I am interested in the epistemological status of «project(ion)», that is, the «act» or «strategy» of project(ion) in relation to various didactic protocols usually associated with an «author» and her intention or production. What is a plan, program, plot, platform, concept, conception, or even «meta-project»? Is a project or projection necessarily an «architectural matter»? Is it a prototypically Western or European procedure of specific use of time and space (literally, throwing forth into space/time)? I will attempt to explain some passages from Eisenman, Cacciari, as well as a theory recently put forth by Armando and Durbiano (Teoria del progetto architettonico).
TY - JOUR
AU - Bojanić, Petar
PY - 2019
UR - http://rifdt.instifdt.bg.ac.rs/123456789/2208
AB - I am interested in the epistemological status of «project(ion)», that is, the «act» or «strategy» of project(ion) in relation to various didactic protocols usually associated with an «author» and her intention or production. What is a plan, program, plot, platform, concept, conception, or even «meta-project»? Is a project or projection necessarily an «architectural matter»? Is it a prototypically Western or European procedure of specific use of time and space (literally, throwing forth into space/time)? I will attempt to explain some passages from Eisenman, Cacciari, as well as a theory recently put forth by Armando and Durbiano (Teoria del progetto architettonico).
PB - Torino : Labont
T2 - Rivista di Estetica
T1 - The acts of project(ion) / project acts or projacts
IS - 2
VL - 71
SP - 92
EP - 100
DO - 10.4000/estetica.5521
ER -
@article{
author = "Bojanić, Petar",
year = "2019",
abstract = "I am interested in the epistemological status of «project(ion)», that is, the «act» or «strategy» of project(ion) in relation to various didactic protocols usually associated with an «author» and her intention or production. What is a plan, program, plot, platform, concept, conception, or even «meta-project»? Is a project or projection necessarily an «architectural matter»? Is it a prototypically Western or European procedure of specific use of time and space (literally, throwing forth into space/time)? I will attempt to explain some passages from Eisenman, Cacciari, as well as a theory recently put forth by Armando and Durbiano (Teoria del progetto architettonico).",
publisher = "Torino : Labont",
journal = "Rivista di Estetica",
title = "The acts of project(ion) / project acts or projacts",
number = "2",
volume = "71",
pages = "92-100",
doi = "10.4000/estetica.5521"
}
Bojanić, P.. (2019). The acts of project(ion) / project acts or projacts. in Rivista di Estetica
Torino : Labont., 71(2), 92-100.
https://doi.org/10.4000/estetica.5521
Bojanić P. The acts of project(ion) / project acts or projacts. in Rivista di Estetica. 2019;71(2):92-100.
doi:10.4000/estetica.5521 .
Bojanić, Petar, "The acts of project(ion) / project acts or projacts" in Rivista di Estetica, 71, no. 2 (2019):92-100,
https://doi.org/10.4000/estetica.5521 . .
