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Hegel i žrtvovanje filozofije: dijalektika estetike i politike / Hegel und die Opferung der Philosophie: Dialektik der Ästhetik und Politik
(Filozofija i društvo/Philosophy and Society, 2013)
Dem Aufsatz liegen folgende Fragen zugrunde: Ist es gerechtfertigt, vom Erbe der tragischen Darstellung des Kampfes im Hegelschen Begriff der Philosophie und insbesondere in seiner Konzeption der Dialektik als Bewegung und ...
The Ontological Indifférence. A Realist Reading of Kant and Hegel
(Beograd : Institut za filozofiju i društvenu teoriju, 2015)
The article challenges the first premise of „speculative realism“, according to which, with Kant, the contact with the outside world was lost. Instead, it will be shown that the possibility of realism received its major ...
Die ästhetische Geburt selbstbefreiter Subjektivität : Hegels dreifache Theorie der klassischen Komödie / Estetsko rođenje samooslobođene subjektivnosti : Hegelova trostruka teorija klasične komedije
(Filozofija i društvo/Philosophy and Society, 2013)
Eine Theorie der antiken Komödie entwirft Hegel sowohl in seinem frühen Naturrechtsaufsatz, in der Phänomenologie des Geistes als auch in seinen Berliner Vorlesungen über die Ästhetik. In allen drei Ansätzen steht die ...
True Sacrifice On Hegel's Présentation of Self-Consciousness
(Beograd : Institut za filozofiju i društvenu teoriju, 2015)
The paper provides a modest reading of Hegel’s treatment of self-consciousness in his Phenomenology of Spirit and tries to present it as an integral part of the overall project of the experience of consciousness leading ...
In Defense of Hegel's Madness
(Beograd : Institut za filozofiju i društvenu teoriju, 2015)
The article is a confrontation with Robert Brandom’s reading of Hegel’s Phenomenology of Spirit, his attempt to systematically “renormalize” Hegel, i.e., to reduce his extravagant formulations to the criteria of common ...
The Owl of Minerva from Dusk till Dawn, or, Two Shades of Gray
(Beograd : Institut za filozofiju i društvenu teoriju, 2015)
The paper takes as its starting point the figure of the owl as the emblem of philosophy, it looks at its history and takes up its most significant philosophical use, the notoriouspassage where Hegel uses the owl as the ...
Privatno (ni)je javno O Antigoninoj tužbalici i njenom ehu kod Hegela i Kjerkegora / Private is (not) Public. About Antigone’s Mourning Voice and its Echo in Hegel and Kierkegaard
(Filozofija i društvo/Philosophy and Society, 2013)
This paper presents a rereading of the interpretations of Antigone by Hegel and Kierkegaard on the grounds of research of Sophocles’ text and its performance in Athenian theatre in the context of socio-political climate ...
Le Narrateur kafkaïen ou la conscience malheureuse prisonnière en régime hégélien. L’exemple du Terrier / Kafkijanski pripovedač ili zaglavljena nesrećna svest u Hegelovom sistemu. Primer jazbine
(Filozofija i društvo/Philosophy and Society, 2013)
Nous aimerions montrer que Le Terrier de Kafka est représentatif de l’étrange «intersubjectivité» telle qu’elle peut être pensée chez un auteur «mineur». La nouvelle tend à nous rappeler qu’être un sujet à part entière ...
Hegel's Logic as the Exposition of God from the End of the World
(Beograd : Institut za filozofiju i društvenu teoriju, 2015)
The article attempts to reconstruct the logical space within which, at the beginning of Hegel’s Logic, “being”and “nothing” are entitled to emerge and receive their names. In German Idealism, the concept of “being” is ...
Quelques éléments pour introduire à la lecture de Rosenzweig / Nekoliko elemenata za uvod u čitanje Rozencvajga
(Filozofija i društvo/Philosophy and Society, 2012)
Par la guerre, la philosophie en son entier, “l’idéalisme”, s’avère selon Rosenzweig dans son mensonge, c’est-à-dire dans sa fausseté à la fois épistémologique et existentielle. Cette double leçon le portera à esquisser ...