TY  - GEN
AU  - Mihaljinac, Nina
PY  - 2021
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2439
AB  - Progresivne kulturne politike ne mogu se zamisliti niti 
ostvariti bez shvatanja pojma kultura u najširem mogućem 
smislu, promene društveno-ekonomskih odnosa na 
globalnom planu, elemenata direktne demokratije, te progresivnih ekonomskih i drugih javnih politika čiji bi 
integralni zadatak bio stvaranje uslova za razvoj slobodnih 
i solidarnih ljudi i zajednica. Da bi se ostvarila vizija društva 
jednakosti i slobode, neophodno je obezbediti uslove za 
ukidanje svih vidova političke dominacije, kao i zaštitu 
društvenih delatnosti od zahteva za ostvarivanjem viška 
vrednosti. Jer, radi se o procesima koji su doveli do 
katastrofalne ekonomske i društvene nejednakosti sveta 
i ekološkog uništenja planete, o čemu ubedljivo govore 
mnogi kritičari kapitalizma1
. Nasuprot takvoj viziji, u 
današnjim društvima sfera kulture ili zavisi od arbitrarnih 
odluka vlasti, ili pak od tržišnih kriterijuma, što ipak ne 
znači da se ne bi mogli naći pojedini primeri progresivnih 
kulturnih politika i odgovarajuće smernice o razvoju kulture 
i umetnosti
PB  - Beograd: Institut za filozofiju i društvenu teoriju
PB  - Beograd: Institut za demokratski angažman jugoistočne Evrope
T1  - Na šta mislimo kada kažemo... Nove kulturne politike
UR  - https://hdl.handle.net/21.15107/rcub_rifdt_2439
ER  - 

@misc{
author = "Mihaljinac, Nina",
year = "2021",
abstract = "Progresivne kulturne politike ne mogu se zamisliti niti 
ostvariti bez shvatanja pojma kultura u najširem mogućem 
smislu, promene društveno-ekonomskih odnosa na 
globalnom planu, elemenata direktne demokratije, te progresivnih ekonomskih i drugih javnih politika čiji bi 
integralni zadatak bio stvaranje uslova za razvoj slobodnih 
i solidarnih ljudi i zajednica. Da bi se ostvarila vizija društva 
jednakosti i slobode, neophodno je obezbediti uslove za 
ukidanje svih vidova političke dominacije, kao i zaštitu 
društvenih delatnosti od zahteva za ostvarivanjem viška 
vrednosti. Jer, radi se o procesima koji su doveli do 
katastrofalne ekonomske i društvene nejednakosti sveta 
i ekološkog uništenja planete, o čemu ubedljivo govore 
mnogi kritičari kapitalizma1
. Nasuprot takvoj viziji, u 
današnjim društvima sfera kulture ili zavisi od arbitrarnih 
odluka vlasti, ili pak od tržišnih kriterijuma, što ipak ne 
znači da se ne bi mogli naći pojedini primeri progresivnih 
kulturnih politika i odgovarajuće smernice o razvoju kulture 
i umetnosti",
publisher = "Beograd: Institut za filozofiju i društvenu teoriju, Beograd: Institut za demokratski angažman jugoistočne Evrope",
title = "Na šta mislimo kada kažemo... Nove kulturne politike",
url = "https://hdl.handle.net/21.15107/rcub_rifdt_2439"
}

Mihaljinac, N.. (2021). Na šta mislimo kada kažemo... Nove kulturne politike. 
Beograd: Institut za filozofiju i društvenu teoriju..
https://hdl.handle.net/21.15107/rcub_rifdt_2439

Mihaljinac N. Na šta mislimo kada kažemo... Nove kulturne politike. 2021;.
https://hdl.handle.net/21.15107/rcub_rifdt_2439 .

Mihaljinac, Nina, "Na šta mislimo kada kažemo... Nove kulturne politike" (2021),
https://hdl.handle.net/21.15107/rcub_rifdt_2439 .

TY  - JOUR
AU  - Mihaljinac, Nina
AU  - Mevorah, Vera
PY  - 2019
UR  - http://journals.sagepub.com/doi/10.1177/0163443719831177
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/2293
AB  - The article uses case studies of artistic and cultural practices on Internet in Serbia (1996–2014) to provide a deeper analysis of possible uses of internet technology and internet art for social and political change as well as showcasing changing attitudes toward the internet in a transitional semi-periphery state. Through analyzing these questions, the article defines several phases of development of internet and art projects in Serbia including (a) the phase of techno-utopia when internet technology was used for staging and supporting student protests and the so-called first ‘internet revolution’ in Serbia (1996–1999); (b) the phase of ambivalence or ‘mixed feelings’ toward the Internet, triggered of by Kosovo War and North Atlantic Treaty Organization (NATO)-led bombing of 1999–2000; (c) the phase of optimism and hope about the Internet after the ‘October 5th’ revolution (2000–cc. 2005); and (d) the phase of disillusionment with both the Internet and democracy (2010–2014). This study re-evaluates early achievements and democratic principles of networked society and illuminates core issues and accomplishments of cyber culture from the 1990s until present times through the point of view of multiple actors present within Serbian art and culture.
PB  - SAGE Journals
T2  - Media, Culture & Society
T1  - Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014
IS  - 6
VL  - 41
SP  - 889
EP  - 900
DO  - 10.1177/0163443719831177
ER  - 

@article{
author = "Mihaljinac, Nina and Mevorah, Vera",
year = "2019",
abstract = "The article uses case studies of artistic and cultural practices on Internet in Serbia (1996–2014) to provide a deeper analysis of possible uses of internet technology and internet art for social and political change as well as showcasing changing attitudes toward the internet in a transitional semi-periphery state. Through analyzing these questions, the article defines several phases of development of internet and art projects in Serbia including (a) the phase of techno-utopia when internet technology was used for staging and supporting student protests and the so-called first ‘internet revolution’ in Serbia (1996–1999); (b) the phase of ambivalence or ‘mixed feelings’ toward the Internet, triggered of by Kosovo War and North Atlantic Treaty Organization (NATO)-led bombing of 1999–2000; (c) the phase of optimism and hope about the Internet after the ‘October 5th’ revolution (2000–cc. 2005); and (d) the phase of disillusionment with both the Internet and democracy (2010–2014). This study re-evaluates early achievements and democratic principles of networked society and illuminates core issues and accomplishments of cyber culture from the 1990s until present times through the point of view of multiple actors present within Serbian art and culture.",
publisher = "SAGE Journals",
journal = "Media, Culture & Society",
title = "Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014",
number = "6",
volume = "41",
pages = "889-900",
doi = "10.1177/0163443719831177"
}

Mihaljinac, N.,& Mevorah, V.. (2019). Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014. in Media, Culture & Society
SAGE Journals., 41(6), 889-900.
https://doi.org/10.1177/0163443719831177

Mihaljinac N, Mevorah V. Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014. in Media, Culture & Society. 2019;41(6):889-900.
doi:10.1177/0163443719831177 .

Mihaljinac, Nina, Mevorah, Vera, "Broken promises of Internet and democracy: Internet art in Serbia, 1996–2014" in Media, Culture & Society, 41, no. 6 (2019):889-900,
https://doi.org/10.1177/0163443719831177 . .