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The Interpretation of Artistic Practices in Gramsci’s Discourse : Towards the Gramscian Analysis of Music of Modern and Postmodern Times

dc.contributor.editorMilidrag, Predrag
dc.creatorVesić, Ivana
dc.date.accessioned2017-11-01T10:16:18Z
dc.date.available2017-11-01T10:16:18Z
dc.date.issued2012
dc.identifier0353-5738
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/606
dc.description.abstractAntonio Gramsci dedicated a lot of his attention in his writings to the analysis of the cultural practices and their function in the socio-historical processes. An important segment of his work included the analysis of art and literature of modern times which was indirectly incorporated into the discussion of the problem of usefulness of historical materialism as a philosophical and social practice, social power and its cultural and historical appearances, cultural and political emancipation of subaltern classes etc. Mostly focusing on the explication of socio-cultural, political and historical dimensions of Italian literature of Renaissance and the modern period, Gramsci elaborated a sketch of his own version of Marxist aesthetic proposing specific interpretations of the problem of social function of artistic practices, the nature of artistic action and artwork and the consumption of artistic artifacts. In this paper we will discuss Gramsci’s thought on art in the context of his comprehensive theoretical, philosophical and historical research aiming at elaborating a Gramscian model of analysis of music practices of modern and postmodern times. One of our results should be the examination of the possibilities of the analysis of music based on Gramsci’s theory as well as the critical review of the application of its main concepts in the existing body of research on music.eng
dc.format23 3 (2012) 274-291
dc.formatapplication/pdf
dc.languagesr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//
dc.rightsopenAccess
dc.sourceFilozofija i društvo/Philosophy and Societymul
dc.subjectsociology of music
dc.subjectsociology of art
dc.subjectart
dc.subjectphilosophy of praxis
dc.subjectGramsci
dc.titleTumačenje umetničkih praksi u diskursu Antonija Gramšija. Ka konstruisanju gramšijevske analize muzike u modernim i postmodernim društvimasr
dc.titleThe Interpretation of Artistic Practices in Gramsci’s Discourse : Towards the Gramscian Analysis of Music of Modern and Postmodern Timeseng
dc.typearticle
dc.rights.licenseBY-NC-ND
dcterms.abstractВесић, Ивана; Тумачење уметничких пракси у дискурсу Aнтонија Грамшија. Ка конструисању грамшијевске анализе музике у модерним и постмодерним друштвима;
dc.citation.spage274
dc.citation.epage291
dc.identifier.doi10.2298/FID1203274V
dc.type.versionpublishedVersion
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs/bitstream/id/5027/604.pdf


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