Sort By
Publication Year
Deposit Date
Title
Type
Access
Publication Year
2012 (1)
Type
Version
Access

Petrov, Ana

Link to this page

Authority KeyName Variants
e0f541ef-4ecf-4370-98d6-540078497445
  • Petrov, Ana (1)
Projects
No records found.

Author's Bibliography

Koncept evolucije muzike u teorijama Herberta Spensera i Čarlsa Darvina

Milidrag, Predrag; Petrov, Ana

(2012)

TY  - JOUR
AU  - Petrov, Ana
PY  - 2012
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/608
AB  - This paper deals with the discourses on music in Herbert Spencer’s and Charles Darwin’s theories of evolution. Even though both Spencer and Darwin construed music as a carrier of the expression of affects and a part of a ubiquitous evolutional process towards ever increasing progress of culture, these authors’ discourses differed from each other in the understanding of the origin and function of music. Darwin considered music as being one of the (natural) means of making a selection during the process of evolution of the humans as a biological species. Notwithstanding certain similarities to Darwin, Spencer (as well as his followers) discussed music as a part of a socio-cultural evolution, which entailed an approach to music as a historical and cultural phenomenon. I will here elaborate the position of the discourses on music in Spencer’s and Darwin’s general theories of evolution, point out to the relevant aspects of the concept of music evolution and mention the influence that these theories had on the 19th-century official discourses on music.
T2  - Filozofija i društvo/Philosophy and Society
T1  - Koncept evolucije muzike u teorijama Herberta Spensera i Čarlsa Darvina
T1  - The Concept of Music Evolution in Herbert Spencer's and Charles Darwin's Theories
SP  - 253
EP  - 273
DO  - 10.2298/FID1203253P
ER  - 
@article{
editor = "Milidrag, Predrag",
author = "Petrov, Ana",
year = "2012",
url = "http://rifdt.instifdt.bg.ac.rs/123456789/608",
abstract = "This paper deals with the discourses on music in Herbert Spencer’s and Charles Darwin’s theories of evolution. Even though both Spencer and Darwin construed music as a carrier of the expression of affects and a part of a ubiquitous evolutional process towards ever increasing progress of culture, these authors’ discourses differed from each other in the understanding of the origin and function of music. Darwin considered music as being one of the (natural) means of making a selection during the process of evolution of the humans as a biological species. Notwithstanding certain similarities to Darwin, Spencer (as well as his followers) discussed music as a part of a socio-cultural evolution, which entailed an approach to music as a historical and cultural phenomenon. I will here elaborate the position of the discourses on music in Spencer’s and Darwin’s general theories of evolution, point out to the relevant aspects of the concept of music evolution and mention the influence that these theories had on the 19th-century official discourses on music.",
journal = "Filozofija i društvo/Philosophy and Society",
title = "Koncept evolucije muzike u teorijama Herberta Spensera i Čarlsa Darvina, The Concept of Music Evolution in Herbert Spencer's and Charles Darwin's Theories",
pages = "253-273",
doi = "10.2298/FID1203253P"
}
Milidrag, P.,& Petrov, A. (2012). The Concept of Music Evolution in Herbert Spencer's and Charles Darwin's Theories.
Filozofija i društvo/Philosophy and Society, 253-273.
https://doi.org/10.2298/FID1203253P
Milidrag P, Petrov A. The Concept of Music Evolution in Herbert Spencer's and Charles Darwin's Theories. Filozofija i društvo/Philosophy and Society. 2012;:253-273
Milidrag Predrag, Petrov Ana, "The Concept of Music Evolution in Herbert Spencer's and Charles Darwin's Theories" (2012):253-273,
https://doi.org/10.2298/FID1203253P .