Post-Yugoslav Film and Literature Production: an Alternative to Mainstream Political and Cultural Discourse
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Drawing upon studies which emphasized and conceptualized the existence of
political and cultural alternatives to the emerging nationalistic cultures in ex-Yugoslav
societies, this study aims at following those anti-nationalist artistic records in newly
formed post-Yugoslav states. By offering an overview to the contemporary artistic
production, namely literature and film, an exploration focuses on several concrete
cultural concepts, which should then function as tools for displaying the difference/
opposition between the mainstream culture and its alternative authors and artifacts.
The question of an exile, as existentially altered position, which also reframes the issue of one’s belonging, then question of the Other, crucial for establishing one’s identity, and finally a
notion of memory which is a space for reconsideration of both private and official
histories, problems of responsibility and guilt, are encompassing the way these post-
Yugoslav film and literature authors a...rticulate their own artistic and political views.
Process of violent disintegration is a constitutive argument of this research, for it
necessitates understanding of three post-Yugoslav states which were at war (Croatia,
Bosnia and Herzegovina and Serbia) as a single cultural/political space. By inevitably
touching upon Yugoslav cultural heritage this writing also seeks to distinguish
novel identities and concepts which have been emerging after the dissolution.
Кључне речи:
post-Yugoslav literature / post-Yugoslav film / politics of arts / Yugoslav dissolutionИзвор:
2014Издавач:
- PECOB - Portal on Central Eastern and Balkan Europe University of Bologna - Forlì Campus
Колекције
Институција/група
IFDTTY - BOOK AU - Matijević, Tijana PY - 2014 UR - http://rifdt.instifdt.bg.ac.rs/123456789/3463 AB - Drawing upon studies which emphasized and conceptualized the existence of political and cultural alternatives to the emerging nationalistic cultures in ex-Yugoslav societies, this study aims at following those anti-nationalist artistic records in newly formed post-Yugoslav states. By offering an overview to the contemporary artistic production, namely literature and film, an exploration focuses on several concrete cultural concepts, which should then function as tools for displaying the difference/ opposition between the mainstream culture and its alternative authors and artifacts. The question of an exile, as existentially altered position, which also reframes the issue of one’s belonging, then question of the Other, crucial for establishing one’s identity, and finally a notion of memory which is a space for reconsideration of both private and official histories, problems of responsibility and guilt, are encompassing the way these post- Yugoslav film and literature authors articulate their own artistic and political views. Process of violent disintegration is a constitutive argument of this research, for it necessitates understanding of three post-Yugoslav states which were at war (Croatia, Bosnia and Herzegovina and Serbia) as a single cultural/political space. By inevitably touching upon Yugoslav cultural heritage this writing also seeks to distinguish novel identities and concepts which have been emerging after the dissolution. PB - PECOB - Portal on Central Eastern and Balkan Europe University of Bologna - Forlì Campus T1 - Post-Yugoslav Film and Literature Production: an Alternative to Mainstream Political and Cultural Discourse UR - https://hdl.handle.net/21.15107/rcub_rifdt_3463 ER -
@book{ author = "Matijević, Tijana", year = "2014", abstract = "Drawing upon studies which emphasized and conceptualized the existence of political and cultural alternatives to the emerging nationalistic cultures in ex-Yugoslav societies, this study aims at following those anti-nationalist artistic records in newly formed post-Yugoslav states. By offering an overview to the contemporary artistic production, namely literature and film, an exploration focuses on several concrete cultural concepts, which should then function as tools for displaying the difference/ opposition between the mainstream culture and its alternative authors and artifacts. The question of an exile, as existentially altered position, which also reframes the issue of one’s belonging, then question of the Other, crucial for establishing one’s identity, and finally a notion of memory which is a space for reconsideration of both private and official histories, problems of responsibility and guilt, are encompassing the way these post- Yugoslav film and literature authors articulate their own artistic and political views. Process of violent disintegration is a constitutive argument of this research, for it necessitates understanding of three post-Yugoslav states which were at war (Croatia, Bosnia and Herzegovina and Serbia) as a single cultural/political space. By inevitably touching upon Yugoslav cultural heritage this writing also seeks to distinguish novel identities and concepts which have been emerging after the dissolution.", publisher = "PECOB - Portal on Central Eastern and Balkan Europe University of Bologna - Forlì Campus", title = "Post-Yugoslav Film and Literature Production: an Alternative to Mainstream Political and Cultural Discourse", url = "https://hdl.handle.net/21.15107/rcub_rifdt_3463" }
Matijević, T.. (2014). Post-Yugoslav Film and Literature Production: an Alternative to Mainstream Political and Cultural Discourse. PECOB - Portal on Central Eastern and Balkan Europe University of Bologna - Forlì Campus.. https://hdl.handle.net/21.15107/rcub_rifdt_3463
Matijević T. Post-Yugoslav Film and Literature Production: an Alternative to Mainstream Political and Cultural Discourse. 2014;. https://hdl.handle.net/21.15107/rcub_rifdt_3463 .
Matijević, Tijana, "Post-Yugoslav Film and Literature Production: an Alternative to Mainstream Political and Cultural Discourse" (2014), https://hdl.handle.net/21.15107/rcub_rifdt_3463 .