Avgerinou, Marialena

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Wittgenstein’s Language and Beckett : the Limits of Language and the Absurd

Avgerinou, Marialena

(Beograd : Institut za filozofiju i društvenu teoriju, 2017)

TY  - JOUR
AU  - Avgerinou, Marialena
PY  - 2017
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/1431
AB  - This paper provides a parallel linguistic and conceptual reading of Wittgenstein’s and Beckett’s works. More specifically, the Tractatus Logico-Philosophicus and the Philosophical Investigations are looked at in relation to the absurd plays Not I and Waiting for Godot, respectively. The limits of language as described in the Tractatus are part of theverbally and conceptually asphyxiating world brought on stage by Beckett in the monologue Not I, while the transition to ‘language games’ of the Philosophical Investigations can be identified in parts of Waiting for Godot. The suggested conclusion isthat Wittgenstein’s expression of the ineffable, the problematic use of language and (its) meaning can be and have been expressed in a form of art, while the meanings of Wittgenstein’s writings are in harmony with their stylistic form, his concept of ‘showing’ further illustrating this idea.
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Filozofija i društvo/Philosophy and Society
T1  - Wittgenstein’s Language and Beckett : the Limits of Language and the Absurd
IS  - 2
VL  - 28
SP  - 365
EP  - 376
DO  - 10.2298/FID1702365A
ER  - 
@article{
author = "Avgerinou, Marialena",
year = "2017",
abstract = "This paper provides a parallel linguistic and conceptual reading of Wittgenstein’s and Beckett’s works. More specifically, the Tractatus Logico-Philosophicus and the Philosophical Investigations are looked at in relation to the absurd plays Not I and Waiting for Godot, respectively. The limits of language as described in the Tractatus are part of theverbally and conceptually asphyxiating world brought on stage by Beckett in the monologue Not I, while the transition to ‘language games’ of the Philosophical Investigations can be identified in parts of Waiting for Godot. The suggested conclusion isthat Wittgenstein’s expression of the ineffable, the problematic use of language and (its) meaning can be and have been expressed in a form of art, while the meanings of Wittgenstein’s writings are in harmony with their stylistic form, his concept of ‘showing’ further illustrating this idea.",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Filozofija i društvo/Philosophy and Society",
title = "Wittgenstein’s Language and Beckett : the Limits of Language and the Absurd",
number = "2",
volume = "28",
pages = "365-376",
doi = "10.2298/FID1702365A"
}
Avgerinou, M.. (2017). Wittgenstein’s Language and Beckett : the Limits of Language and the Absurd. in Filozofija i društvo/Philosophy and Society
Beograd : Institut za filozofiju i društvenu teoriju., 28(2), 365-376.
https://doi.org/10.2298/FID1702365A
Avgerinou M. Wittgenstein’s Language and Beckett : the Limits of Language and the Absurd. in Filozofija i društvo/Philosophy and Society. 2017;28(2):365-376.
doi:10.2298/FID1702365A .
Avgerinou, Marialena, "Wittgenstein’s Language and Beckett : the Limits of Language and the Absurd" in Filozofija i društvo/Philosophy and Society, 28, no. 2 (2017):365-376,
https://doi.org/10.2298/FID1702365A . .