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Moder, Gregor

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Catherine Malabou's Hegel : One or Several Plasticities?

Jovanov, Rastko; Moder, Gregor

(Beograd : Institut za filozofiju i društvenu teoriju, 2015)

TY  - JOUR
AU  - Moder, Gregor
PY  - 2015
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/358
AB  - Through an original and extraordinarily fruitful reading of the Hegelian conception of negativity, Catherine Malabou developed the concept of plasticity which she keeps working on as one of her cardinal concepts even to this day. Engaging in the problematic of unity in Hegel, the paper takes on the task of trying to answer the question whether plasticity is one or are there several plasticities. The author argues that one must be careful not to reduce the inherent multiple of plasticity to a single plasticity which becomes plasticity par excellence: the plasticity of plastic explosion, of an abrupt and ab- solute break, to be distinguished from a creative or productive plasticity of habit. Malabou claimed that Hegel was - contrary to what Deleuz read in him - a philosopher of conceptual multitude as a multitude which cannot be reduced to only one image, the image of unity. If this is true, then the concept of plasticity itself with which she grasped the essence of Hegel’s dialectics, should be understood at least as a “unity in conflict”, if not as an inorganic, inhomogeneous, composed unity - and perhaps even as a unity of the pack.
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Filozofija i društvo/Philosophy and Society
T1  - Catherine Malabou's Hegel : One or Several Plasticities?
SP  - 813
EP  - 829
DO  - 10.2298/FID1504813M
ER  - 
@article{
editor = "Jovanov, Rastko",
author = "Moder, Gregor",
year = "2015",
url = "http://rifdt.instifdt.bg.ac.rs/123456789/358",
abstract = "Through an original and extraordinarily fruitful reading of the Hegelian conception of negativity, Catherine Malabou developed the concept of plasticity which she keeps working on as one of her cardinal concepts even to this day. Engaging in the problematic of unity in Hegel, the paper takes on the task of trying to answer the question whether plasticity is one or are there several plasticities. The author argues that one must be careful not to reduce the inherent multiple of plasticity to a single plasticity which becomes plasticity par excellence: the plasticity of plastic explosion, of an abrupt and ab- solute break, to be distinguished from a creative or productive plasticity of habit. Malabou claimed that Hegel was - contrary to what Deleuz read in him - a philosopher of conceptual multitude as a multitude which cannot be reduced to only one image, the image of unity. If this is true, then the concept of plasticity itself with which she grasped the essence of Hegel’s dialectics, should be understood at least as a “unity in conflict”, if not as an inorganic, inhomogeneous, composed unity - and perhaps even as a unity of the pack.",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Filozofija i društvo/Philosophy and Society",
title = "Catherine Malabou's Hegel : One or Several Plasticities?",
pages = "813-829",
doi = "10.2298/FID1504813M"
}
Jovanov, R.,& Moder, G. (2015). Catherine Malabou's Hegel : One or Several Plasticities?.
Filozofija i društvo/Philosophy and SocietyBeograd : Institut za filozofiju i društvenu teoriju., 813-829.
https://doi.org/10.2298/FID1504813M
Jovanov R, Moder G. Catherine Malabou's Hegel : One or Several Plasticities?. Filozofija i društvo/Philosophy and Society. 2015;:813-829
Jovanov Rastko, Moder Gregor, "Catherine Malabou's Hegel : One or Several Plasticities?" (2015):813-829,
https://doi.org/10.2298/FID1504813M .
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