TY  - CHAP
AU  - Balunović, Filip
AU  - Ivković, Marjan
AU  - Schmelz, Natascha
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3711
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Priručnik kritike
T1  - Kritička teorija društva
SP  - 191
EP  - 230
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3711
ER  - 

@inbook{
author = "Balunović, Filip and Ivković, Marjan and Schmelz, Natascha",
year = "2023",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Priručnik kritike",
booktitle = "Kritička teorija društva",
pages = "191-230",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3711"
}

Balunović, F., Ivković, M.,& Schmelz, N.. (2023). Kritička teorija društva. in Priručnik kritike
Beograd : Institut za filozofiju i društvenu teoriju., 191-230.
https://hdl.handle.net/21.15107/rcub_rifdt_3711

Balunović F, Ivković M, Schmelz N. Kritička teorija društva. in Priručnik kritike. 2023;:191-230.
https://hdl.handle.net/21.15107/rcub_rifdt_3711 .

Balunović, Filip, Ivković, Marjan, Schmelz, Natascha, "Kritička teorija društva" in Priručnik kritike (2023):191-230,
https://hdl.handle.net/21.15107/rcub_rifdt_3711 .

TY  - CONF
AU  - Schmelz, Natascha
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3241
PB  - Beograd : Institut za filozofiju i društvenu teoriju
C3  - 15th Deleuze and Guattari Studies Conference
T1  - The ‘nonidentical’ and ‘difference in itself’ – a micro-resistance to domination
SP  - 122
EP  - 122
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_3241
ER  - 

@conference{
author = "Schmelz, Natascha",
year = "2023",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "15th Deleuze and Guattari Studies Conference",
title = "The ‘nonidentical’ and ‘difference in itself’ – a micro-resistance to domination",
pages = "122-122",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_3241"
}

Schmelz, N.. (2023). The ‘nonidentical’ and ‘difference in itself’ – a micro-resistance to domination. in 15th Deleuze and Guattari Studies Conference
Beograd : Institut za filozofiju i društvenu teoriju., 122-122.
https://hdl.handle.net/21.15107/rcub_rifdt_3241

Schmelz N. The ‘nonidentical’ and ‘difference in itself’ – a micro-resistance to domination. in 15th Deleuze and Guattari Studies Conference. 2023;:122-122.
https://hdl.handle.net/21.15107/rcub_rifdt_3241 .

Schmelz, Natascha, "The ‘nonidentical’ and ‘difference in itself’ – a micro-resistance to domination" in 15th Deleuze and Guattari Studies Conference (2023):122-122,
https://hdl.handle.net/21.15107/rcub_rifdt_3241 .

TY  - JOUR
AU  - Schmelz, Natascha
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2792
AB  - Cilj ovoga rada jeste razmatranje Gadamerove hermeneutičko-ontološke estetike, kroz analizu pojma igre, istine i identiteta, odnosno onoga što Gadamer naziva istinom koja se pojavljuje u umetnosti. Nakon kratkog uvoda i situiranja Gadamerove estetike u odnosu na subjektivističku i pozitivističku tradiciju, razmotriće se redom Gadamerovo shvatanje igre kao niti vodilje ontološke eksplikacije umetnosti iz Istine i metode, istina kao samootkrivanje i, u vezi sa tim, reafirmacija pojma mimesisa i saznanja u umetnosti. Konačno, biće predstavljeno shvatanje identiteta u kontekstu vremenitosti umetničkog dela, kao i hermeneutički identitet onako kako je izložen u Gadamerovom poznijem radu Aktuelnost lepog. U zaključnim razmatranjima biće iznete jedne od najvažnijih recepcija Gadamerove filozofsko-estetičke misli, koje uzimaju u razmatranje njene osnovne komponente: igru, istinu i identitet.
AB  - The aim of this paper is the reconsideration of Gadamer’s hermeneutical-ontological aesthetics, through the analysis of the concepts of play, truth and identity. After
a brief introduction and the situating of Gadamer’s aesthetics in relation to the subjective and positivist tradition, it will be respectively discussed Gadamer’s understanding
of play as the clue to the ontological explanation of art in Truth and method, the truth
as self-relevatory and in addition to that the reaffirmation of the concept of mimesis
and knowledge in art. Finally, the identity in the context of the temporality of the artwork, as well as hermeneutic identity exposed in Gadamer’s later work The Relevance
of the Beautiful will be discussed. In the conclusion, some of the most important receptions of Gadamer’s philosophical aesthetic thought will be presented, which aim
is to its basic components: play, truth and identity.
PB  - Beograd: Srpsko filozofsko društvo
T2  - Theoria
T1  - Igra, istina, identitet: o Gadamerovoj hermeneutičko-ontološkoj estetici
T1  - Play, Truth, Identity: On Gadamer’s Hermeneutical-Ontological Aesthetics
IS  - 1
VL  - 66
SP  - 77
EP  - 88
DO  - 10.2298/THEO2301077S
ER  - 

@article{
author = "Schmelz, Natascha",
year = "2023",
abstract = "Cilj ovoga rada jeste razmatranje Gadamerove hermeneutičko-ontološke estetike, kroz analizu pojma igre, istine i identiteta, odnosno onoga što Gadamer naziva istinom koja se pojavljuje u umetnosti. Nakon kratkog uvoda i situiranja Gadamerove estetike u odnosu na subjektivističku i pozitivističku tradiciju, razmotriće se redom Gadamerovo shvatanje igre kao niti vodilje ontološke eksplikacije umetnosti iz Istine i metode, istina kao samootkrivanje i, u vezi sa tim, reafirmacija pojma mimesisa i saznanja u umetnosti. Konačno, biće predstavljeno shvatanje identiteta u kontekstu vremenitosti umetničkog dela, kao i hermeneutički identitet onako kako je izložen u Gadamerovom poznijem radu Aktuelnost lepog. U zaključnim razmatranjima biće iznete jedne od najvažnijih recepcija Gadamerove filozofsko-estetičke misli, koje uzimaju u razmatranje njene osnovne komponente: igru, istinu i identitet., The aim of this paper is the reconsideration of Gadamer’s hermeneutical-ontological aesthetics, through the analysis of the concepts of play, truth and identity. After
a brief introduction and the situating of Gadamer’s aesthetics in relation to the subjective and positivist tradition, it will be respectively discussed Gadamer’s understanding
of play as the clue to the ontological explanation of art in Truth and method, the truth
as self-relevatory and in addition to that the reaffirmation of the concept of mimesis
and knowledge in art. Finally, the identity in the context of the temporality of the artwork, as well as hermeneutic identity exposed in Gadamer’s later work The Relevance
of the Beautiful will be discussed. In the conclusion, some of the most important receptions of Gadamer’s philosophical aesthetic thought will be presented, which aim
is to its basic components: play, truth and identity.",
publisher = "Beograd: Srpsko filozofsko društvo",
journal = "Theoria",
title = "Igra, istina, identitet: o Gadamerovoj hermeneutičko-ontološkoj estetici, Play, Truth, Identity: On Gadamer’s Hermeneutical-Ontological Aesthetics",
number = "1",
volume = "66",
pages = "77-88",
doi = "10.2298/THEO2301077S"
}

Schmelz, N.. (2023). Igra, istina, identitet: o Gadamerovoj hermeneutičko-ontološkoj estetici. in Theoria
Beograd: Srpsko filozofsko društvo., 66(1), 77-88.
https://doi.org/10.2298/THEO2301077S

Schmelz N. Igra, istina, identitet: o Gadamerovoj hermeneutičko-ontološkoj estetici. in Theoria. 2023;66(1):77-88.
doi:10.2298/THEO2301077S .

Schmelz, Natascha, "Igra, istina, identitet: o Gadamerovoj hermeneutičko-ontološkoj estetici" in Theoria, 66, no. 1 (2023):77-88,
https://doi.org/10.2298/THEO2301077S . .