The transitional model of cultural policy and its implications in crisis situations
Конференцијски прилог (Објављена верзија)
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The post-socialist transformation introduced changes not only in the political and economic realms, but in the cultural sphere as well. The transitional model of cultural policy became dominant, which meant mixed funding sources from both public and private sectors participating in creating conditions for the sustainability of cultural manifestations, with the central role of the state. The penetration of a market orientation and poor state funding in the cultural sector negatively affected cultural workers’ economic position and therefore hindered the possibilities of creativity and artistic freedom. All these difficulties and challenges present among cultural workers increased due to the COVID-19 pandemic. The pandemic led to bans on cultural events during lockdowns, reduced number of visitors afterwards, cancellation of projects that depended on international cooperation, and financial problems for cultural workers. Despite the challenges, cultural institutions and organizations att...empted to adapt to the new conditions by providing online content in order to sustain their programmes and maintain active communication with their audience. This paper focuses on the analysis of qualitative data collected in the project “The end of the season before the end of the season? Strategies in the cultural sector during the crisis” conducted by the Institute for Sociological Research of the Faculty of Philosophy in Belgrade. Drawing on qualitative interviews with 20 cultural workers from cultural areas that were particularly threatened during the pandemic, we analyse the biggest challenges that organizations/cultural institutions were facing during the pandemic (event program/cultural program, human resources, issue of public/employee health safety, finances). Additionally, since setting up online events was in some cases the only way to continue the program, emphasis will be placed on the analysis of the advantages and disadvantages of organizing a cultural event online, and difference between online and offline experience both in organizing cultural events during the pandemic and in the reception of cultural content.
Извор:
Sociological Perspectives on Contemporary Post-Yugoslav Societies, 2023, 28-28Издавач:
- Belgrade : Sociological Scientific Society of Serbia
Финансирање / пројекти:
- Министарство науке, технолошког развоја и иновација Републике Србије, институционално финансирање - 200025 (Универзитет у Београду, Институт за филозофију и друштвену теорију) (RS-MESTD-inst-2020-200025)
Колекције
Институција/група
IFDTTY - CONF AU - Resanović, Milica AU - Toković, Milena PY - 2023 UR - http://rifdt.instifdt.bg.ac.rs/123456789/2930 AB - The post-socialist transformation introduced changes not only in the political and economic realms, but in the cultural sphere as well. The transitional model of cultural policy became dominant, which meant mixed funding sources from both public and private sectors participating in creating conditions for the sustainability of cultural manifestations, with the central role of the state. The penetration of a market orientation and poor state funding in the cultural sector negatively affected cultural workers’ economic position and therefore hindered the possibilities of creativity and artistic freedom. All these difficulties and challenges present among cultural workers increased due to the COVID-19 pandemic. The pandemic led to bans on cultural events during lockdowns, reduced number of visitors afterwards, cancellation of projects that depended on international cooperation, and financial problems for cultural workers. Despite the challenges, cultural institutions and organizations attempted to adapt to the new conditions by providing online content in order to sustain their programmes and maintain active communication with their audience. This paper focuses on the analysis of qualitative data collected in the project “The end of the season before the end of the season? Strategies in the cultural sector during the crisis” conducted by the Institute for Sociological Research of the Faculty of Philosophy in Belgrade. Drawing on qualitative interviews with 20 cultural workers from cultural areas that were particularly threatened during the pandemic, we analyse the biggest challenges that organizations/cultural institutions were facing during the pandemic (event program/cultural program, human resources, issue of public/employee health safety, finances). Additionally, since setting up online events was in some cases the only way to continue the program, emphasis will be placed on the analysis of the advantages and disadvantages of organizing a cultural event online, and difference between online and offline experience both in organizing cultural events during the pandemic and in the reception of cultural content. PB - Belgrade : Sociological Scientific Society of Serbia C3 - Sociological Perspectives on Contemporary Post-Yugoslav Societies T1 - The transitional model of cultural policy and its implications in crisis situations SP - 28 EP - 28 UR - https://hdl.handle.net/21.15107/rcub_rifdt_2930 ER -
@conference{ author = "Resanović, Milica and Toković, Milena", year = "2023", abstract = "The post-socialist transformation introduced changes not only in the political and economic realms, but in the cultural sphere as well. The transitional model of cultural policy became dominant, which meant mixed funding sources from both public and private sectors participating in creating conditions for the sustainability of cultural manifestations, with the central role of the state. The penetration of a market orientation and poor state funding in the cultural sector negatively affected cultural workers’ economic position and therefore hindered the possibilities of creativity and artistic freedom. All these difficulties and challenges present among cultural workers increased due to the COVID-19 pandemic. The pandemic led to bans on cultural events during lockdowns, reduced number of visitors afterwards, cancellation of projects that depended on international cooperation, and financial problems for cultural workers. Despite the challenges, cultural institutions and organizations attempted to adapt to the new conditions by providing online content in order to sustain their programmes and maintain active communication with their audience. This paper focuses on the analysis of qualitative data collected in the project “The end of the season before the end of the season? Strategies in the cultural sector during the crisis” conducted by the Institute for Sociological Research of the Faculty of Philosophy in Belgrade. Drawing on qualitative interviews with 20 cultural workers from cultural areas that were particularly threatened during the pandemic, we analyse the biggest challenges that organizations/cultural institutions were facing during the pandemic (event program/cultural program, human resources, issue of public/employee health safety, finances). Additionally, since setting up online events was in some cases the only way to continue the program, emphasis will be placed on the analysis of the advantages and disadvantages of organizing a cultural event online, and difference between online and offline experience both in organizing cultural events during the pandemic and in the reception of cultural content.", publisher = "Belgrade : Sociological Scientific Society of Serbia", journal = "Sociological Perspectives on Contemporary Post-Yugoslav Societies", title = "The transitional model of cultural policy and its implications in crisis situations", pages = "28-28", url = "https://hdl.handle.net/21.15107/rcub_rifdt_2930" }
Resanović, M.,& Toković, M.. (2023). The transitional model of cultural policy and its implications in crisis situations. in Sociological Perspectives on Contemporary Post-Yugoslav Societies Belgrade : Sociological Scientific Society of Serbia., 28-28. https://hdl.handle.net/21.15107/rcub_rifdt_2930
Resanović M, Toković M. The transitional model of cultural policy and its implications in crisis situations. in Sociological Perspectives on Contemporary Post-Yugoslav Societies. 2023;:28-28. https://hdl.handle.net/21.15107/rcub_rifdt_2930 .
Resanović, Milica, Toković, Milena, "The transitional model of cultural policy and its implications in crisis situations" in Sociological Perspectives on Contemporary Post-Yugoslav Societies (2023):28-28, https://hdl.handle.net/21.15107/rcub_rifdt_2930 .