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dc.creatorEreš, Davor
dc.date.accessioned2023-11-08T11:09:11Z
dc.date.available2023-11-08T11:09:11Z
dc.date.issued2023
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/3141
dc.description.abstractThe state of architecture being exhibited and (re)exposed through formats of public display does not present the primary framework or medium of architectural production. Therefore, exhibiting architecture creates a specific form/site of displacement for architecture in which a multifaceted set of meanings and knowledge about architecture as discipline is provoked, forming the platform for re-questioning the relationship between the reference and contemporaneity of architecture.sr
dc.language.isoensr
dc.relation"info:eu-repo/grantAgreement/MESTD/inst-2020/200025/RS//"sr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectThe Venice Biennale of Architecturesr
dc.subjecttemporalitysr
dc.subjectcontemporaneitysr
dc.titleThe Scope of Contemporaneity: Architecture in-between the Prospect of Postproduction and the Space of Exhibitionsr
dc.typeconferenceObjectsr
dc.rights.licenseBYsr
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs/bitstream/id/10837/bitstream_10837.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_rifdt_3141


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