Ničić, Miloš

Link to this page

Authority KeyName Variants
715fc609-3680-45f1-ada1-d11c6259c29c
  • Ničić, Miloš (2)
Projects
No records found.

Author's Bibliography

Postsocialism and „ordinary“ tourism: New Belgrade

Iguman, Sanja; Ničić, Miloš

(Emerald Publishing Limited, 2019)

TY  - JOUR
AU  - Iguman, Sanja
AU  - Ničić, Miloš
PY  - 2019
UR  - https://www.emerald.com/insight/search?q=Iguman&showAll=true
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2191
AB  - Purpose: The purpose of this paper is to examine the emerging practices of the “tourism of the ordinary” in the wider frame of post-socialist transformation of Serbia’s capital city – Belgrade. By sourcing the inspiration in cultural studies and classics of the studies of the ordinary, focus is directed to the patterns of tourism consumption of practices, places and people that do not fall in the category of tourism attraction. The attention is drawn to New Belgrade (Novi Beograd in Serbian), residential part of Belgrade built predominantly after the Second World War. New Belgrade lacks proper tourism infrastructure, commoditized attractions and consumerable tourism experiences on a large scale. Nevertheless, this part of the city is slowly becoming explored by tourists individually or in organized walking or cycling tours. Visits to New Belgrade are most often connected to alternative or hip visitors and have the allure of both urban exploration and cultural practice, as the tours are offered by specialist architectural organizations or individual guides. By introspecting the case of New Belgrade, this paper attempts to address the prospect that ordinary exist only in relation to the attraction and that its appeal comes from the fact that what is ordinary to someone is attraction to another. Design/methodology/approach: As far as specific approach is concerned, some archival and librarian materials have been analyzed in order to map the territory that is being researched (New Belgrade) and to frame the significance of potential heritagisation (Harrison, 2013) on the built environment and its territory. Further, relevant websites and both primary and secondary resources have been consulted. This mostly refers to the websites of Tourist Organization of Belgrade (TOB) and the Institute for the Protection of Cultural Monuments in Belgrade as two most relevant bodies connecting the urban fabric of the city and its tourism valorization. Findings: In this paper, the authors have tried to demonstrate how tourism of the ordinary might be conducted in urban environment that lacks no tangible resources, whose physical physiognomies are not insignificant and which, in another, alternative tourism regime might be considered attractions. However, in the specific set of characteristics spanning from contested past to ambiguous contemporary valorization, New Belgrade remains an uncharted part of the city for much of the mainstream tourism, leaving its charms for very few visitors, most often engaged in interest of the “ordinary.” Originality/value: Although Belgrade is experiencing steady rise in numbers regarding tourist arrivals, length of stay and on-site expenditure, New Belgrade is nowhere to be seen on the map of tourism offer, as per Belgrade’s Tourism Organization. TOB’s official web page, at the time this piece is written, in the section Attractions, mentions nothing regarding New Belgrade. Among 13 entries – 12 are historic sites of more than a century behind them and one is a lake and outdoor destination.
PB  - Emerald Publishing Limited
T2  - International Journal of Tourism Cities
T1  - Postsocialism and „ordinary“ tourism: New Belgrade
IS  - 3
VL  - 5
SP  - 307
EP  - 325
DO  - 10.1108/IJTC-01-2018-0002
ER  - 
@article{
author = "Iguman, Sanja and Ničić, Miloš",
year = "2019",
abstract = "Purpose: The purpose of this paper is to examine the emerging practices of the “tourism of the ordinary” in the wider frame of post-socialist transformation of Serbia’s capital city – Belgrade. By sourcing the inspiration in cultural studies and classics of the studies of the ordinary, focus is directed to the patterns of tourism consumption of practices, places and people that do not fall in the category of tourism attraction. The attention is drawn to New Belgrade (Novi Beograd in Serbian), residential part of Belgrade built predominantly after the Second World War. New Belgrade lacks proper tourism infrastructure, commoditized attractions and consumerable tourism experiences on a large scale. Nevertheless, this part of the city is slowly becoming explored by tourists individually or in organized walking or cycling tours. Visits to New Belgrade are most often connected to alternative or hip visitors and have the allure of both urban exploration and cultural practice, as the tours are offered by specialist architectural organizations or individual guides. By introspecting the case of New Belgrade, this paper attempts to address the prospect that ordinary exist only in relation to the attraction and that its appeal comes from the fact that what is ordinary to someone is attraction to another. Design/methodology/approach: As far as specific approach is concerned, some archival and librarian materials have been analyzed in order to map the territory that is being researched (New Belgrade) and to frame the significance of potential heritagisation (Harrison, 2013) on the built environment and its territory. Further, relevant websites and both primary and secondary resources have been consulted. This mostly refers to the websites of Tourist Organization of Belgrade (TOB) and the Institute for the Protection of Cultural Monuments in Belgrade as two most relevant bodies connecting the urban fabric of the city and its tourism valorization. Findings: In this paper, the authors have tried to demonstrate how tourism of the ordinary might be conducted in urban environment that lacks no tangible resources, whose physical physiognomies are not insignificant and which, in another, alternative tourism regime might be considered attractions. However, in the specific set of characteristics spanning from contested past to ambiguous contemporary valorization, New Belgrade remains an uncharted part of the city for much of the mainstream tourism, leaving its charms for very few visitors, most often engaged in interest of the “ordinary.” Originality/value: Although Belgrade is experiencing steady rise in numbers regarding tourist arrivals, length of stay and on-site expenditure, New Belgrade is nowhere to be seen on the map of tourism offer, as per Belgrade’s Tourism Organization. TOB’s official web page, at the time this piece is written, in the section Attractions, mentions nothing regarding New Belgrade. Among 13 entries – 12 are historic sites of more than a century behind them and one is a lake and outdoor destination.",
publisher = "Emerald Publishing Limited",
journal = "International Journal of Tourism Cities",
title = "Postsocialism and „ordinary“ tourism: New Belgrade",
number = "3",
volume = "5",
pages = "307-325",
doi = "10.1108/IJTC-01-2018-0002"
}
Iguman, S.,& Ničić, M.. (2019). Postsocialism and „ordinary“ tourism: New Belgrade. in International Journal of Tourism Cities
Emerald Publishing Limited., 5(3), 307-325.
https://doi.org/10.1108/IJTC-01-2018-0002
Iguman S, Ničić M. Postsocialism and „ordinary“ tourism: New Belgrade. in International Journal of Tourism Cities. 2019;5(3):307-325.
doi:10.1108/IJTC-01-2018-0002 .
Iguman, Sanja, Ničić, Miloš, "Postsocialism and „ordinary“ tourism: New Belgrade" in International Journal of Tourism Cities, 5, no. 3 (2019):307-325,
https://doi.org/10.1108/IJTC-01-2018-0002 . .
4

A Reversed Historic House Museum: the Yugodom Rental Apartment in Belgrade

Iguman, Sanja; Ničić, Miloš

(Perugia: Fondazione Ranieri di Sorbello, 2018)

TY  - CONF
AU  - Iguman, Sanja
AU  - Ničić, Miloš
PY  - 2018
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2194
AB  - Following social, cultural and economic developments in the world of contemporary tourism, “Airbnb” service for peer-to-peer short term lodging rental emerged as a major player in tourism accommodation business. Many available units are in fact historic house museums, sourcing their hospitality attractiveness in the same qualities outlined by the “classic” historic house museums – authenticity and interconnections between space, landscape, inhabitants and collections with the broader cultural context. This paper seeks to examine the impact of the “Airbnb” system on the development of reversed historic house museums by bringing up the case of Yugodom – short term stay accommodation in downtown Belgrade. Term reversed historic house museums describes spaces that do not tell the story based on the former inhabitants and their impact on broader socio cultural milieu, but spaces that are created as live-in museums for the sole purpose of providing tourist accommodation. Due to its unique interior design based on the aesthetics of former Yugoslavia, Yugodom has been perceived by the tourists and both local and international media as a museum space, showcasing the authentic Yugoslav home. While describing how this live-in museum was created, this paper will contextualize and examine the potential of reversed historic house museums in enriching both tourism and museum scene of the destination.
PB  - Perugia: Fondazione Ranieri di Sorbello
C3  - House Museums and the Interpretation of the Cultural, Social, Urban Landscape. Proceedings of the 16th Annual DEMHIST Conference
T1  - A Reversed Historic House Museum: the Yugodom Rental Apartment in Belgrade
EP  - 109
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2194
ER  - 
@conference{
author = "Iguman, Sanja and Ničić, Miloš",
year = "2018",
abstract = "Following social, cultural and economic developments in the world of contemporary tourism, “Airbnb” service for peer-to-peer short term lodging rental emerged as a major player in tourism accommodation business. Many available units are in fact historic house museums, sourcing their hospitality attractiveness in the same qualities outlined by the “classic” historic house museums – authenticity and interconnections between space, landscape, inhabitants and collections with the broader cultural context. This paper seeks to examine the impact of the “Airbnb” system on the development of reversed historic house museums by bringing up the case of Yugodom – short term stay accommodation in downtown Belgrade. Term reversed historic house museums describes spaces that do not tell the story based on the former inhabitants and their impact on broader socio cultural milieu, but spaces that are created as live-in museums for the sole purpose of providing tourist accommodation. Due to its unique interior design based on the aesthetics of former Yugoslavia, Yugodom has been perceived by the tourists and both local and international media as a museum space, showcasing the authentic Yugoslav home. While describing how this live-in museum was created, this paper will contextualize and examine the potential of reversed historic house museums in enriching both tourism and museum scene of the destination.",
publisher = "Perugia: Fondazione Ranieri di Sorbello",
journal = "House Museums and the Interpretation of the Cultural, Social, Urban Landscape. Proceedings of the 16th Annual DEMHIST Conference",
title = "A Reversed Historic House Museum: the Yugodom Rental Apartment in Belgrade",
pages = "109",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2194"
}
Iguman, S.,& Ničić, M.. (2018). A Reversed Historic House Museum: the Yugodom Rental Apartment in Belgrade. in House Museums and the Interpretation of the Cultural, Social, Urban Landscape. Proceedings of the 16th Annual DEMHIST Conference
Perugia: Fondazione Ranieri di Sorbello..
https://hdl.handle.net/21.15107/rcub_rifdt_2194
Iguman S, Ničić M. A Reversed Historic House Museum: the Yugodom Rental Apartment in Belgrade. in House Museums and the Interpretation of the Cultural, Social, Urban Landscape. Proceedings of the 16th Annual DEMHIST Conference. 2018;:null-109.
https://hdl.handle.net/21.15107/rcub_rifdt_2194 .
Iguman, Sanja, Ničić, Miloš, "A Reversed Historic House Museum: the Yugodom Rental Apartment in Belgrade" in House Museums and the Interpretation of the Cultural, Social, Urban Landscape. Proceedings of the 16th Annual DEMHIST Conference (2018),
https://hdl.handle.net/21.15107/rcub_rifdt_2194 .