorah V. The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia. in Music: transitions/continuities. 2016;:238-247.
https://hdl.handle.net/21.15107/rcub_rifdt_2301 .

Mevorah, Vera, "The Internet and Transitions of Institutionality in Art Music: Case Study of the Internet Music Competition, an online music competition by the Teacher Association of Primary and Secondary Music Schools in Serbia" in Music: transitions/continuities (2016):238-247,
https://hdl.handle.net/21.15107/rcub_rifdt_2301 .

TY  - CHAP
AU  - Mevorah, Vera
PY  - 2016
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2300
AB  - Video game artworks Over 7 seas & 7 mountains by Aleksandra Jovanic, Can you feel the spill? by Les Mislerebles trio and Symbols of Fortune by Katarina Kaplarski all share a theme of seriousness in play, an artistic opposition to the element of leisure and playfulness in computer gaming culture which these artists use to stress a number of social issues that our both local as well as global. By analyzing these works in the wider discourse of video game art we are hoping to come to a better understanding of this contemporary art genre in its specific Serbian context.
PB  - Belgrade: Faculty of Dramatic Arts University of Arts in Belgrade
T2  - Media archaeology: memory, media and culture in the digital age
T1  - Seriousness of Play: Video game Art in Serbia
SP  - 184
EP  - 193
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2300
ER  - 

@inbook{
author = "Mevorah, Vera",
year = "2016",
abstract = "Video game artworks Over 7 seas & 7 mountains by Aleksandra Jovanic, Can you feel the spill? by Les Mislerebles trio and Symbols of Fortune by Katarina Kaplarski all share a theme of seriousness in play, an artistic opposition to the element of leisure and playfulness in computer gaming culture which these artists use to stress a number of social issues that our both local as well as global. By analyzing these works in the wider discourse of video game art we are hoping to come to a better understanding of this contemporary art genre in its specific Serbian context.",
publisher = "Belgrade: Faculty of Dramatic Arts University of Arts in Belgrade",
journal = "Media archaeology: memory, media and culture in the digital age",
booktitle = "Seriousness of Play: Video game Art in Serbia",
pages = "184-193",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2300"
}

Mevorah, V.. (2016). Seriousness of Play: Video game Art in Serbia. in Media archaeology: memory, media and culture in the digital age
Belgrade: Faculty of Dramatic Arts University of Arts in Belgrade., 184-193.
https://hdl.handle.net/21.15107/rcub_rifdt_2300

Mevorah V. Seriousness of Play: Video game Art in Serbia. in Media archaeology: memory, media and culture in the digital age. 2016;:184-193.
https://hdl.handle.net/21.15107/rcub_rifdt_2300 .

Mevorah, Vera, "Seriousness of Play: Video game Art in Serbia" in Media archaeology: memory, media and culture in the digital age (2016):184-193,
https://hdl.handle.net/21.15107/rcub_rifdt_2300 .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2016
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2294
AB  - Dok se većina institucija u Srbiji još uvek bori da ovlada i sprovede osnovne oblike digitalizacije, susretanje sa izazovima izlaganja, prikupljanja i očuvanja digitalnih umetničkih praksi za Muzej savremene umetnosti Vojvodine i druge ustanove kulture u Srbiji takođe tek počinje i ukazuje na brojne mogućnosti i probleme ovog procesa. Kroz ovu studiju predstavićemo kontekste ovakvih praksi u svetu, sa posebnim fokusom na odnos internet umetnosti (net art) prema institucijama, gde ćemo na primeru MSUV pokušati da osvetlimo put kojim se oblici digitalne umetničke prakse kreću u dominantnim diskursima institucija umetnosti i kulture u Srbiji, ali i samu prisutnost ovih praksi na našim prostorima.
PB  - Beograd: Institut za pozorište, film, radio i televiziju Fakulteta dramskih umetnosti u Beogradu
T2  - Zbornik radova Fakulteta dramskih umetnosti
T1  - Internet umetnost u institucionalnom kontekstu: budućnost i izazovi digitalne umetnosti u Srbiji
VL  - 29
SP  - 217
EP  - 233
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2294
ER  - 

@article{
author = "Mevorah, Vera",
year = "2016",
abstract = "Dok se većina institucija u Srbiji još uvek bori da ovlada i sprovede osnovne oblike digitalizacije, susretanje sa izazovima izlaganja, prikupljanja i očuvanja digitalnih umetničkih praksi za Muzej savremene umetnosti Vojvodine i druge ustanove kulture u Srbiji takođe tek počinje i ukazuje na brojne mogućnosti i probleme ovog procesa. Kroz ovu studiju predstavićemo kontekste ovakvih praksi u svetu, sa posebnim fokusom na odnos internet umetnosti (net art) prema institucijama, gde ćemo na primeru MSUV pokušati da osvetlimo put kojim se oblici digitalne umetničke prakse kreću u dominantnim diskursima institucija umetnosti i kulture u Srbiji, ali i samu prisutnost ovih praksi na našim prostorima.",
publisher = "Beograd: Institut za pozorište, film, radio i televiziju Fakulteta dramskih umetnosti u Beogradu",
journal = "Zbornik radova Fakulteta dramskih umetnosti",
title = "Internet umetnost u institucionalnom kontekstu: budućnost i izazovi digitalne umetnosti u Srbiji",
volume = "29",
pages = "217-233",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2294"
}

Mevorah, V.. (2016). Internet umetnost u institucionalnom kontekstu: budućnost i izazovi digitalne umetnosti u Srbiji. in Zbornik radova Fakulteta dramskih umetnosti
Beograd: Institut za pozorište, film, radio i televiziju Fakulteta dramskih umetnosti u Beogradu., 29, 217-233.
https://hdl.handle.net/21.15107/rcub_rifdt_2294

Mevorah V. Internet umetnost u institucionalnom kontekstu: budućnost i izazovi digitalne umetnosti u Srbiji. in Zbornik radova Fakulteta dramskih umetnosti. 2016;29:217-233.
https://hdl.handle.net/21.15107/rcub_rifdt_2294 .

Mevorah, Vera, "Internet umetnost u institucionalnom kontekstu: budućnost i izazovi digitalne umetnosti u Srbiji" in Zbornik radova Fakulteta dramskih umetnosti, 29 (2016):217-233,
https://hdl.handle.net/21.15107/rcub_rifdt_2294 .

TY  - JOUR
AU  - Mevorah, Vera
PY  - 2015
UR  - http://www.anthroserbia.org/Journals/Article/1975
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2305
AB  - Tržište savremene umetnosti deluje u okviru diskurzivnog sveta koji je umnogome udaljen od ideje savremene umetnosti kao naslednika avangardnih i neoavangardnih društveno-aktivističkih eksperimenata u društvu. Internet, kao i umetnost u savremeno doba podjednako su deo sveta neoliberalnog kapitalizma pod čijim okriljem funkcionišu kulturne institucije, proizvodnja umetnosti, kao i srpsko društvo. Predstavljanjem i pozicioniranjem internet platforme Widewalls.ch koja deluje u okviru svetskog tržišta umetnina analiziraćemo preplitanja diskursa sajber kulture, savremene umetnosti i neoliberalnog kapitalizma u specifičnom položaju kakav Republika Srbija ima u već poodmaklom procesu globalizacije.
PB  - Beograd: Institut za etnologiju i antropologiju, Filozofski fakultet Univerziteta u Beogradu
T2  - Antropologija
T1  - Widewalls.ch: Srbija između savremene umetnosti, kapitalizma i globalizacije
IS  - 2
VL  - 15
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2305
ER  - 

@article{
author = "Mevorah, Vera",
year = "2015",
abstract = "Tržište savremene umetnosti deluje u okviru diskurzivnog sveta koji je umnogome udaljen od ideje savremene umetnosti kao naslednika avangardnih i neoavangardnih društveno-aktivističkih eksperimenata u društvu. Internet, kao i umetnost u savremeno doba podjednako su deo sveta neoliberalnog kapitalizma pod čijim okriljem funkcionišu kulturne institucije, proizvodnja umetnosti, kao i srpsko društvo. Predstavljanjem i pozicioniranjem internet platforme Widewalls.ch koja deluje u okviru svetskog tržišta umetnina analiziraćemo preplitanja diskursa sajber kulture, savremene umetnosti i neoliberalnog kapitalizma u specifičnom položaju kakav Republika Srbija ima u već poodmaklom procesu globalizacije.",
publisher = "Beograd: Institut za etnologiju i antropologiju, Filozofski fakultet Univerziteta u Beogradu",
journal = "Antropologija",
title = "Widewalls.ch: Srbija između savremene umetnosti, kapitalizma i globalizacije",
number = "2",
volume = "15",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2305"
}

Mevorah, V.. (2015). Widewalls.ch: Srbija između savremene umetnosti, kapitalizma i globalizacije. in Antropologija
Beograd: Institut za etnologiju i antropologiju, Filozofski fakultet Univerziteta u Beogradu., 15(2).
https://hdl.handle.net/21.15107/rcub_rifdt_2305

Mevorah V. Widewalls.ch: Srbija između savremene umetnosti, kapitalizma i globalizacije. in Antropologija. 2015;15(2).
https://hdl.handle.net/21.15107/rcub_rifdt_2305 .

Mevorah, Vera, "Widewalls.ch: Srbija između savremene umetnosti, kapitalizma i globalizacije" in Antropologija, 15, no. 2 (2015),
https://hdl.handle.net/21.15107/rcub_rifdt_2305 .

TY  - CHAP
AU  - Mevorah, Vera
PY  - 2015
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2296
AB  - Tema ovog zbornika tiče se autora i teorija marskističke tradicije nakon 50-ih godina 20. veka koje se na neki način bave pitanjem umetnosti, njene uloge u poznom kapitalističkom dobu, kao i mogućnošću emancipacije i subverzije putem umetničke prakse. Kao politički aktivista pokreta Autonomija u Italiji, Paolo Virno se nije bavio posebno pitanjem umetničke prakse kao njegovi saborci Antonio Nergi (Antonio Negri), Mauricio Lazarato (Maurizio Lazzarato) i drugi. Njegov politički aktivizam i filozofija su dugo vremena išli ruku pod ruku i najduži period njegovog stvaranja bio je okrenut koncipiranju i istraživanju mogućih praksi "mnoštva" kao nove političko-socijalne stvarnosti postfordizma. U tom smislu smatram da je najbolji način pristupanja misli i delu Paola Virna u kontekstu ovog zbornika putem analize njegovih knjiga, članaka i intervjua prevedenih na engleski jezik kroz tri ključna pojma: marksizam, umetnost i biopolitika, i odnosu prema njegovom najznačajnijem konceptu savremenog društva – mnoštvu.
PB  - Beograd: Orion Art; Beograd: Fakultet za medije i komunikacije Univerzitet Singidunum
T2  - Savremena marksistička teorija umetnosti
T1  - Paolo Virno: Umetnost između rada, politike i mišljenja
SP  - 600
EP  - 615
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2296
ER  - 

@inbook{
author = "Mevorah, Vera",
year = "2015",
abstract = "Tema ovog zbornika tiče se autora i teorija marskističke tradicije nakon 50-ih godina 20. veka koje se na neki način bave pitanjem umetnosti, njene uloge u poznom kapitalističkom dobu, kao i mogućnošću emancipacije i subverzije putem umetničke prakse. Kao politički aktivista pokreta Autonomija u Italiji, Paolo Virno se nije bavio posebno pitanjem umetničke prakse kao njegovi saborci Antonio Nergi (Antonio Negri), Mauricio Lazarato (Maurizio Lazzarato) i drugi. Njegov politički aktivizam i filozofija su dugo vremena išli ruku pod ruku i najduži period njegovog stvaranja bio je okrenut koncipiranju i istraživanju mogućih praksi "mnoštva" kao nove političko-socijalne stvarnosti postfordizma. U tom smislu smatram da je najbolji način pristupanja misli i delu Paola Virna u kontekstu ovog zbornika putem analize njegovih knjiga, članaka i intervjua prevedenih na engleski jezik kroz tri ključna pojma: marksizam, umetnost i biopolitika, i odnosu prema njegovom najznačajnijem konceptu savremenog društva – mnoštvu.",
publisher = "Beograd: Orion Art; Beograd: Fakultet za medije i komunikacije Univerzitet Singidunum",
journal = "Savremena marksistička teorija umetnosti",
booktitle = "Paolo Virno: Umetnost između rada, politike i mišljenja",
pages = "600-615",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2296"
}

Mevorah, V.. (2015). Paolo Virno: Umetnost između rada, politike i mišljenja. in Savremena marksistička teorija umetnosti
Beograd: Orion Art; Beograd: Fakultet za medije i komunikacije Univerzitet Singidunum., 600-615.
https://hdl.handle.net/21.15107/rcub_rifdt_2296

Mevorah V. Paolo Virno: Umetnost između rada, politike i mišljenja. in Savremena marksistička teorija umetnosti. 2015;:600-615.
https://hdl.handle.net/21.15107/rcub_rifdt_2296 .

Mevorah, Vera, "Paolo Virno: Umetnost između rada, politike i mišljenja" in Savremena marksistička teorija umetnosti (2015):600-615,
https://hdl.handle.net/21.15107/rcub_rifdt_2296 .

TY  - CHAP
AU  - Stojanović, Dragana
AU  - Mevorah, Vera
PY  - 2014
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2297
AB  - One of the main problems of Holocaust research and representation is closely linked with the idea of original source. The original source is usually considered to be a visual or textual testimony and/or document of the actual historical event. However, we are always-already dealing with the multitude of complex (re)presentations mediated through the post-situation of a heavily layered knowledge and also with the segmented character of broken, suppressed debris of memories and traumas. Holocaust seems to inscript itself in the very core not only of the memory of that happening, but also in the memory of the whole period before, which was the primary aim of the project " The Portraits and Memories of the Jewish Community of Serbia Before the Holocaust ". Further approach to the problem reveals two parallel stories (one of the before-Holocaust past and one of the Holocaust past) that eventually become one – the one that becomes the actual source of knowledge of the Holocaust in the present, the source with which we are dealing with when we try to represent, interpret and speak about it. The implication of multimedia environment of the Internet and its mediation of such conflicted discourse is an interface through which we receive this complexity of knowledge. This paper deals with these many problems of the inscriptions and re-inscriptions of the knowledge of the Holocaust, as well as with the issue of opening the questions of the further construction and mediation of a Holocaust-related discourse.
PB  - Belgrade: Discourse; Belgrade: Institute for Theater, Film, Radio and Television, Faculty of Dramatic Arts Belgrade
T2  - Representation of the Holocaust in the Balkans in Arts and Media
T1  - Portraits and Memories of the Jewish Community in Serbia before the Holocaust: Facing the inscription of the Holocaust in the postmemory media representation contexts
SP  - 54
EP  - 66
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2297
ER  - 

@inbook{
author = "Stojanović, Dragana and Mevorah, Vera",
year = "2014",
abstract = "One of the main problems of Holocaust research and representation is closely linked with the idea of original source. The original source is usually considered to be a visual or textual testimony and/or document of the actual historical event. However, we are always-already dealing with the multitude of complex (re)presentations mediated through the post-situation of a heavily layered knowledge and also with the segmented character of broken, suppressed debris of memories and traumas. Holocaust seems to inscript itself in the very core not only of the memory of that happening, but also in the memory of the whole period before, which was the primary aim of the project " The Portraits and Memories of the Jewish Community of Serbia Before the Holocaust ". Further approach to the problem reveals two parallel stories (one of the before-Holocaust past and one of the Holocaust past) that eventually become one – the one that becomes the actual source of knowledge of the Holocaust in the present, the source with which we are dealing with when we try to represent, interpret and speak about it. The implication of multimedia environment of the Internet and its mediation of such conflicted discourse is an interface through which we receive this complexity of knowledge. This paper deals with these many problems of the inscriptions and re-inscriptions of the knowledge of the Holocaust, as well as with the issue of opening the questions of the further construction and mediation of a Holocaust-related discourse.",
publisher = "Belgrade: Discourse; Belgrade: Institute for Theater, Film, Radio and Television, Faculty of Dramatic Arts Belgrade",
journal = "Representation of the Holocaust in the Balkans in Arts and Media",
booktitle = "Portraits and Memories of the Jewish Community in Serbia before the Holocaust: Facing the inscription of the Holocaust in the postmemory media representation contexts",
pages = "54-66",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2297"
}

Stojanović, D.,& Mevorah, V.. (2014). Portraits and Memories of the Jewish Community in Serbia before the Holocaust: Facing the inscription of the Holocaust in the postmemory media representation contexts. in Representation of the Holocaust in the Balkans in Arts and Media
Belgrade: Discourse; Belgrade: Institute for Theater, Film, Radio and Television, Faculty of Dramatic Arts Belgrade., 54-66.
https://hdl.handle.net/21.15107/rcub_rifdt_2297

Stojanović D, Mevorah V. Portraits and Memories of the Jewish Community in Serbia before the Holocaust: Facing the inscription of the Holocaust in the postmemory media representation contexts. in Representation of the Holocaust in the Balkans in Arts and Media. 2014;:54-66.
https://hdl.handle.net/21.15107/rcub_rifdt_2297 .

Stojanović, Dragana, Mevorah, Vera, "Portraits and Memories of the Jewish Community in Serbia before the Holocaust: Facing the inscription of the Holocaust in the postmemory media representation contexts" in Representation of the Holocaust in the Balkans in Arts and Media (2014):54-66,
https://hdl.handle.net/21.15107/rcub_rifdt_2297 .