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Muzički ukus i simboličko razgraničavanje u društvu Srbije
Musical Taste and Symbolic Boundary-Work in Serbian Society
dc.creator | Resanovic, Milica | |
dc.date.accessioned | 2023-06-02T11:23:36Z | |
dc.date.available | 2023-06-02T11:23:36Z | |
dc.date.issued | 2020 | |
dc.identifier.issn | 0353-7919 | |
dc.identifier.uri | http://rifdt.instifdt.bg.ac.rs/123456789/2833 | |
dc.description.abstract | Ovaj rad je posvećen analizi odnosa između društvene stratifikacije i muzičkih ukusa u današnjoj Srbiji. Nakon razmatranja Burdijeove konceptualizacije ukusa i savremenih teorijskih i istraživačkih pristupa kulturnim praksama u kojima se rehabilituje burdijeovsko nasleđe, autorka ispituje postojanje homologije između društvenih položaja i muzičkih ukusa u društvu Srbije. Na osnovu prikupljenog empirijskog materijala putem intervjua, ispituje se da li muzika predstavlja simboličko sredstvo putem kojeg ispitanici sebe smeštaju u određenu društvenu grupu povlačeći simboličke granice prema drugim grupama koje dovode u vezu sa drugim ukusima. Analiza pokazuje da postoje razlike u muzičkim ukusima između ispitanika u zavisnosti od njihovog položaja na stratifikacijskoj lestvici, koje se ispoljavaju u izborima i načinima slušanja određene muzike, kao i to da se mehanizmi klasifikovanja kriju u govoru o muzičkim ukusima. | sr |
dc.description.abstract | This paper is devoted to the analysis of the relationship between social stratification and musical taste in present-day Serbia. Following a discussion about Bourdieu’s conceptualization of taste and contemporary theoretical approaches that rehabilitate Bourdieusian heritage, the presence of homology between social positions and musical tastes is tested in Serbian society. On the basis of collected qualitative material via interview, the author examines whether music serves as a symbolic mean that is used by the interviewees to place themselves in certain social groups by drawing symbolic boundaries between them and other social groups that are associated with other musical tastes. The analysis showed that there are differences in musical tastes among respondents based on their position on the stratification scale, manifested in choices and ways of listening to music, as well as that mechanisms of classification are hidden in speech about musical tastesу. | sr |
dc.language.iso | sr | sr |
dc.publisher | Niš : Univerzitet u Nišu | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.source | Teme | sr |
dc.subject | muzički ukus | sr |
dc.subject | simboličke granice | sr |
dc.subject | distinkcija | sr |
dc.subject | kulturne prakse | sr |
dc.subject | društvene nejednakosti | sr |
dc.subject | musical taste | sr |
dc.subject | symbolic boundaries | sr |
dc.subject | distinctions | sr |
dc.subject | cultural practices | sr |
dc.subject | social inequality | sr |
dc.title | Muzički ukus i simboličko razgraničavanje u društvu Srbije | sr |
dc.title | Musical Taste and Symbolic Boundary-Work in Serbian Society | sr |
dc.type | article | sr |
dc.rights.license | BY | sr |
dc.citation.issue | 4 | |
dc.citation.volume | 44 | |
dc.citation.spage | 1163 | |
dc.citation.epage | 1181 | |
dc.identifier.doi | 10.22190/TEME190204091R | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | http://rifdt.instifdt.bg.ac.rs/bitstream/id/9802/Teme.pdf |