TY  - JOUR
AU  - Barria-Asenjo, Nicol
AU  - Žižek, Slavoj
AU  - Willems, Brian
AU  - Perunović, Andrea
AU  - Balotol Jr., Ruebn
AU  - Salas, Gonzalo
AU  - Caycho-Rodriguez, Tomás
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3220
AB  - In this research, we will start by expo- sing the paradox of ‘surplus enjoyment’ (the Lacanian plus-de-jouir), showing that its parallax structure of lack and excess is also applicable to the pheno- menon of (surplus) repression. Linking his concept with the Hegelian Aufhebung, understood as a ‘failed negation of negation’ or a ‘negation of negation’ as failure, we will focus in detail on the central example illustrating our theoretical positions, which is Iciar Bollain’s film Tambien la Lluvia (Even the Rain). In analyzing its narrative structures that address the neocolonial reality, we will tend to approach indirectly, by reading the medium of cinematic narration, the ‘neocolonial question.’
PB  - Universidad Autonoma de Madrid
T2  - Bajo Palabra. Revista de Filosofía
T1  - The Cinematic Daydream as a Tool of Political Emancipation: Plus-de-Jouir, Aufhebung and the Parallax
IS  - 32
SP  - 37
EP  - 55
DO  - 10.15366/bp2023.32.002
ER  - 

@article{
author = "Barria-Asenjo, Nicol and Žižek, Slavoj and Willems, Brian and Perunović, Andrea and Balotol Jr., Ruebn and Salas, Gonzalo and Caycho-Rodriguez, Tomás",
year = "2023",
abstract = "In this research, we will start by expo- sing the paradox of ‘surplus enjoyment’ (the Lacanian plus-de-jouir), showing that its parallax structure of lack and excess is also applicable to the pheno- menon of (surplus) repression. Linking his concept with the Hegelian Aufhebung, understood as a ‘failed negation of negation’ or a ‘negation of negation’ as failure, we will focus in detail on the central example illustrating our theoretical positions, which is Iciar Bollain’s film Tambien la Lluvia (Even the Rain). In analyzing its narrative structures that address the neocolonial reality, we will tend to approach indirectly, by reading the medium of cinematic narration, the ‘neocolonial question.’",
publisher = "Universidad Autonoma de Madrid",
journal = "Bajo Palabra. Revista de Filosofía",
title = "The Cinematic Daydream as a Tool of Political Emancipation: Plus-de-Jouir, Aufhebung and the Parallax",
number = "32",
pages = "37-55",
doi = "10.15366/bp2023.32.002"
}

Barria-Asenjo, N., Žižek, S., Willems, B., Perunović, A., Balotol Jr., R., Salas, G.,& Caycho-Rodriguez, T.. (2023). The Cinematic Daydream as a Tool of Political Emancipation: Plus-de-Jouir, Aufhebung and the Parallax. in Bajo Palabra. Revista de Filosofía
Universidad Autonoma de Madrid.(32), 37-55.
https://doi.org/10.15366/bp2023.32.002

Barria-Asenjo N, Žižek S, Willems B, Perunović A, Balotol Jr. R, Salas G, Caycho-Rodriguez T. The Cinematic Daydream as a Tool of Political Emancipation: Plus-de-Jouir, Aufhebung and the Parallax. in Bajo Palabra. Revista de Filosofía. 2023;(32):37-55.
doi:10.15366/bp2023.32.002 .

Barria-Asenjo, Nicol, Žižek, Slavoj, Willems, Brian, Perunović, Andrea, Balotol Jr., Ruebn, Salas, Gonzalo, Caycho-Rodriguez, Tomás, "The Cinematic Daydream as a Tool of Political Emancipation: Plus-de-Jouir, Aufhebung and the Parallax" in Bajo Palabra. Revista de Filosofía, no. 32 (2023):37-55,
https://doi.org/10.15366/bp2023.32.002 . .