Приказ основних података о документу
Društveno-politička uloga artiviz(a)ma i mogućnost nove estetizacije
The Socio-Political Role of Artivism(S) And the Possibility of a New Aestheticization
dc.creator | Protić, Petar | |
dc.date.accessioned | 2021-02-26T17:27:34Z | |
dc.date.available | 2021-02-26T17:27:34Z | |
dc.date.issued | 2020 | |
dc.identifier.issn | 2683-5959 | |
dc.identifier.uri | https://kritika.instifdt.bg.ac.rs/index.php/kc/article/view/41/118 | |
dc.identifier.uri | http://rifdt.instifdt.bg.ac.rs/123456789/2145 | |
dc.description.abstract | Rad je fokusiran na analizu polja artivizma/umetničkog aktivizma kroz njegovu društveno-političku ulogu, istorijski kontekst i praksu. Tekst propituje da li artivizam, koji se poslednjih decenija vezivao za kritičku umetnost, može biti smatran novom umetničkom paradig-mom. U prilog tome, analiziraju se tekstovi Borisa Grojsa i Gregorija Šoleta u kojima se izlažu različite koncepcije estetizacije: Grojsov koncept totalne estetizacije i koncept prefigurativne politke (njegova estetska dimenzija) na koji se oslanja Šolet. Sublimirajući oba kon-cepta, koja ukazuju da je fenomen umetničkog aktivizma zaista sve veći i vidljiviji, pokušavam predstaviti artivizam kao potencijalnu no-vu paradigmu u polju umetnosti. U tom smislu se analiziraju dve pre-vaziđene umetničke paradigme (za koje Badju govori da su predsta-vljale identifikaciju/separaciju subjekta u odnosu na telo) i predlaže novi odnos (revolucije) subjekta i tela, odnosno događaja. | sr |
dc.description.abstract | The paper focuses on the analysis of the field of artivism / artistic activism through its socio-political role, historical context and practice. It questions whether artivism, which has been associated with critical art in recent decades, can be considered a new artistic paradigm. In support of this, the texts of Boris Groys and Gregory Sho-lette are analyzed, where different conceptions of aestheticization are presented: Groys’ concept of total aestheticization and the concept of prefigurative politics (its aesthetic dimension) on which Sholette relies. Sublimating both concepts, which in-dicate that the phenomenon of artistic activism is indeed growing and visible, I try to present artivism as a potential new paradigm in the field of art. In that sense, two outdated artistic paradigms are analyzed (which represented the identification / separation of the subject in relation to the body, according to Badiou) and I propose a new relation (revolution) of the subject and the body, that is the event. | sr |
dc.language.iso | sr | sr |
dc.publisher | Beograd : Institut za filozofiju i društvenu teoriju | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | Kritika: časopis za filozofiju i teoriju društva | sr |
dc.subject | artivism | sr |
dc.subject | artistic activism | sr |
dc.subject | critical art | sr |
dc.subject | total aestheticization | sr |
dc.subject | prefigurative politics | sr |
dc.subject | Boris Groys | sr |
dc.subject | Gregory Sholette | sr |
dc.subject | Alain Badiou | sr |
dc.title | Društveno-politička uloga artiviz(a)ma i mogućnost nove estetizacije | sr |
dc.title | The Socio-Political Role of Artivism(S) And the Possibility of a New Aestheticization | sr |
dc.type | article | sr |
dc.rights.license | BY-NC-ND | sr |
dcterms.abstract | Протић, Петар; Друштвено-политичка улога артивиз(а)ма и могућност нове естетизације; Друштвено-политичка улога артивиз(а)ма и могућност нове естетизације; | |
dc.citation.issue | 2 | |
dc.citation.volume | 1 | |
dc.citation.spage | 403 | |
dc.citation.epage | 420 | |
dc.identifier.doi | 10.5281/zenodo.4304686 | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | http://rifdt.instifdt.bg.ac.rs/bitstream/id/7695/bitstream_7695.pdf |