TY  - CONF
AU  - Ristić, Marko
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3265
AB  - Greg Lynn’s theorization of the animate form and animate design in architecture referred to the consideration of structural changes in the creation of architectural form caused by the advent of computer-aided design. His concept of animate form represented a departure from the idea of the autonomy of form created in abstract, atemporal space. In contrast, Lynn recognizes in the new software the opportunity to subordinate the (virtual) architectural form to the dynamic principles of motion and force. Similar to Deleuze’s idea that “[f]orce is presence and not action,” Lynn defines force as virtual motion and identifies it in the logic of 3D software’s vector curvilinearity, which indexically signifies the continual change in the form’s geometry. However, the “virtual force,” representing a simple geometric law, is also an analogue of the material force that actualizes the form by translating it into a technical structure. This duality, which echoes Leibniz’s distinction between the primitive and derivative forces, allows the category of force to overcome the paradigm of realization of the (autonomous) form. In this presentation, this double character of force will be used to interpret the point of “/” as that in which one can encounter simultaneity and absolute parallelism of the ideal and real aspects of architectural design.
PB  - Belgrade : Institute for Philosophy and Social Theory
C3  - 6th Summer School Architecture and Philosophy – Book of Abstracts „Architecture / Philosophy“
T1  - The Forces of Architectural Design
SP  - 31
EP  - 31
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3265
ER  - 

@conference{
author = "Ristić, Marko",
year = "2023",
abstract = "Greg Lynn’s theorization of the animate form and animate design in architecture referred to the consideration of structural changes in the creation of architectural form caused by the advent of computer-aided design. His concept of animate form represented a departure from the idea of the autonomy of form created in abstract, atemporal space. In contrast, Lynn recognizes in the new software the opportunity to subordinate the (virtual) architectural form to the dynamic principles of motion and force. Similar to Deleuze’s idea that “[f]orce is presence and not action,” Lynn defines force as virtual motion and identifies it in the logic of 3D software’s vector curvilinearity, which indexically signifies the continual change in the form’s geometry. However, the “virtual force,” representing a simple geometric law, is also an analogue of the material force that actualizes the form by translating it into a technical structure. This duality, which echoes Leibniz’s distinction between the primitive and derivative forces, allows the category of force to overcome the paradigm of realization of the (autonomous) form. In this presentation, this double character of force will be used to interpret the point of “/” as that in which one can encounter simultaneity and absolute parallelism of the ideal and real aspects of architectural design.",
publisher = "Belgrade : Institute for Philosophy and Social Theory",
journal = "6th Summer School Architecture and Philosophy – Book of Abstracts „Architecture / Philosophy“",
title = "The Forces of Architectural Design",
pages = "31-31",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3265"
}

Ristić, M.. (2023). The Forces of Architectural Design. in 6th Summer School Architecture and Philosophy – Book of Abstracts „Architecture / Philosophy“
Belgrade : Institute for Philosophy and Social Theory., 31-31.
https://hdl.handle.net/21.15107/rcub_rifdt_3265

Ristić M. The Forces of Architectural Design. in 6th Summer School Architecture and Philosophy – Book of Abstracts „Architecture / Philosophy“. 2023;:31-31.
https://hdl.handle.net/21.15107/rcub_rifdt_3265 .

Ristić, Marko, "The Forces of Architectural Design" in 6th Summer School Architecture and Philosophy – Book of Abstracts „Architecture / Philosophy“ (2023):31-31,
https://hdl.handle.net/21.15107/rcub_rifdt_3265 .

TY  - CONF
AU  - Ristić, Marko
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3266
AB  - The discursive difference between the ideal and material architectural object could almost be completely reduced to the issue of translation of the former into the latter. Within such a perspective, it becomes difficult to think of architectural design beyond the order of precedence, which defines the Form’s ontological autonomy from its material expression. In my presentation, I will try to reinterpret this relationship using Deleuze’s theory of fold. Regarding Leibniz’s distinction between the primitive and (derivative) plastic forces, through which Deleuze interprets the difference between soul and matter as the difference between the one and many, the concept of fold offers the possibility of a “twofold” reading of design methodology. Such duality would refer to overcoming the paradigm of “materialization” of form, that is, the always one-way translation process, understood as the multiplication of the one. In other words, Leibnizian hylomorphism is reflected in the concept of the fold on the level of its position between the corresponding processes of unification and multiplication. Using the concept of harmony, which is the unity of the multiple, Deleuze defines this kind of correspondence as a necessary twofoldness, i.e. “the double operation of transcendental actualization and realization” – the former as intrinsic and the second as extrinsic folding. Nevertheless, their mutual order remains an order of precedence: the intrinsic folding is necessarily primitive, or primary since its only reference is the self. In the methodology of architectural design, however, this order becomes impossible with the question of form being posed with respect to the problem of morphogenesis. Between the actual and the real, the morphogenetic process itself then turns into an infinite correspondence, whereby the primitive quality of form would have to identify with its plasticity.
PB  - Belgrade : Institute for Philosophy and Social Theory
C3  - 15th International Deleuze and Guattari Studies Conference: Book of Abstracts
T1  - Between the Primitive and Plastic: Deleuzian Ontology of Architectural Design
SP  - 114
EP  - 114
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3266
ER  - 

@conference{
author = "Ristić, Marko",
year = "2023",
abstract = "The discursive difference between the ideal and material architectural object could almost be completely reduced to the issue of translation of the former into the latter. Within such a perspective, it becomes difficult to think of architectural design beyond the order of precedence, which defines the Form’s ontological autonomy from its material expression. In my presentation, I will try to reinterpret this relationship using Deleuze’s theory of fold. Regarding Leibniz’s distinction between the primitive and (derivative) plastic forces, through which Deleuze interprets the difference between soul and matter as the difference between the one and many, the concept of fold offers the possibility of a “twofold” reading of design methodology. Such duality would refer to overcoming the paradigm of “materialization” of form, that is, the always one-way translation process, understood as the multiplication of the one. In other words, Leibnizian hylomorphism is reflected in the concept of the fold on the level of its position between the corresponding processes of unification and multiplication. Using the concept of harmony, which is the unity of the multiple, Deleuze defines this kind of correspondence as a necessary twofoldness, i.e. “the double operation of transcendental actualization and realization” – the former as intrinsic and the second as extrinsic folding. Nevertheless, their mutual order remains an order of precedence: the intrinsic folding is necessarily primitive, or primary since its only reference is the self. In the methodology of architectural design, however, this order becomes impossible with the question of form being posed with respect to the problem of morphogenesis. Between the actual and the real, the morphogenetic process itself then turns into an infinite correspondence, whereby the primitive quality of form would have to identify with its plasticity.",
publisher = "Belgrade : Institute for Philosophy and Social Theory",
journal = "15th International Deleuze and Guattari Studies Conference: Book of Abstracts",
title = "Between the Primitive and Plastic: Deleuzian Ontology of Architectural Design",
pages = "114-114",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3266"
}

Ristić, M.. (2023). Between the Primitive and Plastic: Deleuzian Ontology of Architectural Design. in 15th International Deleuze and Guattari Studies Conference: Book of Abstracts
Belgrade : Institute for Philosophy and Social Theory., 114-114.
https://hdl.handle.net/21.15107/rcub_rifdt_3266

Ristić M. Between the Primitive and Plastic: Deleuzian Ontology of Architectural Design. in 15th International Deleuze and Guattari Studies Conference: Book of Abstracts. 2023;:114-114.
https://hdl.handle.net/21.15107/rcub_rifdt_3266 .

Ristić, Marko, "Between the Primitive and Plastic: Deleuzian Ontology of Architectural Design" in 15th International Deleuze and Guattari Studies Conference: Book of Abstracts (2023):114-114,
https://hdl.handle.net/21.15107/rcub_rifdt_3266 .

TY  - GEN
AU  - Bojanić, Petar
AU  - Vesnić, Snežana
AU  - Ristić, Marko
AU  - Orazi, Manuel
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3061
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Khōrein: Journal for Architecture and Philosophy
T1  - Writing in, on, and for Architecture: Interview with Cynthia Davidson
IS  - 2
VL  - 1
SP  - 89
EP  - 97
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3061
ER  - 

@misc{
author = "Bojanić, Petar and Vesnić, Snežana and Ristić, Marko and Orazi, Manuel",
year = "2023",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Khōrein: Journal for Architecture and Philosophy",
title = "Writing in, on, and for Architecture: Interview with Cynthia Davidson",
number = "2",
volume = "1",
pages = "89-97",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3061"
}

Bojanić, P., Vesnić, S., Ristić, M.,& Orazi, M.. (2023). Writing in, on, and for Architecture: Interview with Cynthia Davidson. in Khōrein: Journal for Architecture and Philosophy
Beograd : Institut za filozofiju i društvenu teoriju., 1(2), 89-97.
https://hdl.handle.net/21.15107/rcub_rifdt_3061

Bojanić P, Vesnić S, Ristić M, Orazi M. Writing in, on, and for Architecture: Interview with Cynthia Davidson. in Khōrein: Journal for Architecture and Philosophy. 2023;1(2):89-97.
https://hdl.handle.net/21.15107/rcub_rifdt_3061 .

Bojanić, Petar, Vesnić, Snežana, Ristić, Marko, Orazi, Manuel, "Writing in, on, and for Architecture: Interview with Cynthia Davidson" in Khōrein: Journal for Architecture and Philosophy, 1, no. 2 (2023):89-97,
https://hdl.handle.net/21.15107/rcub_rifdt_3061 .

TY  - JOUR
AU  - Vesnić, Snežana
AU  - Ristić, Marko
AU  - Bojanić, Petar
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3714
AB  - The paper deals with the construction of architec tural competency, starting from the entwinement of 
the terms competency and competence. Following the 
etymology of the two words, we define the distinc tion between them through the problem of time. On 
the one hand, competence is atemporal in nature, 
while on the other hand, competency is necessarily 
directed at the present. The bond with the present is 
explained by defining competency as the capacity to 
produce the new, understood as Deleuzian difference, 
which objectifies time and always puts it in the order 
of the present. In the discipline of architecture, the 
concept of competency is defined through the problem 
of the extensiveness of theory, which obviates the 
production of the new. In that sense, competency is 
interpreted as the ability to preserve the (conceptual) 
unity of the singular new, despite the impossibility of 
reconstructing the real as a whole.
PB  - Rosenberg & Sellier
T2  - Ardeth
T1  - In No Time. Temporal Foundations of the  Concept of Competency
VL  - 12
SP  - 167
EP  - 175
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3714
ER  - 

@article{
author = "Vesnić, Snežana and Ristić, Marko and Bojanić, Petar",
year = "2023",
abstract = "The paper deals with the construction of architec tural competency, starting from the entwinement of 
the terms competency and competence. Following the 
etymology of the two words, we define the distinc tion between them through the problem of time. On 
the one hand, competence is atemporal in nature, 
while on the other hand, competency is necessarily 
directed at the present. The bond with the present is 
explained by defining competency as the capacity to 
produce the new, understood as Deleuzian difference, 
which objectifies time and always puts it in the order 
of the present. In the discipline of architecture, the 
concept of competency is defined through the problem 
of the extensiveness of theory, which obviates the 
production of the new. In that sense, competency is 
interpreted as the ability to preserve the (conceptual) 
unity of the singular new, despite the impossibility of 
reconstructing the real as a whole.",
publisher = "Rosenberg & Sellier",
journal = "Ardeth",
title = "In No Time. Temporal Foundations of the  Concept of Competency",
volume = "12",
pages = "167-175",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3714"
}

Vesnić, S., Ristić, M.,& Bojanić, P.. (2023). In No Time. Temporal Foundations of the  Concept of Competency. in Ardeth
Rosenberg & Sellier., 12, 167-175.
https://hdl.handle.net/21.15107/rcub_rifdt_3714

Vesnić S, Ristić M, Bojanić P. In No Time. Temporal Foundations of the  Concept of Competency. in Ardeth. 2023;12:167-175.
https://hdl.handle.net/21.15107/rcub_rifdt_3714 .

Vesnić, Snežana, Ristić, Marko, Bojanić, Petar, "In No Time. Temporal Foundations of the  Concept of Competency" in Ardeth, 12 (2023):167-175,
https://hdl.handle.net/21.15107/rcub_rifdt_3714 .

TY  - JOUR
AU  - Ristić, Marko
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3051
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Khōrein: Journal for Architecture and Philosophy
T1  - Catherine Ingraham, Architecture’s Theory, MIT Press, Cambridge, Mass., 2023.
IS  - 1
VL  - 1
SP  - 98
EP  - 100
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3051
ER  - 

@article{
author = "Ristić, Marko",
year = "2023",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Khōrein: Journal for Architecture and Philosophy",
title = "Catherine Ingraham, Architecture’s Theory, MIT Press, Cambridge, Mass., 2023.",
number = "1",
volume = "1",
pages = "98-100",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3051"
}

Ristić, M.. (2023). Catherine Ingraham, Architecture’s Theory, MIT Press, Cambridge, Mass., 2023.. in Khōrein: Journal for Architecture and Philosophy
Beograd : Institut za filozofiju i društvenu teoriju., 1(1), 98-100.
https://hdl.handle.net/21.15107/rcub_rifdt_3051

Ristić M. Catherine Ingraham, Architecture’s Theory, MIT Press, Cambridge, Mass., 2023.. in Khōrein: Journal for Architecture and Philosophy. 2023;1(1):98-100.
https://hdl.handle.net/21.15107/rcub_rifdt_3051 .

Ristić, Marko, "Catherine Ingraham, Architecture’s Theory, MIT Press, Cambridge, Mass., 2023." in Khōrein: Journal for Architecture and Philosophy, 1, no. 1 (2023):98-100,
https://hdl.handle.net/21.15107/rcub_rifdt_3051 .

Cvejić, I., Ćipranić, M.,& Ristić, M.. (2022). Book of Abstracts The Project of Theory. 
Belgrade : Institute for Philosophy and Social Theory..
https://hdl.handle.net/21.15107/rcub_rifdt_3353

Cvejić I, Ćipranić M, Ristić M. Book of Abstracts The Project of Theory. 2022;.
https://hdl.handle.net/21.15107/rcub_rifdt_3353 .

Cvejić, Igor, Ćipranić, Miloš, Ristić, Marko, "Book of Abstracts The Project of Theory" (2022),
https://hdl.handle.net/21.15107/rcub_rifdt_3353 .

TY  - CONF
AU  - Ristić, Marko
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3263
PB  - Belgrade : Institute for Philosophy and Social Theory
C3  - 5th Summer School Architecture and Philosophy – „The Project of Theory“: Book of Abstracts
T1  - The Projective Character of the (Positional) Sur- in the Concept of Surrationalism
SP  - 26
EP  - 26
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3263
ER  - 

@conference{
author = "Ristić, Marko",
year = "2022",
publisher = "Belgrade : Institute for Philosophy and Social Theory",
journal = "5th Summer School Architecture and Philosophy – „The Project of Theory“: Book of Abstracts",
title = "The Projective Character of the (Positional) Sur- in the Concept of Surrationalism",
pages = "26-26",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3263"
}

Ristić, M.. (2022). The Projective Character of the (Positional) Sur- in the Concept of Surrationalism. in 5th Summer School Architecture and Philosophy – „The Project of Theory“: Book of Abstracts
Belgrade : Institute for Philosophy and Social Theory., 26-26.
https://hdl.handle.net/21.15107/rcub_rifdt_3263

Ristić M. The Projective Character of the (Positional) Sur- in the Concept of Surrationalism. in 5th Summer School Architecture and Philosophy – „The Project of Theory“: Book of Abstracts. 2022;:26-26.
https://hdl.handle.net/21.15107/rcub_rifdt_3263 .

Ristić, Marko, "The Projective Character of the (Positional) Sur- in the Concept of Surrationalism" in 5th Summer School Architecture and Philosophy – „The Project of Theory“: Book of Abstracts (2022):26-26,
https://hdl.handle.net/21.15107/rcub_rifdt_3263 .

TY  - CONF
AU  - Ristić, Marko
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3264
PB  - Belgrade : STRAND - Sustainble Urban Society Association
C3  - Philosophy of Architecture: Book of Abstracts / Tenth International Multimedia Event On Architecture, Belgrade 2022
T1  - Instruments as Forms of Performance
SP  - 78
EP  - 79
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3264
ER  - 

@conference{
author = "Ristić, Marko",
year = "2022",
publisher = "Belgrade : STRAND - Sustainble Urban Society Association",
journal = "Philosophy of Architecture: Book of Abstracts / Tenth International Multimedia Event On Architecture, Belgrade 2022",
title = "Instruments as Forms of Performance",
pages = "78-79",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3264"
}

Ristić, M.. (2022). Instruments as Forms of Performance. in Philosophy of Architecture: Book of Abstracts / Tenth International Multimedia Event On Architecture, Belgrade 2022
Belgrade : STRAND - Sustainble Urban Society Association., 78-79.
https://hdl.handle.net/21.15107/rcub_rifdt_3264

Ristić M. Instruments as Forms of Performance. in Philosophy of Architecture: Book of Abstracts / Tenth International Multimedia Event On Architecture, Belgrade 2022. 2022;:78-79.
https://hdl.handle.net/21.15107/rcub_rifdt_3264 .

Ristić, Marko, "Instruments as Forms of Performance" in Philosophy of Architecture: Book of Abstracts / Tenth International Multimedia Event On Architecture, Belgrade 2022 (2022):78-79,
https://hdl.handle.net/21.15107/rcub_rifdt_3264 .

TY  - JOUR
AU  - Ristić, Marko
AU  - Vesnić, Snežana
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2884
AB  - This paper aims at hypothesizing that the issue of technology could never be considered separate from the creative act. We develop the hypothesis starting from Heidegger’s
opposition of technology and the poietic, which we interpret through the dialectic between the
performative and constative function of the hand. To overcome the Heideggerian problem of
Enframing, we introduce the question of singularity inherent in every poietic activity which,
however, does not result in conceiving technology as an instrument. When defining the nature
of such poietic singularization we employ Spinoza’s concept of an inadequate idea – an idea
that involves its cause but does not explain it. The inherent negativity of the inadequate idea
generates the sphere in which the new appears as radical otherness. But in order to produce the
new, that is, to perform it, technology has to be conceptualized and thus made an instrument
– a singular instrument of the creative act.
PB  - Belgrade: Faculty of Media and Communications, Singidunum University
T2  - AM Journal of Art and Media Studies
T1  - The Conceptual Act of (Non)Instrumentality
IS  - 29
SP  - 1
EP  - 11
DO  - 10.25038/am.v0i29.536
ER  - 

@article{
author = "Ristić, Marko and Vesnić, Snežana",
year = "2022",
abstract = "This paper aims at hypothesizing that the issue of technology could never be considered separate from the creative act. We develop the hypothesis starting from Heidegger’s
opposition of technology and the poietic, which we interpret through the dialectic between the
performative and constative function of the hand. To overcome the Heideggerian problem of
Enframing, we introduce the question of singularity inherent in every poietic activity which,
however, does not result in conceiving technology as an instrument. When defining the nature
of such poietic singularization we employ Spinoza’s concept of an inadequate idea – an idea
that involves its cause but does not explain it. The inherent negativity of the inadequate idea
generates the sphere in which the new appears as radical otherness. But in order to produce the
new, that is, to perform it, technology has to be conceptualized and thus made an instrument
– a singular instrument of the creative act.",
publisher = "Belgrade: Faculty of Media and Communications, Singidunum University",
journal = "AM Journal of Art and Media Studies",
title = "The Conceptual Act of (Non)Instrumentality",
number = "29",
pages = "1-11",
doi = "10.25038/am.v0i29.536"
}

Ristić, M.,& Vesnić, S.. (2022). The Conceptual Act of (Non)Instrumentality. in AM Journal of Art and Media Studies
Belgrade: Faculty of Media and Communications, Singidunum University.(29), 1-11.
https://doi.org/10.25038/am.v0i29.536

Ristić M, Vesnić S. The Conceptual Act of (Non)Instrumentality. in AM Journal of Art and Media Studies. 2022;(29):1-11.
doi:10.25038/am.v0i29.536 .

Ristić, Marko, Vesnić, Snežana, "The Conceptual Act of (Non)Instrumentality" in AM Journal of Art and Media Studies, no. 29 (2022):1-11,
https://doi.org/10.25038/am.v0i29.536 . .

TY  - GEN
AU  - Božić, Milica
AU  - Martić, Boris
AU  - Arsić, Jovana
AU  - Ristić, Marko
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2588
AB  - Book chapter in Exhibition Catalogue: 44. Salon of Architecture – Shift, Museum of Applied Arts, Belgrade, editor: Dragoljub Bakić and others
PB  - Belgrade: Museum of Applied Arts
T2  - Exhibition Catalogue: 44. Salon of Architecture – Shift
T1  - Competition project: Typical Fruška Gora House
SP  - 140
EP  - 140
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2588
ER  - 

@misc{
author = "Božić, Milica and Martić, Boris and Arsić, Jovana and Ristić, Marko",
year = "2022",
abstract = "Book chapter in Exhibition Catalogue: 44. Salon of Architecture – Shift, Museum of Applied Arts, Belgrade, editor: Dragoljub Bakić and others",
publisher = "Belgrade: Museum of Applied Arts",
journal = "Exhibition Catalogue: 44. Salon of Architecture – Shift",
title = "Competition project: Typical Fruška Gora House",
pages = "140-140",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2588"
}

Božić, M., Martić, B., Arsić, J.,& Ristić, M.. (2022). Competition project: Typical Fruška Gora House. in Exhibition Catalogue: 44. Salon of Architecture – Shift
Belgrade: Museum of Applied Arts., 140-140.
https://hdl.handle.net/21.15107/rcub_rifdt_2588

Božić M, Martić B, Arsić J, Ristić M. Competition project: Typical Fruška Gora House. in Exhibition Catalogue: 44. Salon of Architecture – Shift. 2022;:140-140.
https://hdl.handle.net/21.15107/rcub_rifdt_2588 .

Božić, Milica, Martić, Boris, Arsić, Jovana, Ristić, Marko, "Competition project: Typical Fruška Gora House" in Exhibition Catalogue: 44. Salon of Architecture – Shift (2022):140-140,
https://hdl.handle.net/21.15107/rcub_rifdt_2588 .

TY  - CONF
AU  - Božić, Milica
AU  - Ristić, Marko
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2575
AB  - This research was conducted within the workshop ISO-SCAPES: Research Mass Housing through Drawing in the form of a case study of the collective housing settlement Julino brdo.
PB  - University of Belgrade - Faculty of Architecture
C3  - Book of Abstracts: Rehabilitation of Mass Housing as Contribution to Social Equality
T1  - (In) the Landscape: The Case Study of the Julino Brdo Settlement
SP  - 46
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2575
ER  - 

@conference{
author = "Božić, Milica and Ristić, Marko",
year = "2022",
abstract = "This research was conducted within the workshop ISO-SCAPES: Research Mass Housing through Drawing in the form of a case study of the collective housing settlement Julino brdo.",
publisher = "University of Belgrade - Faculty of Architecture",
journal = "Book of Abstracts: Rehabilitation of Mass Housing as Contribution to Social Equality",
title = "(In) the Landscape: The Case Study of the Julino Brdo Settlement",
pages = "46",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2575"
}

Božić, M.,& Ristić, M.. (2022). (In) the Landscape: The Case Study of the Julino Brdo Settlement. in Book of Abstracts: Rehabilitation of Mass Housing as Contribution to Social Equality
University of Belgrade - Faculty of Architecture., 46.
https://hdl.handle.net/21.15107/rcub_rifdt_2575

Božić M, Ristić M. (In) the Landscape: The Case Study of the Julino Brdo Settlement. in Book of Abstracts: Rehabilitation of Mass Housing as Contribution to Social Equality. 2022;:46.
https://hdl.handle.net/21.15107/rcub_rifdt_2575 .

Božić, Milica, Ristić, Marko, "(In) the Landscape: The Case Study of the Julino Brdo Settlement" in Book of Abstracts: Rehabilitation of Mass Housing as Contribution to Social Equality (2022):46,
https://hdl.handle.net/21.15107/rcub_rifdt_2575 .

TY  - JOUR
AU  - Ristić, Marko
PY  - 2022
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2694
AB  - This paper deals with the problem of the subject in Bachelard’s concept of surrationalism. Focusing on the epistemological character of surrational creativity, the issue of the subject is approached through the analysis of the relationship between subjectivity and objectivity in the surrational act. Comparing the character of novelty in surrealism and surrationalism, the paper introduces Bachelard’s distinction between formal and material imagination, with the latter further discussed through the prepositions “against” [contre] and “in” [dans]. Bachelard’s theory of the internal dialectic – the theory of subdivision of the subject – is analyzed through his concept of reverie. The last chapter deals with the dialectic between the apodictic and the assertoric subject, aiming to reconsider the idea of interiority and repose.
AB  - Rad se bavi problemom subjekta unutar Bašlarovog koncepta nadracionalizma. Fokusirajući se na epistemološki karakter nadracionalne kreativnosti, pitanju subjekta se pristupa kroz analizu odnosa subjektivnosti i objektivnosti u činu nadracionalizma. Sa ciljem poređenja karaktera novog u nadrealizmu i nadracionalizmu, pristupljeno je analizi Bašlarove distinkcije između formalne i materijalne imaginacije, čiji se dijalektički karakter dalje razmatra kroz predloge „protiv“ [contre] i „u“ [dans]. Takođe, Bašlarova teorija unutrašnje dijalektike – teorija podele subjekta – analizira se kroz njegov koncept sanjarije. U poslednjem poglavlju se ovaj problem analizira unutar dijalektike između apodiktičkog i asertoričkog subjekta, sa namerom da se preispita ideja unutrašnjosti i počinka.
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Filozofija i društvo / Philosophy and Society
T1  - Bachelard en vacances: The Subject of Surrationalism and Its Functional Value
T1  - Bašlar en vacances: subjekt nadracionalizma i njegova funkcionalna vrednost
IS  - 3
VL  - 33
SP  - 621
EP  - 631
DO  - 10.2298/FID2203621R
ER  - 

@article{
author = "Ristić, Marko",
year = "2022",
abstract = "This paper deals with the problem of the subject in Bachelard’s concept of surrationalism. Focusing on the epistemological character of surrational creativity, the issue of the subject is approached through the analysis of the relationship between subjectivity and objectivity in the surrational act. Comparing the character of novelty in surrealism and surrationalism, the paper introduces Bachelard’s distinction between formal and material imagination, with the latter further discussed through the prepositions “against” [contre] and “in” [dans]. Bachelard’s theory of the internal dialectic – the theory of subdivision of the subject – is analyzed through his concept of reverie. The last chapter deals with the dialectic between the apodictic and the assertoric subject, aiming to reconsider the idea of interiority and repose., Rad se bavi problemom subjekta unutar Bašlarovog koncepta nadracionalizma. Fokusirajući se na epistemološki karakter nadracionalne kreativnosti, pitanju subjekta se pristupa kroz analizu odnosa subjektivnosti i objektivnosti u činu nadracionalizma. Sa ciljem poređenja karaktera novog u nadrealizmu i nadracionalizmu, pristupljeno je analizi Bašlarove distinkcije između formalne i materijalne imaginacije, čiji se dijalektički karakter dalje razmatra kroz predloge „protiv“ [contre] i „u“ [dans]. Takođe, Bašlarova teorija unutrašnje dijalektike – teorija podele subjekta – analizira se kroz njegov koncept sanjarije. U poslednjem poglavlju se ovaj problem analizira unutar dijalektike između apodiktičkog i asertoričkog subjekta, sa namerom da se preispita ideja unutrašnjosti i počinka.",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Filozofija i društvo / Philosophy and Society",
title = "Bachelard en vacances: The Subject of Surrationalism and Its Functional Value, Bašlar en vacances: subjekt nadracionalizma i njegova funkcionalna vrednost",
number = "3",
volume = "33",
pages = "621-631",
doi = "10.2298/FID2203621R"
}

Ristić, M.. (2022). Bachelard en vacances: The Subject of Surrationalism and Its Functional Value. in Filozofija i društvo / Philosophy and Society
Beograd : Institut za filozofiju i društvenu teoriju., 33(3), 621-631.
https://doi.org/10.2298/FID2203621R

Ristić M. Bachelard en vacances: The Subject of Surrationalism and Its Functional Value. in Filozofija i društvo / Philosophy and Society. 2022;33(3):621-631.
doi:10.2298/FID2203621R .

Ristić, Marko, "Bachelard en vacances: The Subject of Surrationalism and Its Functional Value" in Filozofija i društvo / Philosophy and Society, 33, no. 3 (2022):621-631,
https://doi.org/10.2298/FID2203621R . .

TY  - GEN
AU  - Božić, Milica
AU  - Ristić, Marko
AU  - Rajković Batinić, Nevenka
PY  - 2021
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2603
AB  - Book chapter in Exhibition Catalogue: 43. Salon of Architecture – The Anchor Point Museum of Applied Arts, Belgrade, editor: Miloš Ilić
PB  - Museum of Applied Arts, Belgrade
T2  - Exhibition Catalogue: 43. Salon of Architecture – The Anchor Point
T1  - Competition project: Conceptual urban and architectural design for the development of the Moraca riverfront in Podgorica, Montenegro
SP  - 118
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2603
ER  - 

@misc{
author = "Božić, Milica and Ristić, Marko and Rajković Batinić, Nevenka",
year = "2021",
abstract = "Book chapter in Exhibition Catalogue: 43. Salon of Architecture – The Anchor Point Museum of Applied Arts, Belgrade, editor: Miloš Ilić",
publisher = "Museum of Applied Arts, Belgrade",
journal = "Exhibition Catalogue: 43. Salon of Architecture – The Anchor Point",
title = "Competition project: Conceptual urban and architectural design for the development of the Moraca riverfront in Podgorica, Montenegro",
pages = "118",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2603"
}

Božić, M., Ristić, M.,& Rajković Batinić, N.. (2021). Competition project: Conceptual urban and architectural design for the development of the Moraca riverfront in Podgorica, Montenegro. in Exhibition Catalogue: 43. Salon of Architecture – The Anchor Point
Museum of Applied Arts, Belgrade., 118.
https://hdl.handle.net/21.15107/rcub_rifdt_2603

Božić M, Ristić M, Rajković Batinić N. Competition project: Conceptual urban and architectural design for the development of the Moraca riverfront in Podgorica, Montenegro. in Exhibition Catalogue: 43. Salon of Architecture – The Anchor Point. 2021;:118.
https://hdl.handle.net/21.15107/rcub_rifdt_2603 .

Božić, Milica, Ristić, Marko, Rajković Batinić, Nevenka, "Competition project: Conceptual urban and architectural design for the development of the Moraca riverfront in Podgorica, Montenegro" in Exhibition Catalogue: 43. Salon of Architecture – The Anchor Point (2021):118,
https://hdl.handle.net/21.15107/rcub_rifdt_2603 .