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dc.creatorGuyer, Paul
dc.date.accessioned2019-06-25T10:09:06Z
dc.date.available2019-06-25T10:09:06Z
dc.date.issued2019
dc.identifier.issn0353-5738
dc.identifier.urihttp://journal.instifdt.bg.ac.rs/index.php?journal=fid&page=article&op=view&path%5B%5D=746
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/1981
dc.description.abstractThis paper compares the outwardly similar structural formalisms of Marc- Antoine Laugier and Arthur Schopenhauer (who uses many of Laugier’s examples). Laugier purports to base his aesthetics on an historical argument from the “primitive hut”; but his preferences are really based on aversion to structurally and programmatically non-functional elements. His preferences show disregard for purely aesthetic considerations, such as pleasing proportions. Schopenhauer’s formalism is based on his cognitivist approach to aesthetics, according to which architecture is above all supposed to demonstrate relations between load and support, but in spite of this shows greater sensitivity to sensory beauty.sr
dc.description.abstractOvaj članak poredi naizgled sličan strukturalni formalizam Mark-Antoan Ložijea i Artura Šo-penhauera (koji je koristio mnoge Ložijeove primere). Ložije zasniva svoju estetiku na istorij-skom argumentu polazeći od „primitivne kolibe“, ali njegove preferenciju su ipak zasnovane na averziji prema strukturalno i programski nefunkcionalnim elementima. One otkrivaju ne-haj za razmatranja koja su čisto estetska, kao što su to proporcije koje izazivaju zadovoljstvo. Šopenhauerov formalizam zasniva se na njegovom kognitivističkom pristupu estetici prema kome bi arhitektura, pre svega, trebalo da demonstrira odnos između opterećenja i oslonca, ali uprkos tome pokazuje veću osetljivost za čulnu lepotu.sr
dc.language.isoensr
dc.publisherBeograd : Institut za filozofiju i društvenu teorijusr
dc.rightsopenAccesssr
dc.sourceFilozofija i društvosr
dc.subjectarchitecturesr
dc.subjectMarc-Antoine Laugiersr
dc.subjectArthur Schopenhauersr
dc.subjectaestheticssr
dc.subject“primitive hut”sr
dc.titleFormalism around 1800: A Grudging Concession to Aesthetic Sensibilitysr
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractГуyер, Паул;
dc.citation.issue2
dc.citation.volume30
dc.citation.spage241
dc.citation.epage256
dc.identifier.doihttps://doi.org/10.2298/FID1902241G
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://rifdt.instifdt.bg.ac.rs//bitstream/id/4611/full text.pdf


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