Приказ основних података о документу

dc.creatorDžalto, Davor
dc.date.accessioned2017-11-01T10:17:30Z
dc.date.available2017-11-01T10:17:30Z
dc.date.issued2011
dc.identifier0352-6844
dc.identifier.urihttp://rifdt.instifdt.bg.ac.rs/123456789/1144
dc.description.abstractThe question of authorship became one of the most important issues in art theory in the second half of 20th century. This issue appeared in the fields of aesthetics, theory and history of visual arts originaly under the influence of literary theory. On the other hand, art practice of the 1960s, ’70s and ’80s alone raises this question and challenges the borders of art creativity, the role and meaning of the “artist” in creation and perception of the artwork. This was the way in which the concepts of “author” and “artist” came into the focus of art theory, which made further explorations and clarification of these concepts a necessity.eng
dc.format39/2011 (2011) 205-214
dc.languageen
dc.publisherNovi Sad : Matica srpska
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceZbornik Matice Srpske za likovne umetnostisrp
dc.subjectauthor
dc.subjectartis
dc.subjectdeconstruction
dc.subjectoriginality
dc.subjectcreativity
dc.titleThe Concept of Authorship in Visual Arts : Main Contemporary Approacheseng
dc.typearticle
dc.rights.licenseBY-NC-ND
dcterms.abstractДжалто, Давор;
dc.citation.spage205
dc.citation.epage214
dc.type.versionpublishedVersion
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_rifdt_1144


Документи

ДатотекеВеличинаФорматПреглед

Уз овај запис нема датотека.

Овај документ се појављује у следећим колекцијама

Приказ основних података о документу