| dc.creator | Džalto, Davor | |
| dc.date.accessioned | 2017-11-01T10:15:37Z | |
| dc.date.available | 2017-11-01T10:15:37Z | |
| dc.date.issued | 2014 | |
| dc.identifier | 0023-5164 | |
| dc.identifier.uri | http://rifdt.instifdt.bg.ac.rs/123456789/347 | |
| dc.description.abstract | The author explores freedom and love in Baz Luhrmann’s movie “Moulin Rouge”! The author makes parallels between the way in which freedom and love, as basic human capacities, are addressed within the aesthetic framework of the movie, and the role that these capacities play in the Christian(especially Orthodox Christian) anthropology and ontology. | eng |
| dc.format | 142 (2014) 174-181 | |
| dc.language | en | |
| dc.publisher | Beograd : Zavod za proučavanje kulturnog razvitka | |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
| dc.source | Kultura | mul |
| dc.subject | freedom | |
| dc.subject | love | |
| dc.subject | Moulin Rouge | |
| dc.subject | theater | |
| dc.subject | tragedy | |
| dc.title | Breaking Free With Hollywood Blockbusters | eng |
| dc.type | article | |
| dc.rights.license | BY-NC-ND | |
| dcterms.abstract | Жалто, Давор | |
| dc.citation.spage | 174 | |
| dc.citation.epage | 181 | |
| dc.identifier.doi | 10.5937/kultura1442174D | |
| dc.type.version | publishedVersion | |
| dc.identifier.fulltext | http://rifdt.instifdt.bg.ac.rs/bitstream/id/6215/0023-51641442174D.pdf | |
