Symbols, Icons, Liturgy: Eschatology in the early Christian Art
Poglavlje u monografiji (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentuApstrakt
I will demonstrate that in the understanding of the early Church, expressed through artistic symbols and images and complemented by liturgy, eschatology should not be placed at the end of history, as the finale of divine revelation and human fulfilment, but at the core of personal and historical drama.Although the NewTestament writers and other second century Christian authors expressed their eschatological vision in writing, there is a striking lack of both Christian imagery as well as relevant literary material about ecclesiastical utilisation of this imagery, from the first two centuries of the Christian era.Therefore, this investigation focuses on the period from the third to the sixth centuries with regard to both the Christian imagery and the textual material which might serve as the dogmatic basis for this imagery
Izvor:
Eschatology in Antiquity: Forms and Functions, 2021, 554-545Izdavač:
- Routledge
Finansiranje / projekti:
- Ministarstvo nauke, tehnološkog razvoja i inovacija Republike Srbije, institucionalno finansiranje - 200025 (Univerzitet u Beogradu, Institut za filozofiju i društvenu teoriju) (RS-MESTD-inst-2020-200025)
Kolekcije
Institucija/grupa
IFDTTY - CHAP AU - Cvetkovic, Vladimir PY - 2021 UR - http://rifdt.instifdt.bg.ac.rs/123456789/2425 AB - I will demonstrate that in the understanding of the early Church, expressed through artistic symbols and images and complemented by liturgy, eschatology should not be placed at the end of history, as the finale of divine revelation and human fulfilment, but at the core of personal and historical drama.Although the NewTestament writers and other second century Christian authors expressed their eschatological vision in writing, there is a striking lack of both Christian imagery as well as relevant literary material about ecclesiastical utilisation of this imagery, from the first two centuries of the Christian era.Therefore, this investigation focuses on the period from the third to the sixth centuries with regard to both the Christian imagery and the textual material which might serve as the dogmatic basis for this imagery PB - Routledge T2 - Eschatology in Antiquity: Forms and Functions T1 - Symbols, Icons, Liturgy: Eschatology in the early Christian Art SP - 554 EP - 545 UR - https://hdl.handle.net/21.15107/rcub_rifdt_2425 ER -
@inbook{ author = "Cvetkovic, Vladimir", year = "2021", abstract = "I will demonstrate that in the understanding of the early Church, expressed through artistic symbols and images and complemented by liturgy, eschatology should not be placed at the end of history, as the finale of divine revelation and human fulfilment, but at the core of personal and historical drama.Although the NewTestament writers and other second century Christian authors expressed their eschatological vision in writing, there is a striking lack of both Christian imagery as well as relevant literary material about ecclesiastical utilisation of this imagery, from the first two centuries of the Christian era.Therefore, this investigation focuses on the period from the third to the sixth centuries with regard to both the Christian imagery and the textual material which might serve as the dogmatic basis for this imagery", publisher = "Routledge", journal = "Eschatology in Antiquity: Forms and Functions", booktitle = "Symbols, Icons, Liturgy: Eschatology in the early Christian Art", pages = "554-545", url = "https://hdl.handle.net/21.15107/rcub_rifdt_2425" }
Cvetkovic, V.. (2021). Symbols, Icons, Liturgy: Eschatology in the early Christian Art. in Eschatology in Antiquity: Forms and Functions Routledge., 554-545. https://hdl.handle.net/21.15107/rcub_rifdt_2425
Cvetkovic V. Symbols, Icons, Liturgy: Eschatology in the early Christian Art. in Eschatology in Antiquity: Forms and Functions. 2021;:554-545. https://hdl.handle.net/21.15107/rcub_rifdt_2425 .
Cvetkovic, Vladimir, "Symbols, Icons, Liturgy: Eschatology in the early Christian Art" in Eschatology in Antiquity: Forms and Functions (2021):554-545, https://hdl.handle.net/21.15107/rcub_rifdt_2425 .